Rank |
Caption |
Mean |
Precision |
Total votes |
"Unfunny" votes |
"Somewhat funny" votes |
"Funny" votes |
0 |
I see myself in so much of his work. |
1.9995 |
0.01736 |
1933 |
563 |
808 |
562 |
1 |
I was young and needed the money. |
1.9762 |
0.02061 |
1555 |
532 |
528 |
495 |
2 |
It's a forgery. The original is only a half-mile from where I live. |
1.9309 |
0.01840 |
1824 |
630 |
690 |
504 |
3 |
It's a little pedestrian, don't you think? |
1.9309 |
0.02238 |
1230 |
424 |
467 |
339 |
4 |
You can almost hear the car coming. |
1.9255 |
0.01841 |
1880 |
674 |
672 |
534 |
5 |
This one is good, but I literally couldn't stop looking at the headlights exhibit. |
1.9174 |
0.01916 |
1816 |
686 |
594 |
536 |
6 |
"Male leaping one lane of the Interstate" was powerful, but "Mother and Child contemplating I95" is beautiful. |
1.8832 |
0.01786 |
1935 |
723 |
715 |
497 |
7 |
Frankly, I'd rather see signs warning us of cars. |
1.8680 |
0.01897 |
1735 |
671 |
622 |
442 |
8 |
I didn't get it at first either, then it hits you. |
1.8669 |
0.01693 |
2366 |
980 |
721 |
665 |
9 |
I'm telling you: it's a sign. |
1.8628 |
0.01823 |
1866 |
724 |
674 |
468 |
10 |
I'd brake for her. |
1.8495 |
0.01702 |
2252 |
929 |
733 |
590 |
11 |
Whoever DOT is, I really like her work. |
1.8452 |
0.01725 |
2126 |
862 |
731 |
533 |
12 |
I don't get it. |
1.8097 |
0.02059 |
1566 |
697 |
470 |
399 |
13 |
So simple, yet they really jump out at you. |
1.8087 |
0.02113 |
1338 |
552 |
490 |
296 |
14 |
We use to walk on four legs? |
1.7909 |
0.01907 |
1712 |
749 |
572 |
391 |
15 |
Oh, please, every work of art reminds you of your mother. |
1.7879 |
0.01867 |
1631 |
673 |
631 |
327 |
16 |
Imagine the impact it will have. |
1.7867 |
0.01403 |
3727 |
1850 |
822 |
1055 |
17 |
These are from back when cars had drivers. |
1.7861 |
0.01860 |
1669 |
698 |
630 |
341 |
18 |
He was edgier before he got a grant from the Highways Department. |
1.7830 |
0.01924 |
1636 |
711 |
569 |
356 |
19 |
Who lets their kid walk in front? |
1.7730 |
0.02061 |
1339 |
567 |
509 |
263 |
20 |
It's thought-provoking, yet instills me with a sense of caution. |
1.7576 |
0.01700 |
1943 |
838 |
738 |
367 |
21 |
His work is displayed all over the country. |
1.7563 |
0.01831 |
1736 |
768 |
623 |
345 |
22 |
His "yellow series" perfectly captures the essential conflict facing a deer in modern society. |
1.7525 |
0.02023 |
1422 |
633 |
508 |
281 |
23 |
This one doesn't leap out at me the way the others do. |
1.7508 |
0.01936 |
1577 |
711 |
548 |
318 |
24 |
It's a little too middle-of-the-road for my taste. |
1.7492 |
0.01933 |
1515 |
666 |
563 |
286 |
25 |
Sadly, too many thought it meant 'Cross Here.' |
1.7361 |
0.01911 |
1743 |
845 |
513 |
385 |
26 |
The maternal doe, the bounding stag...even their caution signs were sexist. |
1.7355 |
0.02377 |
1066 |
499 |
350 |
217 |
27 |
Don't look up or we'll be here all night. |
1.7217 |
0.02239 |
1254 |
617 |
369 |
268 |
28 |
These overhead lights are quite ironic. |
1.7151 |
0.03275 |
544 |
258 |
183 |
103 |
29 |
The message is clear - "Black deer matter" |
1.6871 |
0.03154 |
652 |
345 |
166 |
141 |
30 |
I think it's a sign. |
1.6801 |
0.01954 |
1519 |
761 |
483 |
275 |
31 |
Sadly, too many of us thought it meant 'Cross Here.' |
1.6796 |
0.01867 |
1676 |
844 |
525 |
307 |
32 |
This one is entitled, "The Buck Stops Here." |
1.6787 |
0.02167 |
1276 |
653 |
380 |
243 |
33 |
They were run over by a Tesla, never heard it coming. |
1.6706 |
0.02705 |
838 |
440 |
234 |
164 |
34 |
It's so nice to see his work not riddled with bullet holes. |
1.6675 |
0.02119 |
1266 |
640 |
407 |
219 |
35 |
It's no Picasso, but it's better than "Watch For Falling Rock |
1.6633 |
0.02545 |
796 |
384 |
296 |
116 |
36 |
Yep. Mom and me. No permission asked. Not a penny in royalties. |
1.6627 |
0.02370 |
996 |
503 |
326 |
167 |
37 |
I guess not all artists can make a decent buck. |
1.6594 |
0.02146 |
1327 |
708 |
363 |
256 |
38 |
I've never cared for street art. |
1.6587 |
0.02715 |
753 |
381 |
248 |
124 |
39 |
Nobody could model like her. She stopped traffic. |
1.6535 |
0.02076 |
1368 |
722 |
398 |
248 |
40 |
At first I didn't understand the art, but then it hit me |
1.6513 |
0.02150 |
1325 |
717 |
353 |
255 |
41 |
Now that you mention it, I have seen his work everywhere. |
1.6502 |
0.02016 |
1272 |
629 |
459 |
184 |
42 |
I hear after the exhibit closes here, they're taking it on the road. |
1.6498 |
0.02048 |
1445 |
779 |
393 |
273 |
43 |
That's my first wife. She got custody. |
1.6465 |
0.02428 |
993 |
528 |
288 |
177 |
44 |
The art is subtle, but then it hits you. |
1.6464 |
0.01915 |
1697 |
934 |
429 |
334 |
45 |
I think his work stands as a warning to us all. |
1.6464 |
0.02135 |
1165 |
588 |
401 |
176 |
46 |
I could've bought that in Vermont for ten dollars a few years go. |
1.6437 |
0.02125 |
1176 |
596 |
403 |
177 |
47 |
I know I am supposed to be looking at the art, but I can't help staring at the lights. |
1.6383 |
0.02043 |
1410 |
762 |
396 |
252 |
48 |
I find it fawning and pedestrian. |
1.6371 |
0.02335 |
1050 |
560 |
311 |
179 |
49 |
Why don't they ever show dads with kids? |
1.6348 |
0.02183 |
1079 |
546 |
381 |
152 |
50 |
Unfortunately, the buck didn't stop there. |
1.6328 |
0.02194 |
1209 |
655 |
343 |
211 |
51 |
The portraits are inspiring, but I prefer his falling rocks. |
1.6285 |
0.02012 |
1467 |
809 |
394 |
264 |
52 |
This one's on loan from the Taconic State Parkway |
1.6281 |
0.02244 |
1116 |
598 |
335 |
183 |
53 |
They already have guns and now they're telling them where we are! |
1.6246 |
0.02424 |
951 |
511 |
286 |
154 |
54 |
Wish they'd turn the spot lights off so we could leave. |
1.6235 |
0.02509 |
911 |
497 |
260 |
154 |
55 |
Personally -- I prefer the artist's "Slow Children" period. |
1.6190 |
0.02322 |
987 |
522 |
319 |
146 |
56 |
'The headlights on the ceiling really capture the moment.' |
1.6185 |
0.02283 |
1038 |
554 |
326 |
158 |
57 |
Her work has become more reflective. |
1.6180 |
0.02571 |
822 |
440 |
256 |
126 |
58 |
I'm still partial to his "Caution: Falling Rocks" phase. |
1.6165 |
0.02309 |
970 |
508 |
326 |
136 |
59 |
Maybe it's the lighting, but I can't look away |
1.6144 |
0.02570 |
804 |
428 |
258 |
118 |
60 |
For a moment, I thought it was the ladies' room. |
1.6139 |
0.02392 |
979 |
536 |
285 |
158 |
61 |
Stereotyping us again. This is why they think we all look alike. |
1.6066 |
0.02697 |
699 |
369 |
236 |
94 |
62 |
Fine, Ill admit it. I posed when I was younger. I needed the money to get me through art school. |
1.6047 |
0.04237 |
253 |
127 |
99 |
27 |
63 |
Stop staring at her ass... |
1.6042 |
0.02540 |
912 |
520 |
233 |
159 |
64 |
They're only here for another week, then they go on the road. |
1.6033 |
0.02366 |
963 |
526 |
293 |
144 |
65 |
These aren't originals. I've definitely seen them somewhere before. |
1.6031 |
0.02776 |
640 |
335 |
224 |
81 |
66 |
I can't believe I'm finally seeing the original, I passed hundreds of reproductions on the road here. |
1.6030 |
0.02432 |
932 |
515 |
272 |
145 |
67 |
I hear this show is going on the road. |
1.6005 |
0.02657 |
771 |
425 |
229 |
117 |
68 |
I don't care what the critics say. This is much better than the "Slow Children Playing" exhibit over at the Whitney. |
1.5983 |
0.02358 |
961 |
527 |
293 |
141 |
69 |
He's done similar work elsewhere but it's been very pedestrian. |
1.5980 |
0.02320 |
1020 |
567 |
296 |
157 |
70 |
Ah, 'Mother and Child' by Doe Vinci. |
1.5967 |
0.02530 |
853 |
474 |
249 |
130 |
71 |
Nice to view street art without someone honking at us. |
1.5960 |
0.02623 |
755 |
410 |
240 |
105 |
72 |
Turns out these didn't mean safe to cross. |
1.5956 |
0.02443 |
868 |
471 |
277 |
120 |
73 |
We came all the way into the city to look at this? |
1.5923 |
0.02937 |
601 |
328 |
190 |
83 |
74 |
I feel the artist is trying to warn us about something. |
1.5834 |
0.02596 |
809 |
459 |
228 |
122 |
75 |
This transcendent piece is more than mere art. It's a sign. |
1.5818 |
0.02703 |
782 |
455 |
199 |
128 |
76 |
Frankly, I find it rather pedestrian. |
1.5805 |
0.02566 |
870 |
508 |
219 |
143 |
77 |
This one's by "DOT", who's DOT? |
1.5782 |
0.02586 |
780 |
437 |
235 |
108 |
78 |
I think it's a sign. |
1.5772 |
0.02623 |
797 |
458 |
218 |
121 |
79 |
I remember when Myrna posed for this. Ironic how she died. |
1.5762 |
0.02592 |
800 |
456 |
227 |
117 |
80 |
I'd say this was his cautionary period. |
1.5720 |
0.02558 |
750 |
413 |
245 |
92 |
81 |
I see it as a cautionary tale |
1.5694 |
0.02732 |
634 |
345 |
217 |
72 |
82 |
I love DOT's madonna-and-child paintings most of all, don't you? |
1.5647 |
0.02962 |
572 |
322 |
177 |
73 |
83 |
This is stuff we've seen a thousand times, am I right? |
1.5642 |
0.02753 |
716 |
418 |
192 |
106 |
84 |
Well, it's certainly reflective. |
1.5621 |
0.02834 |
644 |
369 |
188 |
87 |
85 |
I see the series as a cautionary tale. |
1.5614 |
0.02637 |
700 |
391 |
225 |
84 |
86 |
Too pedestrian for my taste. |
1.5593 |
0.02789 |
683 |
398 |
188 |
97 |
87 |
I still prefer his earlier No Hunting work. |
1.5587 |
0.02921 |
673 |
407 |
156 |
110 |
88 |
You’ll love the headlight exhibit in the next room, it’s mesmerizing. |
1.5576 |
0.03008 |
608 |
361 |
155 |
92 |
89 |
Good. They still don't know we can stand. |
1.5559 |
0.03001 |
617 |
369 |
153 |
95 |
90 |
I just don't get street art. |
1.5545 |
0.02817 |
642 |
370 |
188 |
84 |
91 |
Ironic. The artist died of Lyme disease. |
1.5514 |
0.03128 |
622 |
391 |
119 |
112 |
92 |
This one always stops me in my tracks. |
1.5508 |
0.02823 |
630 |
363 |
187 |
80 |
93 |
This one doesn't jump at you as much as the others. |
1.5488 |
0.02968 |
605 |
359 |
160 |
86 |
94 |
I like it, but where would we hang it? |
1.5474 |
0.02751 |
601 |
334 |
205 |
62 |
95 |
Don't look up, or we'll be standing here all day. |
1.5448 |
0.03270 |
525 |
321 |
122 |
82 |
96 |
I think this one was used for family restrooms. |
1.5431 |
0.03022 |
569 |
337 |
155 |
77 |
97 |
The value of this artist's work has risen dramatically since...well you know. |
1.5429 |
0.03114 |
571 |
348 |
136 |
87 |
98 |
The way the light hits - it just stops me in my tracks |
1.5424 |
0.02962 |
566 |
329 |
167 |
70 |
99 |
This one always stops me dead in my tracks. |
1.5423 |
0.03016 |
568 |
336 |
156 |
76 |
100 |
He's missing an antler. This must be a VanDoe. |
1.5404 |
0.03114 |
557 |
337 |
139 |
81 |
101 |
I wanted my art to engage with the automobile. Then it struck me... |
1.5366 |
0.03157 |
533 |
322 |
136 |
75 |
102 |
This one makes me cross. |
1.5352 |
0.03216 |
525 |
321 |
127 |
77 |
103 |
Intellectually it’s great execution, emotionally it’s still “deer in the headlights”. |
1.5349 |
0.03130 |
516 |
306 |
144 |
66 |
104 |
I don't know, it just seems like the 'Madonna and Child' thing has been done to death. |
1.5299 |
0.03172 |
502 |
300 |
138 |
64 |
105 |
No wonder people hit us, we don't look anything like that. |
1.5259 |
0.03408 |
483 |
304 |
104 |
75 |
106 |
I thought this was the sign for the family restroom. |
1.5234 |
0.03281 |
470 |
284 |
126 |
60 |
107 |
These are photoshopped - nobody has a figure that perfect. |
1.5200 |
0.03382 |
425 |
254 |
121 |
50 |
108 |
It used to seem original, but now he's just repeating himself. |
1.5179 |
0.03201 |
446 |
261 |
139 |
46 |
109 |
I've run into his work before. |
1.5170 |
0.03474 |
441 |
275 |
104 |
62 |
110 |
What do you think she's trying to get across? |
1.5165 |
0.03322 |
424 |
251 |
127 |
46 |
111 |
It's so lifelike I can almost hear the car coming. |
1.5163 |
0.03753 |
399 |
255 |
82 |
62 |
112 |
This is weird; I think I went out with her. |
1.5160 |
0.03462 |
438 |
272 |
106 |
60 |
113 |
I can't believe they bought all this art for three bucks! |
1.5149 |
0.03541 |
435 |
275 |
96 |
64 |
114 |
UNNUMBERED ARTIST PRINTS ?? HA !! Try inmate overruns. |
1.5140 |
0.03618 |
430 |
276 |
87 |
67 |
115 |
The artist captures a certain sense of peril. Don't you agree? |
1.5118 |
0.03300 |
422 |
250 |
128 |
44 |
116 |
Makes you stop and think, doesn't it? |
1.5118 |
0.03486 |
424 |
263 |
105 |
56 |
117 |
I wish they'd turn off these lights so that we could move on to the next sign. |
1.5099 |
0.03603 |
406 |
255 |
95 |
56 |
118 |
I like the artist's earlier work...this period was so cautious. |
1.5097 |
0.03596 |
412 |
260 |
94 |
58 |
119 |
Sublime! You can FEEL the headlights on them. |
1.5097 |
0.03428 |
412 |
250 |
114 |
48 |
120 |
It would work beautifully in that space we have between the forest edge and the highway |
1.5088 |
0.03665 |
397 |
251 |
90 |
56 |
121 |
Is anyone else startled by the headlights coming from above? |
1.5086 |
0.03447 |
409 |
249 |
112 |
48 |
122 |
Don't feel bad, signs add about ten pounds. |
1.5062 |
0.03520 |
403 |
249 |
104 |
50 |
123 |
Typical Jane Doe feminism. Note the minimalist antlers. |
1.5051 |
0.03513 |
396 |
243 |
106 |
47 |
124 |
It's a bit pedestrian. |
1.5038 |
0.03783 |
395 |
258 |
75 |
62 |
125 |
I especially appreciate the way that the color scheme and the diagonal format heightens the sense of existential angst. |
1.5026 |
0.03580 |
386 |
239 |
100 |
47 |
126 |
I couldn't get anywhere with her, and now she's a nude model. |
1.5000 |
0.04108 |
378 |
262 |
43 |
73 |
127 |
That was back in the day when we walked on all fours. |
1.5000 |
0.03694 |
378 |
239 |
89 |
50 |
128 |
It kind of ruins the element of surprise, don't you think? |
1.4987 |
0.03605 |
377 |
234 |
98 |
45 |
129 |
I gotta be honest, I don't get it. |
1.4987 |
0.03755 |
375 |
240 |
83 |
52 |
130 |
Kind of makes you stop in your tracks. |
1.4959 |
0.03470 |
367 |
220 |
112 |
35 |
131 |
These pictures remind me of my days on the road. |
1.4959 |
0.03548 |
365 |
222 |
105 |
38 |
132 |
It captures both the stark isolation of the single parent and the inevitability of life's progression... |
1.4959 |
0.03714 |
365 |
230 |
89 |
46 |
133 |
Nice art work, but it only tells guys with guns where we like to cross the street. |
1.4944 |
0.03711 |
360 |
226 |
90 |
44 |
134 |
Way back then deer ran on four legs. |
1.4930 |
0.03503 |
359 |
216 |
109 |
34 |
135 |
I just feel like contemporary art has gotten too safe. |
1.4930 |
0.03862 |
359 |
233 |
75 |
51 |
136 |
It's from his black and yellow period. |
1.4930 |
0.03591 |
359 |
220 |
101 |
38 |
137 |
The artist is a deer friend. |
1.4924 |
0.04516 |
262 |
170 |
55 |
37 |
138 |
This one makes you really slow down and think. |
1.4915 |
0.03774 |
352 |
223 |
85 |
44 |
139 |
I see it more of a cautionary tale. |
1.4915 |
0.03752 |
352 |
222 |
87 |
43 |
140 |
That was taken right before they crossed over. |
1.4915 |
0.03598 |
352 |
215 |
101 |
36 |
141 |
I'm compelled to cross the room every time I see it and I don't know why.. |
1.4900 |
0.03695 |
351 |
219 |
92 |
40 |
142 |
I find them a bit pedestrian. |
1.4900 |
0.03782 |
351 |
223 |
84 |
44 |
143 |
The paintings are much more calming than the taxidermy exhibit. |
1.4899 |
0.03986 |
347 |
229 |
66 |
52 |
144 |
A true genius, and he made our world a safer place. |
1.4868 |
0.03887 |
341 |
220 |
76 |
45 |
145 |
The artist was never able to shake those early years in Public Works. |
1.4867 |
0.03860 |
339 |
217 |
79 |
43 |
146 |
I see the price has gone up since the artist was run over. |
1.4816 |
0.04092 |
326 |
217 |
61 |
48 |
147 |
These pieces date back to the Xing dynasty. |
1.4809 |
0.04579 |
262 |
175 |
48 |
39 |
148 |
Do you think it's a sign? |
1.4798 |
0.03923 |
321 |
206 |
76 |
39 |
149 |
Hey, isn't that your ex ? |
1.4796 |
0.03815 |
319 |
200 |
85 |
34 |
150 |
I find them pedestrian |
1.4774 |
0.03895 |
310 |
196 |
80 |
34 |
151 |
A clever appropriation of the Lascaux cave paintings, don't you think? |
1.4763 |
0.03726 |
317 |
196 |
91 |
30 |
152 |
Do your folks know you're now modeling in the nude? |
1.4760 |
0.03841 |
313 |
197 |
83 |
33 |
153 |
Ah, so this is where the buck stops. |
1.4760 |
0.04198 |
313 |
211 |
55 |
47 |
154 |
This is from his Headlights Period. |
1.4759 |
0.04017 |
311 |
202 |
70 |
39 |
155 |
This is a substantial improvement over her "yield" period. |
1.4757 |
0.03984 |
309 |
199 |
73 |
37 |
156 |
She wants big bucks for it. |
1.4735 |
0.03970 |
302 |
193 |
75 |
34 |
157 |
I love his yellow period |
1.4714 |
0.03786 |
297 |
183 |
88 |
26 |
158 |
Late Human work. They became extinct after an orange man pressed a red button. |
1.4714 |
0.04372 |
297 |
204 |
46 |
47 |
159 |
This one stopped me in my tracks. |
1.4694 |
0.04106 |
294 |
192 |
66 |
36 |
160 |
It says the artist painted these during his reflective period. |
1.4694 |
0.04020 |
294 |
189 |
72 |
33 |
161 |
This is why I don’t care for his later work. It’s so commercial. I literally see cheap copies of these everywhere I go. |
1.4692 |
0.04184 |
292 |
193 |
61 |
38 |
162 |
I understand the artist will be taking this collection out on the road? |
1.4671 |
0.04328 |
289 |
196 |
51 |
42 |
163 |
Just don't look up at the lights, Andrew. Andrew? Andrew? |
1.4671 |
0.04011 |
289 |
185 |
73 |
31 |
164 |
I don't know Mel, I thinking using car headlights for the lighting is a little too conceptual. |
1.4634 |
0.04031 |
287 |
185 |
71 |
31 |
165 |
No wonder they keep hitting us - their signs are all in museums. |
1.4632 |
0.04445 |
272 |
185 |
48 |
39 |
166 |
Sure, his work is everywhere, but I still don't get it |
1.4632 |
0.04112 |
285 |
186 |
66 |
33 |
167 |
Not bad for street art. |
1.4626 |
0.03935 |
281 |
177 |
78 |
26 |
168 |
Do you ever feel that you're not the audience? |
1.4610 |
0.03991 |
269 |
169 |
76 |
24 |
169 |
It used to be a deer crossing before Trump built The Wall |
1.4601 |
0.04334 |
276 |
186 |
53 |
37 |
170 |
In my day, crossing was more of an adventure. |
1.4599 |
0.04202 |
274 |
180 |
62 |
32 |
171 |
Try to see it from the driver’s perspective. |
1.4599 |
0.04202 |
274 |
180 |
62 |
32 |
172 |
I saw his installation on I-95. It stopped me dead in my tracks. |
1.4596 |
0.04413 |
272 |
185 |
49 |
38 |
173 |
Oh for heavens sake dear, I meant nice rack, as in antlers. |
1.4593 |
0.04407 |
270 |
183 |
50 |
37 |
174 |
You may very well call it art, but I call it signage. |
1.4576 |
0.03934 |
271 |
170 |
78 |
23 |
175 |
Dan hit a human last week. |
1.4576 |
0.03969 |
271 |
171 |
76 |
24 |
176 |
She finally left me to get the big bucks. |
1.4572 |
0.04193 |
269 |
176 |
63 |
30 |
177 |
Her "Headlights" exhibition was breathtaking. |
1.4572 |
0.04226 |
269 |
177 |
61 |
31 |
178 |
It's a little pedestrian. |
1.4569 |
0.04475 |
267 |
183 |
46 |
38 |
179 |
Much less pedestrian than his earlier works. |
1.4569 |
0.04046 |
267 |
170 |
72 |
25 |
180 |
And in those days, everyone used all four feet. |
1.4569 |
0.04283 |
267 |
177 |
58 |
32 |
181 |
Like all good art, suddenly it hits you. |
1.4549 |
0.04193 |
266 |
174 |
63 |
29 |
182 |
The civilization that created such art must have had great respect for our species. |
1.4549 |
0.03950 |
266 |
167 |
77 |
22 |
183 |
We've got to get over our victim mentality. |
1.4545 |
0.04042 |
264 |
168 |
72 |
24 |
184 |
I could see how you could get struck by this. |
1.4514 |
0.04156 |
257 |
166 |
66 |
25 |
185 |
I knew her before she became a model. |
1.4510 |
0.04029 |
255 |
161 |
73 |
21 |
186 |
It's a van Doe |
1.4506 |
0.04421 |
253 |
170 |
52 |
31 |
187 |
Someday we'll be able to cross wherever we damn well please. |
1.4486 |
0.04612 |
214 |
140 |
52 |
22 |
188 |
Are you sure it's an original? It looks very similar to one I saw southeast of Denver on Highway 40. |
1.4484 |
0.04398 |
252 |
169 |
53 |
30 |
189 |
I don't know, they look harmless enough to me. Shouldn't the warning be a silhouette of a car? |
1.4480 |
0.04387 |
250 |
167 |
54 |
29 |
190 |
After the accident one senses a certain vulnerability ...in his works... |
1.4480 |
0.04531 |
250 |
171 |
46 |
33 |
191 |
Simplistic - yes. Still I can't help but feel a sense of impending peril. |
1.4480 |
0.04044 |
250 |
158 |
72 |
20 |
192 |
... in the days before we started shooting back. |
1.4476 |
0.04450 |
248 |
167 |
51 |
30 |
193 |
I'd hit that. |
1.4472 |
0.04514 |
246 |
167 |
48 |
31 |
194 |
D.O.T.'s masterpiece. Unfortunately, we know so little about him. |
1.4463 |
0.04299 |
242 |
158 |
60 |
24 |
195 |
No, it’s Romanticism. Realism would have bullet holes. |
1.4462 |
0.04446 |
251 |
170 |
50 |
31 |
196 |
I knew him when he was still painting stop signs. |
1.4453 |
0.04197 |
247 |
160 |
64 |
23 |
197 |
I thought this was a stag show. |
1.4453 |
0.04388 |
247 |
165 |
54 |
28 |
198 |
Fox News was right, we were being targeted. |
1.4453 |
0.04274 |
247 |
162 |
60 |
25 |
199 |
frankly i have seen better art in a cave. |
1.4449 |
0.04419 |
236 |
156 |
55 |
25 |
200 |
As if we needed permission. |
1.4444 |
0.04364 |
243 |
161 |
56 |
26 |
201 |
Static and maternal, yet haunted by a certain "caught in the headlights" sense of impending doom. |
1.4440 |
0.04390 |
241 |
160 |
55 |
26 |
202 |
Aren't they lovely? The artist is a deer friend of mine... |
1.4440 |
0.04430 |
241 |
161 |
53 |
27 |
203 |
It's a matter of depth perception; is this a mother with child, or is it 2 deer . . .one near and the other far? |
1.4417 |
0.04282 |
240 |
157 |
60 |
23 |
204 |
I know a cave where you can see this sort of stuff for free. |
1.4383 |
0.04304 |
235 |
154 |
59 |
22 |
205 |
The lighting really brings you to a standstill |
1.4383 |
0.04590 |
235 |
161 |
45 |
29 |
206 |
These humans haven't come very far since the days of their crude cave paintings. |
1.4383 |
0.04429 |
235 |
157 |
53 |
25 |
207 |
I don't know what it means but I like it. |
1.4383 |
0.04175 |
235 |
151 |
65 |
19 |
208 |
This is really very pedestrian. |
1.4383 |
0.04669 |
235 |
163 |
41 |
31 |
209 |
Street art just looks wrong in a gallery |
1.4378 |
0.04498 |
233 |
157 |
50 |
26 |
210 |
I still prefer his Moose Period. |
1.4372 |
0.04526 |
231 |
156 |
49 |
26 |
211 |
"This is a departure for him. He's been in such a rut lately". |
1.4372 |
0.04526 |
231 |
156 |
49 |
26 |
212 |
Do you feel objectified? |
1.4372 |
0.04484 |
231 |
155 |
51 |
25 |
213 |
Where have I seen this before? |
1.4367 |
0.04295 |
229 |
149 |
60 |
20 |
214 |
This is Gary's Yellow Period. |
1.4367 |
0.04555 |
229 |
155 |
48 |
26 |
215 |
Why are they walking on all fours? |
1.4367 |
0.04384 |
229 |
151 |
56 |
22 |
216 |
The plural of deer is deer? |
1.4342 |
0.04440 |
228 |
152 |
53 |
23 |
217 |
I'm not sure why, but each work seems to express the fleeting nature of existence. |
1.4342 |
0.04483 |
228 |
153 |
51 |
24 |
218 |
This one is called "Madonna and Blitzen." |
1.4342 |
0.04652 |
228 |
157 |
43 |
28 |
219 |
Innocence, but with a sense of foreboding. |
1.4342 |
0.04262 |
228 |
148 |
61 |
19 |
220 |
My kid could paint that. |
1.4336 |
0.04379 |
226 |
149 |
56 |
21 |
221 |
He's brilliant with profiles, but nothing brings out a subject's eyes like headlights. |
1.4324 |
0.04702 |
222 |
153 |
42 |
27 |
222 |
This is hopelessly derivative. But I like that there are no bullet holes. |
1.4323 |
0.04718 |
229 |
160 |
39 |
30 |
223 |
This would go great in our driveway. |
1.4299 |
0.04584 |
221 |
150 |
47 |
24 |
224 |
You've seen one Madonna and Child, you've seen them all. |
1.4299 |
0.04673 |
221 |
152 |
43 |
26 |
225 |
I like it, but where would we put it? |
1.4292 |
0.04382 |
219 |
144 |
56 |
19 |
226 |
I actually prefer his Leaping Period. |
1.4292 |
0.04382 |
219 |
144 |
56 |
19 |
227 |
This is still considered pornography to some conservative groups. |
1.4292 |
0.04523 |
219 |
147 |
50 |
22 |
228 |
Is the one on the left smaller, or just further away? |
1.4279 |
0.04389 |
215 |
141 |
56 |
18 |
229 |
Let's not walk home. |
1.4272 |
0.04517 |
213 |
142 |
51 |
20 |
230 |
What do I see? The artist seems to be addressing it only from the car's perspective. |
1.4265 |
0.04396 |
211 |
138 |
56 |
17 |
231 |
This one's only a buck. |
1.4252 |
0.04784 |
214 |
149 |
39 |
26 |
232 |
It was from his "Crossings" Period. |
1.4238 |
0.04459 |
210 |
139 |
53 |
18 |
233 |
It makes me cross when they’re unsigned. |
1.4238 |
0.04804 |
210 |
146 |
39 |
25 |
234 |
I heard he started on I-87. |
1.4238 |
0.04408 |
210 |
138 |
55 |
17 |
235 |
She took Bambi and walked out on me. All she left was a deer John note. |
1.4238 |
0.04851 |
210 |
147 |
37 |
26 |
236 |
I'm feeling a sense of.... caution, alertness. |
1.4238 |
0.04303 |
210 |
136 |
59 |
15 |
237 |
Well, it's no 'Falling Rock.' |
1.4221 |
0.04687 |
199 |
134 |
46 |
19 |
238 |
I waited by one these signs for weeks and never saw a damn doe. |
1.4203 |
0.04756 |
207 |
143 |
41 |
23 |
239 |
The lack of bullet holes indicates an outstanding example of the genre. |
1.4203 |
0.04756 |
207 |
143 |
41 |
23 |
240 |
They draw even worse than they drive. |
1.4195 |
0.05103 |
174 |
119 |
37 |
18 |
241 |
It's well worth two bucks, but is it art, my deer? |
1.4195 |
0.04480 |
205 |
136 |
52 |
17 |
242 |
They're all a bit pedestrian, don't you think? |
1.4195 |
0.04739 |
205 |
141 |
42 |
22 |
243 |
We can't be certain, but we're fairly confident it's an original Jane Doe. |
1.4187 |
0.04721 |
203 |
139 |
43 |
21 |
244 |
Maybe it's something about these two beams of light, but I just can't look away. |
1.4187 |
0.04564 |
203 |
136 |
49 |
18 |
245 |
I don't know; it seems a little pedestrian to me. |
1.4187 |
0.04773 |
203 |
140 |
41 |
22 |
246 |
I see a lot of myself in his work |
1.4187 |
0.04874 |
203 |
142 |
37 |
24 |
247 |
They're just road signs. Next thing you know, soup cans will be considered real art. |
1.4187 |
0.04345 |
203 |
132 |
57 |
14 |
248 |
It would be more effective if it were a picture of a speeding car. |
1.4187 |
0.04973 |
203 |
144 |
33 |
26 |
249 |
I wanted to be a model, but I'm not comfortable with people staring at my rack. |
1.4179 |
0.04859 |
201 |
140 |
38 |
23 |
250 |
See how the child is leading the mother? Remarkable insight. |
1.4179 |
0.04649 |
201 |
136 |
46 |
19 |
251 |
I wish they'd leave children out of it. |
1.4179 |
0.04595 |
201 |
135 |
48 |
18 |
252 |
At last, an art exhibit I can understand. |
1.4158 |
0.04468 |
202 |
134 |
52 |
16 |
253 |
My grandfather still talks about walking on all fours. |
1.4150 |
0.04663 |
200 |
136 |
45 |
19 |
254 |
His Madonna and Fawn is a feminist credo with overtones of existential angst while Stag at Dawn is a show of masculine domination. On the other hand, his Rampant Stag is so derivative and deserves no better fate than to be hung by the side of a road. |
1.4150 |
0.05076 |
200 |
144 |
29 |
27 |
255 |
I see myself in the entire exhibition. |
1.4150 |
0.04609 |
200 |
135 |
47 |
18 |
256 |
I've just never found Nudes to be interesting. |
1.4141 |
0.04642 |
198 |
134 |
46 |
18 |
257 |
I probably won't get it until its too late. |
1.4141 |
0.04910 |
198 |
139 |
36 |
23 |
258 |
I find his new work rather pedestrian. |
1.4141 |
0.04910 |
198 |
139 |
36 |
23 |
259 |
It strikes me as cautionary. |
1.4141 |
0.04697 |
198 |
135 |
44 |
19 |
260 |
It just doesn't say "WATCH OUT!" to me. |
1.4127 |
0.04857 |
189 |
130 |
40 |
19 |
261 |
Pedestrian |
1.4124 |
0.04930 |
194 |
136 |
36 |
22 |
262 |
I'm not usually a fan of Asian Art, but this Deer Xing speaks to me. |
1.4124 |
0.04476 |
194 |
128 |
52 |
14 |
263 |
Was he ever that young? Were you ever that thin? |
1.4124 |
0.04651 |
194 |
131 |
46 |
17 |
264 |
Still never any acknowledgment of stay-at-home dads. |
1.4124 |
0.04765 |
194 |
133 |
42 |
19 |
265 |
Zero-emissions, they never heard it coming... |
1.4124 |
0.04765 |
194 |
133 |
42 |
19 |
266 |
I just find his work so pedestrian. |
1.4124 |
0.04821 |
194 |
134 |
40 |
20 |
267 |
It's a wonder our ancestors survived at all, really. |
1.4108 |
0.04560 |
185 |
122 |
50 |
13 |
268 |
Yep, that's my wife Margaret and our son, Allan. That picture is famous all over the world now, and they didn't get a dime posing for it. |
1.4108 |
0.04429 |
185 |
120 |
54 |
11 |
269 |
Another clever social statement, Mortimer. The bucks run free while the doe is left to shepherd the fawn across the road. |
1.4091 |
0.04468 |
198 |
132 |
51 |
15 |
270 |
What kind of artist entitles this "Deer in the Headlights"? |
1.4084 |
0.04520 |
191 |
127 |
50 |
14 |
271 |
Way too cautious for my taste. |
1.4074 |
0.04674 |
189 |
128 |
45 |
16 |
272 |
Ironically, the artist jumped in front of car last month. They're worth millions now. |
1.4067 |
0.05190 |
150 |
101 |
37 |
12 |
273 |
Why do they always make us cross in the middle of the highway? |
1.4064 |
0.04647 |
187 |
126 |
46 |
15 |
274 |
It looks like everyone came stag to the opening. |
1.4064 |
0.04647 |
187 |
126 |
46 |
15 |
275 |
Bambi and his mom, just before... well, you know |
1.4064 |
0.04888 |
187 |
130 |
38 |
19 |
276 |
It seems that we must have been worshiped by the extinct homo sapiens |
1.4064 |
0.04947 |
187 |
131 |
36 |
20 |
277 |
Now this one's definitely "middle-of-the-road." |
1.4064 |
0.04769 |
187 |
128 |
42 |
17 |
278 |
Call me old fashioned, but I'm not a big fan of nudes. |
1.4064 |
0.04829 |
187 |
129 |
40 |
18 |
279 |
We could have saved 20 dollars and seen it on Route 109. |
1.4062 |
0.05342 |
160 |
112 |
31 |
17 |
280 |
Highway-life imitating Art. |
1.4054 |
0.05102 |
185 |
132 |
31 |
22 |
281 |
Works for me, but will humans pay attention? |
1.4054 |
0.04926 |
185 |
129 |
37 |
19 |
282 |
The antlers seem to follow you no matter where you stand |
1.4054 |
0.04744 |
185 |
126 |
43 |
16 |
283 |
I prefer the angst of the artist's later Headlights Period. |
1.4054 |
0.04618 |
185 |
124 |
47 |
14 |
284 |
I don't know, I'm finding the new works a bit pedestrian. |
1.4044 |
0.05024 |
183 |
129 |
34 |
20 |
285 |
It speaks to me of the fragility of our lives in the face of unyielding technology. |
1.4023 |
0.04747 |
174 |
117 |
44 |
13 |
286 |
It speaks to me, because, in a way, we're all crossing. |
1.4011 |
0.04919 |
182 |
127 |
37 |
18 |
287 |
No bullet holes. Probably a fake. |
1.4011 |
0.05219 |
182 |
132 |
27 |
23 |
288 |
It was a dangerous time for our people. |
1.4000 |
0.04634 |
180 |
121 |
46 |
13 |
289 |
A Madonna and Child—it must be from his early period. |
1.4000 |
0.04766 |
180 |
123 |
42 |
15 |
290 |
If I recall, this one is "Madonna and child" by Elk Greco. |
1.4000 |
0.05142 |
180 |
129 |
30 |
21 |
291 |
Does looking at these make you cross? |
1.4000 |
0.05082 |
180 |
128 |
32 |
20 |
292 |
This one doesn't jump off the canvas like his others. |
1.4000 |
0.04958 |
180 |
126 |
36 |
18 |
293 |
I liked it better when he just did big soup cans. |
1.4000 |
0.04895 |
180 |
125 |
38 |
17 |
294 |
And here the artist bucks the classsical school with a radical feminist perspective, challenging motorists' misconceptions with respect to windshield replacement theory. |
1.3989 |
0.04997 |
178 |
125 |
35 |
18 |
295 |
I understand the artist also does Stop signs. |
1.3977 |
0.04907 |
176 |
122 |
38 |
16 |
296 |
I understand it was their last picture together. |
1.3977 |
0.05037 |
176 |
124 |
34 |
18 |
297 |
A bit pedestrian, in my opinion. |
1.3977 |
0.04973 |
176 |
123 |
36 |
17 |
298 |
I'd pay a buck for it. |
1.3977 |
0.04840 |
176 |
121 |
40 |
15 |
299 |
So, if I don't have a fawn or a large rack, which restroom should I use? |
1.3977 |
0.05102 |
176 |
125 |
32 |
19 |
300 |
It's how the humans viewed us before the uprising. |
1.3972 |
0.05502 |
141 |
98 |
30 |
13 |
301 |
This is his first indoor showing. |
1.3966 |
0.04810 |
174 |
119 |
41 |
14 |
302 |
She was always so beautiful in the headlights |
1.3966 |
0.05079 |
174 |
123 |
33 |
18 |
303 |
I posed nude for that one. |
1.3966 |
0.04878 |
174 |
120 |
39 |
15 |
304 |
The artist really captured that "caught in the headlights" look. |
1.3966 |
0.04740 |
174 |
118 |
43 |
13 |
305 |
Acknowledging single mothers, I like it! |
1.3966 |
0.04740 |
174 |
118 |
43 |
13 |
306 |
There's absolutely no context. I don't get it. |
1.3943 |
0.04648 |
175 |
118 |
45 |
12 |
307 |
They didn't pay attention until we started carrying the Lyme ticks. |
1.3943 |
0.04648 |
175 |
118 |
45 |
12 |
308 |
The use of headlights is stunning. |
1.3931 |
0.05096 |
173 |
123 |
32 |
18 |
309 |
They distracted motorists so the DOT replaced them with crosswalks. |
1.3931 |
0.05226 |
173 |
125 |
28 |
20 |
310 |
I think it says something about the fragility of life. |
1.3931 |
0.04962 |
173 |
121 |
36 |
16 |
311 |
I have no idea what the artist is trying to say. |
1.3918 |
0.05270 |
171 |
124 |
27 |
20 |
312 |
'I can almost hear the cars' |
1.3918 |
0.04792 |
171 |
117 |
41 |
13 |
313 |
I remember when that was taken. |
1.3905 |
0.04902 |
169 |
117 |
38 |
14 |
314 |
It doesn't really stop you in your tracks, does it? |
1.3905 |
0.05044 |
169 |
119 |
34 |
16 |
315 |
These things are wasted on the highway. |
1.3905 |
0.04973 |
169 |
118 |
36 |
15 |
316 |
Wildlife art. Really, it's just one step up from oil on velvet. |
1.3905 |
0.04830 |
169 |
116 |
40 |
13 |
317 |
I've always found the works of the New Hampshire Department of Transportation to be a tad pretentious. |
1.3905 |
0.05382 |
169 |
124 |
24 |
21 |
318 |
It's OK, if you like still life. |
1.3905 |
0.04973 |
169 |
118 |
36 |
15 |
319 |
she looks like my first wife |
1.3905 |
0.04830 |
169 |
116 |
40 |
13 |
320 |
He's made great strides as a crossover artist. |
1.3905 |
0.05181 |
169 |
121 |
30 |
18 |
321 |
This truly captures the plight of the single mother. |
1.3905 |
0.04830 |
169 |
116 |
40 |
13 |
322 |
And this one, son, cautions the consequences of unprotected rutting. |
1.3892 |
0.05226 |
167 |
120 |
29 |
18 |
323 |
A little pedestrian for my tastes. |
1.3879 |
0.04832 |
165 |
113 |
40 |
12 |
324 |
I dated her |
1.3879 |
0.05200 |
165 |
118 |
30 |
17 |
325 |
20,000 years later and still can't hold a candle to the ones at Lascaux. |
1.3865 |
0.05099 |
163 |
115 |
33 |
15 |
326 |
One has to wonder, are they ever going to cross? |
1.3841 |
0.05073 |
164 |
116 |
33 |
15 |
327 |
Who painted this one?" "Van Doe. |
1.3841 |
0.05073 |
164 |
116 |
33 |
15 |
328 |
I still miss Mom. |
1.3841 |
0.05146 |
164 |
117 |
31 |
16 |
329 |
This is all very nice, but you notice that they don't show you any with the guys in the orange vests holding rifles. |
1.3841 |
0.04847 |
164 |
113 |
39 |
12 |
330 |
... and while I don’t do impressions, I was impressed with the impressionistic impress. |
1.3827 |
0.05408 |
162 |
119 |
24 |
19 |
331 |
It's how the humans viewed us before the revolution. |
1.3827 |
0.05116 |
162 |
115 |
32 |
15 |
332 |
Clearly, they idolized us. |
1.3827 |
0.05264 |
162 |
117 |
28 |
17 |
333 |
The warning signs were all there, but so often we just ignored them. That's the real tragedy. |
1.3827 |
0.04807 |
162 |
111 |
40 |
11 |
334 |
It says the artist never lived to see his success. |
1.3827 |
0.05336 |
162 |
118 |
26 |
18 |
335 |
Another one from his yellow period. |
1.3827 |
0.04964 |
162 |
113 |
36 |
13 |
336 |
This is her most pedestrian effort yet. |
1.3827 |
0.04807 |
162 |
111 |
40 |
11 |
337 |
I could do that. |
1.3827 |
0.05408 |
162 |
119 |
24 |
19 |
338 |
You know, I don't miss humans but they sure could draw! |
1.3827 |
0.04964 |
162 |
113 |
36 |
13 |
339 |
Tell me again how mom died. |
1.3827 |
0.05041 |
162 |
114 |
34 |
14 |
340 |
Don't get me wrong, it's a great piece. I just can't keep my eyes off the recessed lighting. |
1.3827 |
0.05116 |
162 |
115 |
32 |
15 |
341 |
Humans had a very limited vocabulary as you can see by these hieroglyphics |
1.3813 |
0.05310 |
160 |
116 |
27 |
17 |
342 |
Alas, the winning entry is wrong. The cartoon image is not of stocks, but of a pillory. Stocks were the seats at which you thrust your legs through two holes.. The apparatus where you put head and arms through holes is called the pillory. |
1.3813 |
0.05939 |
160 |
125 |
9 |
26 |
343 |
Too bad they're all unsigned. |
1.3813 |
0.05160 |
160 |
114 |
31 |
15 |
344 |
I've always felt something is lost when street art is commodified. |
1.3813 |
0.04926 |
160 |
111 |
37 |
12 |
345 |
I just remember her as a dirty double-crosser |
1.3813 |
0.05006 |
160 |
112 |
35 |
13 |
346 |
I don't really understand what the artist is trying to say. |
1.3813 |
0.05084 |
160 |
113 |
33 |
14 |
347 |
I’ve got a year-old fawn who can draw better than this. |
1.3813 |
0.05084 |
160 |
113 |
33 |
14 |
348 |
The show goes on for the next two miles. |
1.3806 |
0.05436 |
155 |
113 |
25 |
17 |
349 |
So why the hell don't they put up the signs where we can cross?? |
1.3797 |
0.04968 |
158 |
110 |
36 |
12 |
350 |
My fawn could paint that. |
1.3797 |
0.05282 |
158 |
114 |
28 |
16 |
351 |
Beautiful, but honestly, I could do without the "doe a deer...." soundtrack! |
1.3797 |
0.04968 |
158 |
110 |
36 |
12 |
352 |
It's believed that primitive man once used these signs as warnings of our take-over. |
1.3797 |
0.05048 |
158 |
111 |
34 |
13 |
353 |
I never much cared for the stuff from his Yellow Period. |
1.3791 |
0.05164 |
153 |
108 |
32 |
13 |
354 |
Other openings have refreshments. I's appreciate this more if i had some pinot noir and a salt lick. |
1.3782 |
0.05252 |
156 |
112 |
29 |
15 |
355 |
His work is getting a little cautious, don't you think? |
1.3782 |
0.04578 |
156 |
104 |
45 |
7 |
356 |
I'm glad they took these signs down for the exhibit, even if it did cost a few bucks. |
1.3766 |
0.05457 |
154 |
113 |
24 |
17 |
357 |
I feel like I've seen this work before. |
1.3766 |
0.04882 |
154 |
106 |
38 |
10 |
358 |
These are ancient drawings made by humans before we took over... |
1.3766 |
0.04968 |
154 |
107 |
36 |
11 |
359 |
This piece represents the post-Antler period. |
1.3766 |
0.05218 |
154 |
110 |
30 |
14 |
360 |
They say his art is dangerous, but away from the highway, it just seems derivative. |
1.3766 |
0.05053 |
154 |
108 |
34 |
12 |
361 |
Racial profiling is everywhere... |
1.3766 |
0.05299 |
154 |
111 |
28 |
15 |
362 |
Can you believe our grandparents had to deal with humans driving their own cars? |
1.3766 |
0.04794 |
154 |
105 |
40 |
9 |
363 |
I believe the silhouettes represent the duality of nature |
1.3750 |
0.04743 |
152 |
103 |
41 |
8 |
364 |
Really makes you slow down and look, doesn't it? |
1.3750 |
0.04923 |
152 |
105 |
37 |
10 |
365 |
This is a nice tribute and all, but they did replace these signs, right? |
1.3750 |
0.05097 |
152 |
107 |
33 |
12 |
366 |
I can't focus without headlights. |
1.3750 |
0.05347 |
152 |
110 |
27 |
15 |
367 |
I don't really get it. |
1.3750 |
0.05265 |
152 |
109 |
29 |
14 |
368 |
He never really did come out of his Yellow Period. |
1.3750 |
0.05182 |
152 |
108 |
31 |
13 |
369 |
By not including the bullet holes he begs us to ponder. A world without hunters or a world where hunters are too drunk to hit the sign? |
1.3750 |
0.05508 |
152 |
112 |
23 |
17 |
370 |
I'm glad we saw this before the collection goes on the road. |
1.3750 |
0.05182 |
152 |
108 |
31 |
13 |
371 |
I remember. I met her at a stag party. |
1.3750 |
0.05265 |
152 |
109 |
29 |
14 |
372 |
It’s well executed, but I’m not wild about street art. |
1.3709 |
0.05114 |
151 |
107 |
32 |
12 |
373 |
You can just feel the headlights |
1.3709 |
0.05199 |
151 |
108 |
30 |
13 |
374 |
I still think having a car on the sign would be a more effective warning. |
1.3709 |
0.05284 |
151 |
109 |
28 |
14 |
375 |
These are nice but I'd avoid the headlight exhibit, I was stuck there for hours. |
1.3709 |
0.05448 |
151 |
111 |
24 |
16 |
376 |
All I can say is, I hope nobody thinks we really look like this. |
1.3709 |
0.05284 |
151 |
109 |
28 |
14 |
377 |
Personally, I don't approve of nudes. |
1.3709 |
0.05114 |
151 |
107 |
32 |
12 |
378 |
Too much negative space. |
1.3709 |
0.05199 |
151 |
108 |
30 |
13 |
379 |
So that's how you were spending your Thursday afternoons; posing in the nude for some hack artist. |
1.3709 |
0.05367 |
151 |
110 |
26 |
15 |
380 |
I could never get into street art. |
1.3691 |
0.05246 |
149 |
107 |
29 |
13 |
381 |
His early work could really stop traffic. |
1.3691 |
0.05246 |
149 |
107 |
29 |
13 |
382 |
It's so pedestrian. |
1.3691 |
0.05581 |
149 |
111 |
21 |
17 |
383 |
I remember when we used to walk on four legs |
1.3691 |
0.05159 |
149 |
106 |
31 |
12 |
384 |
This one is rather pedestrian, no? |
1.3691 |
0.05071 |
149 |
105 |
33 |
11 |
385 |
I mean, I get it...but I don't really GET it. |
1.3691 |
0.04699 |
149 |
101 |
41 |
7 |
386 |
I'm sorry, Phil. This artwork does not inspire me. It's the kind stuff you would see on the side of the road! |
1.3691 |
0.05581 |
149 |
111 |
21 |
17 |
387 |
His work really reflects us. |
1.3691 |
0.05246 |
149 |
107 |
29 |
13 |
388 |
I don't know...something about it makes me cross. |
1.3691 |
0.05332 |
149 |
108 |
27 |
14 |
389 |
I see it as a cautionary tale reduced to it's basic forms. |
1.3691 |
0.05500 |
149 |
110 |
23 |
16 |
390 |
It’s too cautious. |
1.3691 |
0.05159 |
149 |
106 |
31 |
12 |
391 |
I'm just not sure people will see where he's coming from. |
1.3691 |
0.05159 |
149 |
106 |
31 |
12 |
392 |
Perhaps it's a sign. |
1.3691 |
0.05071 |
149 |
105 |
33 |
11 |
393 |
I'd never noticed, but you're right. They do always depict the woman looking after the little one and the man bounding off alone. |
1.3691 |
0.05417 |
149 |
109 |
25 |
15 |
394 |
I'd have loved to see what Charles Addams would have done with this. |
1.3673 |
0.05206 |
147 |
105 |
30 |
12 |
395 |
Where's Gary Larson when I need him? |
1.3673 |
0.05206 |
147 |
105 |
30 |
12 |
396 |
I think it's called "Madonna with Fawn." |
1.3673 |
0.05295 |
147 |
106 |
28 |
13 |
397 |
Call me old fashioned, but I still think we look better in the headlights |
1.3673 |
0.05206 |
147 |
105 |
30 |
12 |
398 |
I call this one "Drive like your kids live here." |
1.3673 |
0.05116 |
147 |
104 |
32 |
11 |
399 |
I never really understood the perspective of the "Express Way" artists, but then it hit me. |
1.3649 |
0.04996 |
148 |
104 |
34 |
10 |
400 |
Why do they always make it look like we walk around on our hands? |
1.3636 |
0.05209 |
143 |
102 |
30 |
11 |
401 |
I find it rather deerivative. |
1.3636 |
0.05209 |
143 |
102 |
30 |
11 |
402 |
It's from his Hazard Yellow Period. |
1.3636 |
0.05016 |
143 |
100 |
34 |
9 |
403 |
It really stops you in your tracks. |
1.3636 |
0.05574 |
143 |
106 |
22 |
15 |
404 |
Sadly derivative. |
1.3630 |
0.04773 |
135 |
91 |
39 |
5 |
405 |
It's definitely stronger than the duck crossing exhibit |
1.3625 |
0.06945 |
80 |
57 |
17 |
6 |
406 |
It is the lack of bullet holes that makes this such a rare and exquisite collection. |
1.3617 |
0.05539 |
141 |
104 |
23 |
14 |
407 |
These signs were supposedly produced by the human species before they became extinct from our deer tick. |
1.3617 |
0.05446 |
141 |
103 |
25 |
13 |
408 |
At least it's not a soup can. |
1.3617 |
0.05061 |
141 |
99 |
33 |
9 |
409 |
So this is what the Buick sees. |
1.3617 |
0.05629 |
141 |
105 |
21 |
15 |
410 |
Reminds you of your own mortality, doesn't it? |
1.3617 |
0.05160 |
141 |
100 |
31 |
10 |
411 |
It doesn't capture the `staring into the headlights` moment. |
1.3617 |
0.05257 |
141 |
101 |
29 |
11 |
412 |
It says "On loan from the Wisconsin Department of Transportation." |
1.3617 |
0.05160 |
141 |
100 |
31 |
10 |
413 |
I love how the artist has captured the nuanced oppression |
1.3617 |
0.05257 |
141 |
101 |
29 |
11 |
414 |
I do love the classics. |
1.3597 |
0.05404 |
139 |
101 |
26 |
12 |
415 |
I'm telling you, the one on Route 429 is the original. |
1.3597 |
0.05499 |
139 |
102 |
24 |
13 |
416 |
My fawn could draw that. |
1.3597 |
0.05207 |
139 |
99 |
30 |
10 |
417 |
And this is supposed to stop traffic? |
1.3597 |
0.05686 |
139 |
104 |
20 |
15 |
418 |
It lacks the urgency of his other work. |
1.3597 |
0.05404 |
139 |
101 |
26 |
12 |
419 |
My theme was absent fathers. |
1.3597 |
0.05593 |
139 |
103 |
22 |
14 |
420 |
It's a bit too pedestrian. |
1.3597 |
0.05106 |
139 |
98 |
32 |
9 |
421 |
I TOLD you we should have gotten the audio guide. |
1.3597 |
0.05593 |
139 |
103 |
22 |
14 |
422 |
This one is from just before Bambi's dark phase. |
1.3597 |
0.05593 |
139 |
103 |
22 |
14 |
423 |
Seriously, using headlights to illuminate the images is in poor taste. |
1.3597 |
0.05106 |
139 |
98 |
32 |
9 |
424 |
You wouldn't know the artist was in a rut before painting this. |
1.3597 |
0.05106 |
139 |
98 |
32 |
9 |
425 |
"It's called, "Headlights"! "I could stand here all day and just stare"! |
1.3597 |
0.05207 |
139 |
99 |
30 |
10 |
426 |
The artist is clearly at a crossroads. |
1.3597 |
0.05499 |
139 |
102 |
24 |
13 |
427 |
Where is this glorious yellow land? I find it quite calming. |
1.3592 |
0.05031 |
142 |
100 |
33 |
9 |
428 |
We're feeling out the art market before sending them to the Department of Transportation. |
1.3592 |
0.05031 |
142 |
100 |
33 |
9 |
429 |
He really captures the essence of crossing. |
1.3577 |
0.05048 |
137 |
96 |
33 |
8 |
430 |
Why do I have an overwhelming urge to cross the road? |
1.3577 |
0.05357 |
137 |
99 |
27 |
11 |
431 |
Son, now you see what I saw in your mom. |
1.3577 |
0.04830 |
137 |
94 |
37 |
6 |
432 |
I posed for that picture with your grandma way back in 2014. |
1.3577 |
0.05256 |
137 |
98 |
29 |
10 |
433 |
Something about the lighting in this gallery... it's like I can't move |
1.3577 |
0.05153 |
137 |
97 |
31 |
9 |
434 |
Genius the way he always uses the yellow and black. |
1.3577 |
0.05554 |
137 |
101 |
23 |
13 |
435 |
It's peaceful but with an aura of danger around it. |
1.3577 |
0.05048 |
137 |
96 |
33 |
8 |
436 |
It's shocking that the government pays artists to paint nudes. |
1.3577 |
0.05256 |
137 |
98 |
29 |
10 |
437 |
Here we are, standing at the intersection of life and art. |
1.3577 |
0.05554 |
137 |
101 |
23 |
13 |
438 |
It's from his venison period. |
1.3556 |
0.05610 |
135 |
100 |
22 |
13 |
439 |
Two-dimensional art is profiling, and three-dimensional is taxidermy. |
1.3556 |
0.05409 |
135 |
98 |
26 |
11 |
440 |
The artist makes us appear so one dimensional |
1.3556 |
0.05306 |
135 |
97 |
28 |
10 |
441 |
His work has finally gone from street art to high art. |
1.3556 |
0.05409 |
135 |
98 |
26 |
11 |
442 |
Some view his work was a warning to all of us. |
1.3556 |
0.05804 |
135 |
102 |
18 |
15 |
443 |
I used to date the model, you know. |
1.3556 |
0.05201 |
135 |
96 |
30 |
9 |
444 |
Don’t you think it would be more effective if the headlights were positioned behind us? |
1.3556 |
0.05094 |
135 |
95 |
32 |
8 |
445 |
His "In The Headlights" paintings were much more realistic. |
1.3556 |
0.05409 |
135 |
98 |
26 |
11 |
446 |
After a while, they all start to look alike. |
1.3556 |
0.05511 |
135 |
99 |
24 |
12 |
447 |
If they only crossed where this sign was,they'd still be here. |
1.3556 |
0.05409 |
135 |
98 |
26 |
11 |
448 |
These signs used to tell humans to look out for us, before we took over. |
1.3556 |
0.05511 |
135 |
99 |
24 |
12 |
449 |
Representational,with a tonality of the abstract. |
1.3551 |
0.05520 |
138 |
102 |
23 |
13 |
450 |
What do you think it means?" "Well, Deer, I think it's a sign. |
1.3534 |
0.05358 |
133 |
96 |
27 |
10 |
451 |
I didn’t know she had a baby |
1.3534 |
0.05358 |
133 |
96 |
27 |
10 |
452 |
I call it Bambi Gestalt. |
1.3534 |
0.05463 |
133 |
97 |
25 |
11 |
453 |
I could do without the headlights. |
1.3534 |
0.05358 |
133 |
96 |
27 |
10 |
454 |
Let's stay here until hunting season is over. |
1.3534 |
0.05250 |
133 |
95 |
29 |
9 |
455 |
These are all just such tired clichés. |
1.3534 |
0.05140 |
133 |
94 |
31 |
8 |
456 |
Look, this one is signed Jane Doe! |
1.3529 |
0.05274 |
136 |
98 |
28 |
10 |
457 |
She always has to play the Bambi card. |
1.3529 |
0.05169 |
136 |
97 |
30 |
9 |
458 |
This, of course, is an idealization of the parent-child relationship. |
1.3520 |
0.05112 |
125 |
87 |
32 |
6 |
459 |
The bucks stop here. |
1.3507 |
0.05428 |
134 |
98 |
25 |
11 |
460 |
It’s quite abstract, but I imagine this piece is intended to represent love, family and death. |
1.3507 |
0.05531 |
134 |
99 |
23 |
12 |
461 |
I guess it's true, art really does imitate life. |
1.3485 |
0.05267 |
132 |
95 |
28 |
9 |
462 |
The signs were there, yet no one saw it coming. |
1.3465 |
0.05520 |
127 |
93 |
24 |
10 |
463 |
They're charging a buck and a half for it. |
1.3462 |
0.05537 |
130 |
96 |
23 |
11 |
464 |
It's too derivative |
1.3462 |
0.05318 |
130 |
94 |
27 |
9 |
465 |
It's all art 'til someone sticks a red nose on it. |
1.3462 |
0.05537 |
130 |
96 |
23 |
11 |
466 |
And yet for every life his roadside art saved, two were lost by informing hunters of our whereabouts. |
1.3462 |
0.05204 |
130 |
93 |
29 |
8 |
467 |
It's from his "yellow" period. |
1.3462 |
0.05318 |
130 |
94 |
27 |
9 |
468 |
The buck didn't stop there. |
1.3462 |
0.05537 |
130 |
96 |
23 |
11 |
469 |
And I've got just the perfect spot...the crest of that big hill on Hwy. 32. |
1.3462 |
0.05749 |
130 |
98 |
19 |
13 |
470 |
Just because they're nudes doesn't mean they're art. |
1.3462 |
0.05204 |
130 |
93 |
29 |
8 |
471 |
But then came the rebellion. |
1.3443 |
0.05554 |
122 |
89 |
24 |
9 |
472 |
I've never much cared for symbolism. |
1.3438 |
0.05370 |
128 |
93 |
26 |
9 |
473 |
So, do you think this is really where the buck stops? |
1.3438 |
0.05594 |
128 |
95 |
22 |
11 |
474 |
I pay for four years of art school and this is what he does? |
1.3438 |
0.05810 |
128 |
97 |
18 |
13 |
475 |
I don't like the way it's always a doe and a fawn. It makes it seem we bucks can't be good parents, too. |
1.3438 |
0.05254 |
128 |
92 |
28 |
8 |
476 |
And with this one, don't worry if it's doe or buck — it's a family restroom. |
1.3438 |
0.05370 |
128 |
93 |
26 |
9 |
477 |
And yet underneath the idyllic facade I sense the threat of sudden violence. |
1.3438 |
0.05370 |
128 |
93 |
26 |
9 |
478 |
About time they put in a family bathroom. |
1.3438 |
0.05810 |
128 |
97 |
18 |
13 |
479 |
I've always been fond of his Yellow Period. |
1.3438 |
0.05254 |
128 |
92 |
28 |
8 |
480 |
I'm guessing cave paintings of some sort. |
1.3438 |
0.05594 |
128 |
95 |
22 |
11 |
481 |
He was one of our finest crossover artists. |
1.3438 |
0.05370 |
128 |
93 |
26 |
9 |
482 |
These models set an impossible standard. |
1.3413 |
0.05305 |
126 |
91 |
27 |
8 |
483 |
This entire exhibit is a diversion. We need tunnels, overpasses, and lower speed limits. |
1.3413 |
0.05873 |
126 |
96 |
17 |
13 |
484 |
Yes, of all his allegories, this one best serves as a caution to us all. |
1.3413 |
0.05184 |
126 |
90 |
29 |
7 |
485 |
Yes, my Son, that's your Grandma and I |
1.3413 |
0.05184 |
126 |
90 |
29 |
7 |
486 |
This painting caught Walt's eye, and the next thing I knew, I was Bambi. Hate that name, but it still pays the bills. |
1.3413 |
0.05653 |
126 |
94 |
21 |
11 |
487 |
It's a shame his work has gotten so political. |
1.3413 |
0.05539 |
126 |
93 |
23 |
10 |
488 |
I think the artist is trying to tell us something important. |
1.3413 |
0.05060 |
126 |
89 |
31 |
6 |
489 |
I think his work is too safe. |
1.3413 |
0.05423 |
126 |
92 |
25 |
9 |
490 |
The artist displays a startling lack of perspective. |
1.3413 |
0.05305 |
126 |
91 |
27 |
8 |
491 |
These NRA-sponsored shows drive me crazy.... Why I still come I just don't know. |
1.3413 |
0.05184 |
126 |
90 |
29 |
7 |
492 |
Would it be wrong to call it impactful? |
1.3413 |
0.05184 |
126 |
90 |
29 |
7 |
493 |
I actually like his earlier work...STOP......CURVES AHEAD....and 50 MPH. |
1.3413 |
0.05653 |
126 |
94 |
21 |
11 |
494 |
I really like it when the aesthetic meets the practical. |
1.3413 |
0.05184 |
126 |
90 |
29 |
7 |
495 |
The headlights shining down sort of bring it to life. |
1.3413 |
0.05653 |
126 |
94 |
21 |
11 |
496 |
It lacks depth. |
1.3413 |
0.05653 |
126 |
94 |
21 |
11 |
497 |
Does this sign make me look fat? |
1.3413 |
0.05980 |
126 |
97 |
15 |
14 |
498 |
I'm starting to think we shouldn't be here. |
1.3413 |
0.05305 |
126 |
91 |
27 |
8 |
499 |
Frankly, I find the artists depiction of deer continually crossing roads, both clichéd and degrading. |
1.3413 |
0.05653 |
126 |
94 |
21 |
11 |
500 |
You really think we all look alike? |
1.3413 |
0.05539 |
126 |
93 |
23 |
10 |
501 |
Just looks like another Jane Doe to me. |
1.3413 |
0.05764 |
126 |
95 |
19 |
12 |
502 |
His early work with the DOT was very fruitful. |
1.3413 |
0.05539 |
126 |
93 |
23 |
10 |
503 |
You’d think we never learned how to cross a road. |
1.3400 |
0.06067 |
100 |
73 |
20 |
7 |
504 |
The headlights in the ceiling really tie it all together. |
1.3387 |
0.05357 |
124 |
90 |
26 |
8 |
505 |
For some reason, this is the one that leapt out at me. |
1.3387 |
0.05713 |
124 |
93 |
20 |
11 |
506 |
I've seen the original on Interstate 90 |
1.3387 |
0.05713 |
124 |
93 |
20 |
11 |
507 |
The artist asks us, why DO deer cross the road? |
1.3387 |
0.05233 |
124 |
89 |
28 |
7 |
508 |
I’m just curious – why always yellow? |
1.3387 |
0.05233 |
124 |
89 |
28 |
7 |
509 |
Just another cautionary tale. |
1.3387 |
0.05357 |
124 |
90 |
26 |
8 |
510 |
We paid a buck to see this????? |
1.3387 |
0.05478 |
124 |
91 |
24 |
9 |
511 |
This worked better as an art installation on I-80. |
1.3387 |
0.05713 |
124 |
93 |
20 |
11 |
512 |
Pastoral? Sure ...but layered with impending doom. |
1.3387 |
0.05233 |
124 |
89 |
28 |
7 |
513 |
Too soon. |
1.3387 |
0.05597 |
124 |
92 |
22 |
10 |
514 |
I'm not a big fan of his yellow period |
1.3387 |
0.05478 |
124 |
91 |
24 |
9 |
515 |
Well, to me it speaks to the fragility of life in an uncaring universe |
1.3387 |
0.05478 |
124 |
91 |
24 |
9 |
516 |
I find it rather pedestrian. |
1.3387 |
0.05478 |
124 |
91 |
24 |
9 |
517 |
It's creepy how the eyes follow you. |
1.3387 |
0.05357 |
124 |
90 |
26 |
8 |
518 |
Realism? It's like he thinks we only ever go the left. |
1.3387 |
0.05478 |
124 |
91 |
24 |
9 |
519 |
I'd hit that. |
1.3362 |
0.05736 |
116 |
86 |
21 |
9 |
520 |
I'm beginning to sense a theme in this artisr's work. |
1.3361 |
0.04961 |
119 |
83 |
32 |
4 |
521 |
Pietà on Rte. 17. |
1.3361 |
0.05656 |
122 |
91 |
21 |
10 |
522 |
Frankly, I've seen better on the side of the road. |
1.3361 |
0.05284 |
122 |
88 |
27 |
7 |
523 |
Sure I've seen the copies. But the originals take my breath away. |
1.3361 |
0.05411 |
122 |
89 |
25 |
8 |
524 |
Yes, this was before we could drive and own humans as slaves. |
1.3361 |
0.05656 |
122 |
91 |
21 |
10 |
525 |
I hate it when the artist plays it safe! |
1.3361 |
0.05411 |
122 |
89 |
25 |
8 |
526 |
You see...a long time ago, we needed protection... |
1.3361 |
0.05411 |
122 |
89 |
25 |
8 |
527 |
It's very pedestrian. |
1.3361 |
0.05411 |
122 |
89 |
25 |
8 |
528 |
The artist seems to be in a rut. |
1.3361 |
0.05411 |
122 |
89 |
25 |
8 |
529 |
I really do miss my mother. |
1.3361 |
0.05411 |
122 |
89 |
25 |
8 |
530 |
It's not that I question the artist's skill, but without the bullet holes, there's no passion. |
1.3361 |
0.05656 |
122 |
91 |
21 |
10 |
531 |
This one is two bucks. |
1.3361 |
0.05535 |
122 |
90 |
23 |
9 |
532 |
Ugh - not another Madonna and Child! |
1.3361 |
0.05774 |
122 |
92 |
19 |
11 |
533 |
There's something about it that stops me in my tracks. |
1.3361 |
0.05155 |
122 |
87 |
29 |
6 |
534 |
Which restroom? I never know anymore! |
1.3361 |
0.05535 |
122 |
90 |
23 |
9 |
535 |
It says these were road signs from the Industrial era; when we walked on all fours. |
1.3361 |
0.05284 |
122 |
88 |
27 |
7 |
536 |
I find it rather deerivative. |
1.3361 |
0.05656 |
122 |
91 |
21 |
10 |
537 |
My five year old could do these. |
1.3361 |
0.05284 |
122 |
88 |
27 |
7 |
538 |
I was the model for this one. |
1.3333 |
0.05248 |
123 |
89 |
27 |
7 |
539 |
Definitely a pro-life statement disguised as a traffic hazard sign. |
1.3333 |
0.05593 |
120 |
89 |
22 |
9 |
540 |
Someone's going to pay big bucks for that one. |
1.3333 |
0.05466 |
120 |
88 |
24 |
8 |
541 |
Just another unrealistic body expectation. |
1.3333 |
0.05957 |
120 |
92 |
16 |
12 |
542 |
That's funny. What do females know about routes? |
1.3333 |
0.05962 |
123 |
95 |
15 |
13 |
543 |
I just can't get into street art. |
1.3333 |
0.05593 |
120 |
89 |
22 |
9 |
544 |
So, back then, they had to use 4 legs to walk, eh. |
1.3333 |
0.05593 |
120 |
89 |
22 |
9 |
545 |
He's more famous as a street artist |
1.3333 |
0.05593 |
120 |
89 |
22 |
9 |
546 |
Black really does take off ten pounds. |
1.3333 |
0.05717 |
120 |
90 |
20 |
10 |
547 |
It does kind of make you want to slow down, doesn't it? |
1.3333 |
0.05204 |
120 |
86 |
28 |
6 |
548 |
I know this is sexist, but I'd give my left antler for an ungulate like that. |
1.3333 |
0.05593 |
120 |
89 |
22 |
9 |
549 |
There's something pessimistic about it... |
1.3333 |
0.05067 |
120 |
85 |
30 |
5 |
550 |
Those headlights really capture our silhouettes perfectly. |
1.3333 |
0.05204 |
120 |
86 |
28 |
6 |
551 |
I had no idea they were warned. |
1.3333 |
0.05717 |
120 |
90 |
20 |
10 |
552 |
The headlights were bearing down on me, but I just stood there, like a... I don't know what. |
1.3333 |
0.05466 |
120 |
88 |
24 |
8 |
553 |
It's the subtext that appeals to me. What are they crossing to? |
1.3333 |
0.05593 |
120 |
89 |
22 |
9 |
554 |
This baby on board thing has just gone too far. |
1.3306 |
0.05676 |
121 |
91 |
20 |
10 |
555 |
It's okay but it needs a few bullet holes. |
1.3306 |
0.05796 |
121 |
92 |
18 |
11 |
556 |
I love the way it reflects the light. |
1.3305 |
0.05523 |
118 |
87 |
23 |
8 |
557 |
Nice rump. |
1.3305 |
0.05114 |
118 |
84 |
29 |
5 |
558 |
With self-driving cars, this artist has become obsolete. |
1.3305 |
0.05779 |
118 |
89 |
19 |
10 |
559 |
And this one put you and your brother through college. |
1.3305 |
0.05390 |
118 |
86 |
25 |
7 |
560 |
Finally! Two subjects, no antlers, and no prancing. |
1.3305 |
0.05390 |
118 |
86 |
25 |
7 |
561 |
Maybe I'm a deer in the headlights, but I just don't see this as art. |
1.3300 |
0.05515 |
100 |
71 |
25 |
4 |
562 |
No, I clearly see them as a warning to modern society. |
1.3276 |
0.05445 |
116 |
85 |
24 |
7 |
563 |
I could have painted that. |
1.3276 |
0.05581 |
116 |
86 |
22 |
8 |
564 |
I find his later work to be a bit cautious. |
1.3276 |
0.05844 |
116 |
88 |
18 |
10 |
565 |
Before we took over, these were highway signs. |
1.3276 |
0.06095 |
116 |
90 |
14 |
12 |
566 |
“You can almost see the light as it moves towards them. Bright and brilliant and... what was I saying? |
1.3276 |
0.05844 |
116 |
88 |
18 |
10 |
567 |
I find this series rather pedestrian. |
1.3276 |
0.05445 |
116 |
85 |
24 |
7 |
568 |
I feel like the artist has reached a crossroads. |
1.3274 |
0.05399 |
113 |
82 |
25 |
6 |
569 |
That is definitely from his "Bambi" period. |
1.3250 |
0.06104 |
80 |
57 |
20 |
3 |
570 |
I'm captivated by his use of headlights. |
1.3246 |
0.05910 |
114 |
87 |
17 |
10 |
571 |
I see it's on loan from Highway 74. |
1.3246 |
0.05641 |
114 |
85 |
21 |
8 |
572 |
His work still has impact. |
1.3246 |
0.05502 |
114 |
84 |
23 |
7 |
573 |
Why are they using their arms to walk! |
1.3246 |
0.05910 |
114 |
87 |
17 |
10 |
574 |
Nudes yet again. Tasteless, if you ask me. |
1.3246 |
0.05359 |
114 |
83 |
25 |
6 |
575 |
When I said, 'Show me a sign, dear,' this wasn't exactly what I had in mind. |
1.3246 |
0.05910 |
114 |
87 |
17 |
10 |
576 |
Why are all the does shown in typically domestic roles? |
1.3246 |
0.06040 |
114 |
88 |
15 |
11 |
577 |
I was young and naive. I needed the money. You wouldn't understand. |
1.3246 |
0.05502 |
114 |
84 |
23 |
7 |
578 |
Can you believe we share 98.8 percent of our DNA with them? |
1.3246 |
0.05641 |
114 |
85 |
21 |
8 |
579 |
You just can't top the classics. |
1.3246 |
0.05502 |
114 |
84 |
23 |
7 |
580 |
Derivative. |
1.3246 |
0.05910 |
114 |
87 |
17 |
10 |
581 |
It's a shame humans don't have these kinda warning signs for politicians. |
1.3246 |
0.05502 |
114 |
84 |
23 |
7 |
582 |
I preferred his moose series. They had more impact. |
1.3229 |
0.06014 |
96 |
71 |
19 |
6 |
583 |
I love his work in headlights. |
1.3214 |
0.06111 |
112 |
87 |
14 |
11 |
584 |
I think the minimalism expresses a sense of imminent doom |
1.3214 |
0.05842 |
112 |
85 |
18 |
9 |
585 |
My five-month old fawn could have painted that. |
1.3214 |
0.05413 |
112 |
82 |
24 |
6 |
586 |
I like it, but I prefer his "slippery when wet" period. |
1.3214 |
0.05842 |
112 |
85 |
18 |
9 |
587 |
it doesn't capture the anxiety of the hedlights |
1.3214 |
0.05703 |
112 |
84 |
20 |
8 |
588 |
My theory is that the humans worshiped us as gods. |
1.3214 |
0.05842 |
112 |
85 |
18 |
9 |
589 |
Wholesome, innocent... a departure from his usual stag fare. |
1.3214 |
0.05842 |
112 |
85 |
18 |
9 |
590 |
It begs the question: “where are they going?” |
1.3214 |
0.05413 |
112 |
82 |
24 |
6 |
591 |
This masterpiece beautifully illustrates motherhood with a hint of impending danger. |
1.3214 |
0.05262 |
112 |
81 |
26 |
5 |
592 |
Yes, it's an offensive stereotype, but as a commentary on gender roles, it succeeds. |
1.3214 |
0.05413 |
112 |
82 |
24 |
6 |
593 |
Mommy Deerest. |
1.3211 |
0.05512 |
109 |
80 |
23 |
6 |
594 |
Crossover art at its finest. |
1.3186 |
0.05659 |
113 |
85 |
20 |
8 |
595 |
I could have done without the headlights. |
1.3182 |
0.05909 |
110 |
84 |
17 |
9 |
596 |
It's just so...literal. |
1.3182 |
0.05620 |
110 |
82 |
21 |
7 |
597 |
Ah. Verdeer's Madonna and Child. |
1.3182 |
0.06318 |
110 |
87 |
11 |
12 |
598 |
This one definitely shows my best side. |
1.3182 |
0.05766 |
110 |
83 |
19 |
8 |
599 |
Is this really what humans think we do all day? |
1.3182 |
0.05766 |
110 |
83 |
19 |
8 |
600 |
I never realized how photogenic we are. |
1.3182 |
0.05909 |
110 |
84 |
17 |
9 |
601 |
"Mother and child", his best work so far. |
1.3182 |
0.05620 |
110 |
82 |
21 |
7 |
602 |
I'm still earning royalties for this one. |
1.3182 |
0.05766 |
110 |
83 |
19 |
8 |
603 |
Pedestrian at best. |
1.3182 |
0.06185 |
110 |
86 |
13 |
11 |
604 |
Rather pedestrian, I'd say. |
1.3182 |
0.05909 |
110 |
84 |
17 |
9 |
605 |
This is a shadow of his former work. |
1.3182 |
0.05909 |
110 |
84 |
17 |
9 |
606 |
The fact that these are on loan from the highway department is disturbing. |
1.3182 |
0.05314 |
110 |
80 |
25 |
5 |
607 |
Remember when we used to think these signs meant they were onto us? |
1.3182 |
0.05620 |
110 |
82 |
21 |
7 |
608 |
I just don't see any sense of urgency here. |
1.3182 |
0.05314 |
110 |
80 |
25 |
5 |
609 |
The lighting in here is all wrong. The two lights, yes... but it seems like they should be coming from behind us. |
1.3182 |
0.05620 |
110 |
82 |
21 |
7 |
610 |
Now the Lascaux cave in France -- that's a museum! |
1.3182 |
0.05620 |
110 |
82 |
21 |
7 |
611 |
The artist's name is John Doe. |
1.3182 |
0.05909 |
110 |
84 |
17 |
9 |
612 |
I love the symbolism |
1.3182 |
0.05909 |
110 |
84 |
17 |
9 |
613 |
She never told me she was pregnant. |
1.3182 |
0.05469 |
110 |
81 |
23 |
6 |
614 |
There's something about his work that just jumps out at you. |
1.3182 |
0.05766 |
110 |
83 |
19 |
8 |
615 |
Yeah, Stan saw the symbolism – right before he saw the 18-wheeler. |
1.3182 |
0.06185 |
110 |
86 |
13 |
11 |
616 |
Unlike Dad and Gramps, Mom really was a car stopper. |
1.3182 |
0.05766 |
110 |
83 |
19 |
8 |
617 |
Turns out he didn't really paint them,he just found them along the roadway. |
1.3182 |
0.05620 |
110 |
82 |
21 |
7 |
618 |
I'd slow down for girls like that |
1.3182 |
0.05909 |
110 |
84 |
17 |
9 |
619 |
In Montana they shoot the signs too |
1.3182 |
0.06048 |
110 |
85 |
15 |
10 |
620 |
I feel like it's a sign. |
1.3153 |
0.06136 |
111 |
87 |
13 |
11 |
621 |
He does silhouettes because it's so hard to hold the brush in his hoof. |
1.3153 |
0.05862 |
111 |
85 |
17 |
9 |
622 |
Very nuanced, just a hint of oncoming headlight. |
1.3148 |
0.05831 |
108 |
82 |
18 |
8 |
623 |
I just don’t get it |
1.3148 |
0.05978 |
108 |
83 |
16 |
9 |
624 |
I don't know...I just don't think street art has the same impact in the gallery. |
1.3148 |
0.06121 |
108 |
84 |
14 |
10 |
625 |
How about a sign that says, " Don't shoot us in the head while we're drinking water from a stream. " |
1.3148 |
0.05978 |
108 |
83 |
16 |
9 |
626 |
Son, These are just signs on the road to hell. |
1.3148 |
0.05978 |
108 |
83 |
16 |
9 |
627 |
Why, my dear, would you want to cross the road? |
1.3148 |
0.05681 |
108 |
81 |
20 |
7 |
628 |
The artist claims that you need to be travelling at about 60 MPH to really get the gist. |
1.3148 |
0.05978 |
108 |
83 |
16 |
9 |
629 |
If the art weren't bad enough, the headlights in the ceiling are downright offensive. |
1.3148 |
0.05681 |
108 |
81 |
20 |
7 |
630 |
Why do the women and kids get to walk on all fours? |
1.3148 |
0.05204 |
108 |
78 |
26 |
4 |
631 |
I often wonder what it would be like if I had chosen the road less traveled. |
1.3148 |
0.05527 |
108 |
80 |
22 |
6 |
632 |
For the last time: it doesn’t make you look fat. |
1.3148 |
0.06121 |
108 |
84 |
14 |
10 |
633 |
Oscar Wilde may have coined the phrase "Life Imitates Art " But I bet he never had to dodge a 40 Ton Semi... |
1.3148 |
0.05831 |
108 |
82 |
18 |
8 |
634 |
These date back before we got the guns. |
1.3148 |
0.05831 |
108 |
82 |
18 |
8 |
635 |
It's an image that truly encapsulates the existential angst of our times |
1.3148 |
0.05527 |
108 |
80 |
22 |
6 |
636 |
No, I get it. But is it art? |
1.3148 |
0.05831 |
108 |
82 |
18 |
8 |
637 |
Not bad, but hardly worth a thousand bucks. |
1.3148 |
0.05831 |
108 |
82 |
18 |
8 |
638 |
Wow, can you believe we used to live like this? |
1.3148 |
0.06121 |
108 |
84 |
14 |
10 |
639 |
That two-legged hack can call it art all he wants. I call it cultural appropriation. |
1.3148 |
0.05681 |
108 |
81 |
20 |
7 |
640 |
What are your thoughts on gun control? |
1.3148 |
0.06121 |
108 |
84 |
14 |
10 |
641 |
‘Mother with fawn.’ It’s an Interstate Highway System original. |
1.3148 |
0.05368 |
108 |
79 |
24 |
5 |
642 |
What are we? Animals?! |
1.3148 |
0.05978 |
108 |
83 |
16 |
9 |
643 |
oh dear |
1.3148 |
0.05978 |
108 |
83 |
16 |
9 |
644 |
Human art is just so....generic. |
1.3148 |
0.05831 |
108 |
82 |
18 |
8 |
645 |
It's one thing to read about, but to actually see them on all fours...that's really something. |
1.3143 |
0.06100 |
105 |
81 |
15 |
9 |
646 |
This one's so good I can see the ticks. |
1.3119 |
0.05326 |
109 |
80 |
24 |
5 |
647 |
Can you believe they used to let the humans drive? |
1.3113 |
0.05899 |
106 |
81 |
17 |
8 |
648 |
This is far better than his duck series. |
1.3113 |
0.05744 |
106 |
80 |
19 |
7 |
649 |
They're in Boca now, living off the residuals. |
1.3113 |
0.05899 |
106 |
81 |
17 |
8 |
650 |
His yellow / diamond period was so attention grabbing |
1.3113 |
0.05744 |
106 |
80 |
19 |
7 |
651 |
I've seen his work all my life but I never considered it fine art. |
1.3113 |
0.04900 |
106 |
75 |
29 |
2 |
652 |
I think this would look really nice on our street. |
1.3113 |
0.05744 |
106 |
80 |
19 |
7 |
653 |
Yes this one; it supports family values. |
1.3113 |
0.05899 |
106 |
81 |
17 |
8 |
654 |
Amazing how progressive they were to depict a single-parent family |
1.3113 |
0.05899 |
106 |
81 |
17 |
8 |
655 |
Every time you look closely at a classic, you find something new. |
1.3113 |
0.05744 |
106 |
80 |
19 |
7 |
656 |
Ironically, this was the last one he painted before being hit by a truck. |
1.3113 |
0.05586 |
106 |
79 |
21 |
6 |
657 |
It's nice, but not as captivating as the headlight exhibit. |
1.3113 |
0.05586 |
106 |
79 |
21 |
6 |
658 |
Mind if we sit down? These hooves are killing me. |
1.3113 |
0.05586 |
106 |
79 |
21 |
6 |
659 |
The picture itself doesn't really speak to me, but in these lights I just can't stop staring at it. |
1.3113 |
0.06049 |
106 |
82 |
15 |
9 |
660 |
I can't believe our ancestors used to walk on four legs. These primitive art drawings are a real window into our distant past. |
1.3113 |
0.05423 |
106 |
78 |
23 |
5 |
661 |
There's no need to fawn over this one my deer. |
1.3113 |
0.06049 |
106 |
82 |
15 |
9 |
662 |
Did our ancestors really used to walk on all fours like that? |
1.3113 |
0.05899 |
106 |
81 |
17 |
8 |
663 |
Ralph might still be with us if these were hung outside. |
1.3113 |
0.05586 |
106 |
79 |
21 |
6 |
664 |
I guess the buck stops here. |
1.3113 |
0.05586 |
106 |
79 |
21 |
6 |
665 |
It’s the latest from Vincent van Doe |
1.3113 |
0.05586 |
106 |
79 |
21 |
6 |
666 |
Black deers matter |
1.3113 |
0.06049 |
106 |
82 |
15 |
9 |
667 |
You left out my antlers |
1.3113 |
0.05423 |
106 |
78 |
23 |
5 |
668 |
If humans were so advanced, why were their drawings so primitive? |
1.3113 |
0.05744 |
106 |
80 |
19 |
7 |
669 |
His work was a warning to us all |
1.3107 |
0.05349 |
103 |
75 |
24 |
4 |
670 |
Couldn’t be mine..I don’t recognize the mom. What about you? |
1.3107 |
0.05524 |
103 |
76 |
22 |
5 |
671 |
Notice the absence of bullet holes, forcing us to confront our complacency between predatory events. |
1.3091 |
0.05441 |
110 |
82 |
22 |
6 |
672 |
It's great to see black actors in such multidimensional roles. |
1.3084 |
0.05851 |
107 |
82 |
17 |
8 |
673 |
You know, we DO walk left to right occasionally. |
1.3084 |
0.05851 |
107 |
82 |
17 |
8 |
674 |
This ancient art -- I just don't get. Did humans think all we did was cross roads? |
1.3084 |
0.05541 |
107 |
80 |
21 |
6 |
675 |
I hate still life. |
1.3084 |
0.04678 |
107 |
75 |
31 |
1 |
676 |
Pre-children, Parenthood, Empty Nester! |
1.3077 |
0.05479 |
104 |
77 |
22 |
5 |
677 |
That was painted after he cut off his tail. |
1.3077 |
0.05968 |
104 |
80 |
16 |
8 |
678 |
This is a step up from his Falling Rocks series. |
1.3077 |
0.06122 |
104 |
81 |
14 |
9 |
679 |
typical Typical the father is always left out of the picture |
1.3077 |
0.05647 |
104 |
78 |
20 |
6 |
680 |
Bambi Warhol |
1.3077 |
0.05968 |
104 |
80 |
16 |
8 |
681 |
Your nudes are really coming along. |
1.3077 |
0.05647 |
104 |
78 |
20 |
6 |
682 |
Yes dear, that does look like Fawn when she was a baby. |
1.3077 |
0.05810 |
104 |
79 |
18 |
7 |
683 |
Profound use of silhouette by the artist. |
1.3077 |
0.05968 |
104 |
80 |
16 |
8 |
684 |
If we pass this defensive walking course, our life insurance premiums will go down 10% for the next three years. |
1.3077 |
0.05810 |
104 |
79 |
18 |
7 |
685 |
Here we see some of Rudolph's early modeling work, before the nose job. |
1.3077 |
0.05810 |
104 |
79 |
18 |
7 |
686 |
It's a meadowfor. |
1.3077 |
0.05810 |
104 |
79 |
18 |
7 |
687 |
The artist recently received a National Endowment for the Arts grant, and his work appears on highways nationally now. |
1.3077 |
0.06122 |
104 |
81 |
14 |
9 |
688 |
Because fathers aren't considered important, that's why. |
1.3056 |
0.06094 |
108 |
85 |
13 |
10 |
689 |
And yet we still don’t know why the deer crossed the road! |
1.3056 |
0.05497 |
108 |
81 |
21 |
6 |
690 |
To me, it's subversive: the flattened picture plane, the absence of landscape suggests a subtle, yet distinct, note of malice, of danger, in what is otherwise an ordinary scene of domestic tranquility. What do you think? |
1.3048 |
0.05918 |
105 |
81 |
16 |
8 |
691 |
Interesting fact, dear: In 2020, as the NRA expanded its sphere of influence, these signs were removed from roadways because they were considered to interfere with the inalienable right of driving a car. |
1.3048 |
0.05761 |
105 |
80 |
18 |
7 |
692 |
Are we supposed to imagine the absentee father just out gallivanting around? |
1.3048 |
0.05600 |
105 |
79 |
20 |
6 |
693 |
It's quite a shift from the earlier 'Children at Play' era! |
1.3039 |
0.05536 |
102 |
76 |
21 |
5 |
694 |
The works are so popular. You see them almost everywhere. |
1.3039 |
0.06040 |
102 |
79 |
15 |
8 |
695 |
Restored restroom signs from the pre-gender-neutral era. |
1.3039 |
0.05174 |
102 |
74 |
25 |
3 |
696 |
The values skyrocket during hunting season. |
1.3039 |
0.05709 |
102 |
77 |
19 |
6 |
697 |
These works are pretty pedestrian. |
1.3039 |
0.05536 |
102 |
76 |
21 |
5 |
698 |
I've heard his work kills upstate. |
1.3039 |
0.05877 |
102 |
78 |
17 |
7 |
699 |
Why do they paint us always in a yellow field? -where is the greenery ? Or the sky ? |
1.3039 |
0.05709 |
102 |
77 |
19 |
6 |
700 |
It's so humbling to realize they thought of us as gods. |
1.3039 |
0.05877 |
102 |
78 |
17 |
7 |
701 |
See, it is believed that our ancestors were four legged creatures. |
1.3039 |
0.06040 |
102 |
79 |
15 |
8 |
702 |
Evocative. I almost see headlights. |
1.3039 |
0.05358 |
102 |
75 |
23 |
4 |
703 |
It's called portrait of the artist as a young buck |
1.3039 |
0.05877 |
102 |
78 |
17 |
7 |
704 |
Why are they crawling on all fours? |
1.3039 |
0.06198 |
102 |
80 |
13 |
9 |
705 |
Now, the dramatic rendering of this Madonna and Child is quite evocative. |
1.3039 |
0.06040 |
102 |
79 |
15 |
8 |
706 |
I prefer his earlier work. |
1.3039 |
0.05877 |
102 |
78 |
17 |
7 |
707 |
Although the artist is famous for his self-portraits, this rare work of his wife and young son is my favorite. |
1.3039 |
0.06040 |
102 |
79 |
15 |
8 |
708 |
Yes, Dear... those were taken of your Uncle Ned's family just before I-295 was completed. |
1.3039 |
0.05536 |
102 |
76 |
21 |
5 |
709 |
This is art? Even my kid could do this—if she hadn't been hit by a car, that is. |
1.3034 |
0.06065 |
89 |
67 |
17 |
5 |
710 |
As if we're the problem... |
1.3030 |
0.05998 |
99 |
76 |
16 |
7 |
711 |
His minimalist style sublimely emphasizes the grace and majesty his subjects had in life, which provides perfect counter-balance to the underlying theme of our own mortality. It is quite esoteric, really. |
1.3010 |
0.05988 |
103 |
80 |
15 |
8 |
712 |
Sigh. Now the feminists have ruined another male tradition. |
1.3010 |
0.05314 |
103 |
76 |
23 |
4 |
713 |
Huh. You're right. He does look like me. |
1.3000 |
0.06113 |
100 |
78 |
14 |
8 |
714 |
If you say 'the buck stops here' one more time, I'm leaving. |
1.3000 |
0.06276 |
100 |
79 |
12 |
9 |
715 |
At least this one isn't riddled with bullet holes... |
1.3000 |
0.06264 |
80 |
60 |
16 |
4 |
716 |
And here we have Madonna with Child. |
1.3000 |
0.05412 |
100 |
74 |
22 |
4 |
717 |
Life was simpler as a quadruped. |
1.3000 |
0.06113 |
100 |
78 |
14 |
8 |
718 |
Well that's surprising... they call this exhibit "Deer in Headlights." |
1.3000 |
0.05774 |
100 |
76 |
18 |
6 |
719 |
The use of offspring feels manipulative in this piece. |
1.3000 |
0.05946 |
100 |
77 |
16 |
7 |
720 |
The fawn can stay for now because she was born here, but we're worried about the mother. She's Canadian. |
1.3000 |
0.06590 |
100 |
81 |
8 |
11 |
721 |
I'm sorry, but, I still think it's insulting to charge two bucks admission. |
1.3000 |
0.05596 |
100 |
75 |
20 |
5 |
722 |
No offence Buck, but this is the most boring stag party I've ever been to! |
1.3000 |
0.05774 |
100 |
76 |
18 |
6 |
723 |
From his Headlights period. |
1.3000 |
0.05596 |
100 |
75 |
20 |
5 |
724 |
It’s signage from when humans drove. |
1.3000 |
0.06113 |
100 |
78 |
14 |
8 |
725 |
Nice, but a little sentimental for my taste. |
1.3000 |
0.05596 |
100 |
75 |
20 |
5 |
726 |
It's either the art or those lights, but I just can't look away. |
1.3000 |
0.05946 |
100 |
77 |
16 |
7 |
727 |
Whatever you do, don't look up. |
1.2990 |
0.06416 |
97 |
77 |
11 |
9 |
728 |
...and yet the color palette suggests looming danger. |
1.2990 |
0.05516 |
97 |
72 |
21 |
4 |
729 |
If I may quote Homer....'Doe!' |
1.2970 |
0.05548 |
101 |
76 |
20 |
5 |
730 |
I just don't buy that they're really in the headlights. |
1.2970 |
0.05894 |
101 |
78 |
16 |
7 |
731 |
Mother and child, classic nude. |
1.2959 |
0.05840 |
98 |
75 |
17 |
6 |
732 |
These unrealistic standards of beauty undermine healthy body image and self esteem. |
1.2959 |
0.05657 |
98 |
74 |
19 |
5 |
733 |
As a painter, he hasn’t grown since his last show, “CATTLE XING”. |
1.2959 |
0.05272 |
98 |
72 |
23 |
3 |
734 |
I took that one at Yellowstone last summer. |
1.2959 |
0.06017 |
98 |
76 |
15 |
7 |
735 |
It's Warhol meets Lascaux. |
1.2959 |
0.05840 |
98 |
75 |
17 |
6 |
736 |
I think this stuff belongs out on the street. |
1.2959 |
0.06017 |
98 |
76 |
15 |
7 |
737 |
At least you can tell what this artist is driving at. |
1.2959 |
0.05468 |
98 |
73 |
21 |
4 |
738 |
It's so rare to find one without bullet holes. |
1.2959 |
0.05840 |
98 |
75 |
17 |
6 |
739 |
Well this buck stops here. |
1.2959 |
0.06017 |
98 |
76 |
15 |
7 |
740 |
“Actually I much prefer his earlier work with the bullet holes. |
1.2959 |
0.06190 |
98 |
77 |
13 |
8 |
741 |
Look at this Harry, the gals and kids get a protected road crossing and we have to run for our lives. |
1.2959 |
0.06017 |
98 |
76 |
15 |
7 |
742 |
Apparently this one was just before the divorce. |
1.2959 |
0.05657 |
98 |
74 |
19 |
5 |
743 |
I posed for that right before I signed to do that Disney feature. |
1.2959 |
0.06017 |
98 |
76 |
15 |
7 |
744 |
It lacks the gravitas of his earlier work. |
1.2959 |
0.05840 |
98 |
75 |
17 |
6 |
745 |
Since you ask, Marvin, I find it rather shallow and pedantic. |
1.2959 |
0.06190 |
98 |
77 |
13 |
8 |
746 |
This is the sign of our times: single doe with fawn and no buck in the picture. |
1.2959 |
0.05657 |
98 |
74 |
19 |
5 |
747 |
But is it art though? |
1.2959 |
0.05657 |
98 |
74 |
19 |
5 |
748 |
It's always single moms. |
1.2959 |
0.05468 |
98 |
73 |
21 |
4 |
749 |
Things were so different before we learned to drive |
1.2959 |
0.06017 |
98 |
76 |
15 |
7 |
750 |
I came here expecting a stag show - what are they thinking? |
1.2959 |
0.05840 |
98 |
75 |
17 |
6 |
751 |
It says this one's on loan from the Taconic State Parkway. |
1.2959 |
0.05657 |
98 |
74 |
19 |
5 |
752 |
This is crossing the line. |
1.2959 |
0.05272 |
98 |
72 |
23 |
3 |
753 |
A thousand bucks? |
1.2959 |
0.06017 |
98 |
76 |
15 |
7 |
754 |
Your attention please. The Far Side museum will be closing in 15 minutes. |
1.2959 |
0.06190 |
98 |
77 |
13 |
8 |
755 |
We were at his opening on Route 8. |
1.2959 |
0.06190 |
98 |
77 |
13 |
8 |
756 |
It's a little too "deer in the headlights" for my taste. |
1.2947 |
0.04703 |
95 |
67 |
28 |
0 |
757 |
I wonder how Jackson Pollock would have painted us. |
1.2947 |
0.05962 |
95 |
73 |
16 |
6 |
758 |
Why is it ALWAYS the guys who get to leap? |
1.2935 |
0.06473 |
92 |
73 |
11 |
8 |
759 |
Amazing, no bullet holes through any of these. |
1.2929 |
0.05788 |
99 |
76 |
17 |
6 |
760 |
It's certainly more straightforward than his work with the chicken. |
1.2929 |
0.06134 |
99 |
78 |
13 |
8 |
761 |
It isn't signed. |
1.2917 |
0.05908 |
96 |
74 |
16 |
6 |
762 |
It's clichéd, but it speaks to me. |
1.2917 |
0.05719 |
96 |
73 |
18 |
5 |
763 |
Outsider art at its worst. |
1.2917 |
0.05719 |
96 |
73 |
18 |
5 |
764 |
These must be from Salvadeer Doeli's less famous I-95 period. |
1.2917 |
0.06268 |
96 |
76 |
12 |
8 |
765 |
Frankly, his yellow period is overrated. |
1.2917 |
0.05112 |
96 |
70 |
24 |
2 |
766 |
This one really jumps out at me. |
1.2917 |
0.05908 |
96 |
74 |
16 |
6 |
767 |
The artist has exhaustively explored the Madonna-Child paradigm. |
1.2917 |
0.05719 |
96 |
73 |
18 |
5 |
768 |
Can someone dim the headlights? |
1.2917 |
0.06091 |
96 |
75 |
14 |
7 |
769 |
A truck almost hit me while I was taking this picture. |
1.2917 |
0.06091 |
96 |
75 |
14 |
7 |
770 |
It speaks to the impermanence of life. |
1.2917 |
0.06268 |
96 |
76 |
12 |
8 |
771 |
Cute, but it lacks impact. |
1.2917 |
0.06091 |
96 |
75 |
14 |
7 |
772 |
I hear his works have quadrupled in value since he was run over crossing the highway. |
1.2917 |
0.06091 |
96 |
75 |
14 |
7 |
773 |
Post-modernist irony, my antlers! |
1.2917 |
0.05524 |
96 |
72 |
20 |
4 |
774 |
Ironically, the car had a baby on board sign. |
1.2917 |
0.05719 |
96 |
73 |
18 |
5 |
775 |
I can't look away. |
1.2917 |
0.06609 |
96 |
78 |
8 |
10 |
776 |
These are all works by Vincent van Doe. |
1.2917 |
0.06091 |
96 |
75 |
14 |
7 |
777 |
Well, he's obviously not in it for the bucks. |
1.2917 |
0.05908 |
96 |
74 |
16 |
6 |
778 |
At the height of their evolution, those extinct humans did really care about us. |
1.2917 |
0.06091 |
96 |
75 |
14 |
7 |
779 |
I just can't look away. |
1.2917 |
0.05908 |
96 |
74 |
16 |
6 |
780 |
'Didn't Jane tell you she would be posing nude?' |
1.2917 |
0.05719 |
96 |
73 |
18 |
5 |
781 |
It is nice to see that deer lives matter. |
1.2917 |
0.06441 |
96 |
77 |
10 |
9 |
782 |
I don't care how provocative it is. I wouldn't want it in my living room! |
1.2917 |
0.04663 |
96 |
68 |
28 |
0 |
783 |
Share the road am I right? |
1.2917 |
0.05719 |
96 |
73 |
18 |
5 |
784 |
Shhhhh.... I’m reflecting. |
1.2900 |
0.05738 |
100 |
77 |
17 |
6 |
785 |
Yes, these early examples at communication among our ancient ancestors have been found in patterns across various landscapes, were they for navigation, or warning, we just do not know. |
1.2887 |
0.05668 |
97 |
74 |
18 |
5 |
786 |
Inspiring- we should post caution signs with hunter silhouettes in our forest. |
1.2887 |
0.06381 |
97 |
78 |
10 |
9 |
787 |
I know they're just spotlights, but I'm still stunned. |
1.2877 |
0.06315 |
73 |
55 |
15 |
3 |
788 |
I just don’t appreciate the Doedoe movement. |
1.2872 |
0.05978 |
94 |
73 |
15 |
6 |
789 |
I take umbrage with this one. Junior would never be in the lead. |
1.2872 |
0.06167 |
94 |
74 |
13 |
7 |
790 |
Yes dear, you're much better looking. |
1.2872 |
0.06167 |
94 |
74 |
13 |
7 |
791 |
It's a nice departure from the Headlight series. |
1.2872 |
0.05374 |
94 |
70 |
21 |
3 |
792 |
We need car-crossing signs. |
1.2872 |
0.06167 |
94 |
74 |
13 |
7 |
793 |
And to think they thought they'd outlast us. |
1.2872 |
0.05978 |
94 |
73 |
15 |
6 |
794 |
This works for me on a purely sentimental level. |
1.2872 |
0.05978 |
94 |
73 |
15 |
6 |
795 |
Just between us, I miss those days of chewing fresh grass on all fours. |
1.2872 |
0.05157 |
94 |
69 |
23 |
2 |
796 |
I still find them offensive |
1.2872 |
0.05978 |
94 |
73 |
15 |
6 |
797 |
Apparently they date from some primitive civilization and had something to do with going places. No-one has yet figured it out. |
1.2872 |
0.06167 |
94 |
74 |
13 |
7 |
798 |
Apparently it’s an implicit critique of the codification of a traditional family structure. |
1.2872 |
0.06167 |
94 |
74 |
13 |
7 |
799 |
I just don't get modern art. |
1.2872 |
0.05978 |
94 |
73 |
15 |
6 |
800 |
It's what they used to warn them about us before they and their cars became extinct. |
1.2872 |
0.05374 |
94 |
70 |
21 |
3 |
801 |
Yes but what does it MEAN.... |
1.2872 |
0.05978 |
94 |
73 |
15 |
6 |
802 |
This was part of a campaign to warn of unwanted pregnancies. |
1.2872 |
0.05784 |
94 |
72 |
17 |
5 |
803 |
This is an old one of me and grandma back on highway 41. |
1.2872 |
0.05784 |
94 |
72 |
17 |
5 |
804 |
It may seem like a crude illustration, son, but without works like these, most of us would just be roadkill. |
1.2872 |
0.05978 |
94 |
73 |
15 |
6 |
805 |
The Madonna and Child don't appear often in his œvre. |
1.2872 |
0.06167 |
94 |
74 |
13 |
7 |
806 |
To be honest, this isn't the type of stag party I was expecting. |
1.2872 |
0.05978 |
94 |
73 |
15 |
6 |
807 |
Oh Bert, honestly! You think they're all one of yours. |
1.2872 |
0.05978 |
94 |
73 |
15 |
6 |
808 |
I find it rather pedestrian. |
1.2872 |
0.05583 |
94 |
71 |
19 |
4 |
809 |
These are on loan from the artist's Rural Route 2 collection. |
1.2872 |
0.05583 |
94 |
71 |
19 |
4 |
810 |
Trite. |
1.2872 |
0.06167 |
94 |
74 |
13 |
7 |
811 |
The antlers in this one follow me no matter where I go. |
1.2872 |
0.05978 |
94 |
73 |
15 |
6 |
812 |
Joe, I know they always have twins, but it’s artistic license. |
1.2841 |
0.05816 |
88 |
67 |
17 |
4 |
813 |
Your grandma and I were the first models. |
1.2826 |
0.06051 |
92 |
72 |
14 |
6 |
814 |
I think it would better for all of us if they put these back where they found them. |
1.2826 |
0.06434 |
92 |
74 |
10 |
8 |
815 |
The artist was a dear deer friend |
1.2826 |
0.06051 |
92 |
72 |
14 |
6 |
816 |
Dude. Bambi's mom is such a M.I.L.F. |
1.2826 |
0.05850 |
92 |
71 |
16 |
5 |
817 |
Damn things don’t work. |
1.2826 |
0.05850 |
92 |
71 |
16 |
5 |
818 |
I prefer stag pictures. |
1.2826 |
0.05642 |
92 |
70 |
18 |
4 |
819 |
A single mother coping with the stark realities of a post-industrial world, that's what I see. |
1.2826 |
0.05850 |
92 |
71 |
16 |
5 |
820 |
This one seems rather pedestrian. |
1.2826 |
0.05850 |
92 |
71 |
16 |
5 |
821 |
See Bob, you were not the only child raised by a single mother. Get over it. |
1.2826 |
0.06245 |
92 |
73 |
12 |
7 |
822 |
Don't you love Madonna and Child? |
1.2826 |
0.06051 |
92 |
72 |
14 |
6 |
823 |
I’m just tired of everything being so political. |
1.2826 |
0.06245 |
92 |
73 |
12 |
7 |
824 |
How do they know we are still illiterate? |
1.2826 |
0.06434 |
92 |
74 |
10 |
8 |
825 |
The artist is a roads scholar. |
1.2826 |
0.05850 |
92 |
71 |
16 |
5 |
826 |
So, why is modern art always hung crooked? |
1.2826 |
0.06051 |
92 |
72 |
14 |
6 |
827 |
My inspiration? Matisse, Picasso, Chevrolet... |
1.2826 |
0.05850 |
92 |
71 |
16 |
5 |
828 |
I wouldn't pay two bucks for this. |
1.2826 |
0.06245 |
92 |
73 |
12 |
7 |
829 |
I see he's starting to deal with his parenting issues. |
1.2826 |
0.05642 |
92 |
70 |
18 |
4 |
830 |
His previous work was less cautious. |
1.2826 |
0.05642 |
92 |
70 |
18 |
4 |
831 |
The subtext is a negation of human necessity and dominance. I like it. |
1.2826 |
0.06617 |
92 |
75 |
8 |
9 |
832 |
First road signs I have ever seen without red noses painted on us. |
1.2826 |
0.06245 |
92 |
73 |
12 |
7 |
833 |
Ah yes, another work by Jane Doe. |
1.2809 |
0.06187 |
89 |
70 |
13 |
6 |
834 |
What a sell-out! Next thing you know, he'll be doing Christmas sweaters. |
1.2796 |
0.06371 |
93 |
75 |
10 |
8 |
835 |
It's all so patriarchal, stereotypical and derivative of the great " Deer X..ing " ! |
1.2778 |
0.05480 |
90 |
68 |
19 |
3 |
836 |
Humans protect us against cars but then… they shoot us. Go figure. |
1.2778 |
0.06520 |
90 |
73 |
9 |
8 |
837 |
Doesn't Look like Rudolph's work. |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
838 |
Now, I don't claim to be an art expert, but to me it just seems to lack depth. |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
839 |
It's taking every ounce of my willpower to focus on this tripe instead of just staring at those headlights in the ceiling. |
1.2778 |
0.06520 |
90 |
73 |
9 |
8 |
840 |
This one goes for less then a buck. |
1.2778 |
0.06326 |
90 |
72 |
11 |
7 |
841 |
I realize now that we are the art. |
1.2778 |
0.06126 |
90 |
71 |
13 |
6 |
842 |
Objectified, as usual. |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
843 |
If only art could solve problems instead of just increasing awareness. |
1.2778 |
0.05703 |
90 |
69 |
17 |
4 |
844 |
Too pastoral. I like the street buck with bullet holes. |
1.2778 |
0.06126 |
90 |
71 |
13 |
6 |
845 |
Her Abstract Alarmist stuff is a bit too realist for me. |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
846 |
Sign or Symbol? |
1.2778 |
0.06326 |
90 |
72 |
11 |
7 |
847 |
Wait, they actually made signs for us? |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
848 |
This piece would look fabulous along Route 97 |
1.2778 |
0.06326 |
90 |
72 |
11 |
7 |
849 |
His imagery is too repetitive, but I love the tipped square format. |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
850 |
His art is so... pedestrian. |
1.2778 |
0.06326 |
90 |
72 |
11 |
7 |
851 |
This one jumps out at me. |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
852 |
Yes, parenthood definitely slows you down! |
1.2778 |
0.06326 |
90 |
72 |
11 |
7 |
853 |
Buck, here is one of you and mom. |
1.2778 |
0.05703 |
90 |
69 |
17 |
4 |
854 |
'We need better car control laws- not more signs!" |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
855 |
Dang. This one has bullet holes too. |
1.2778 |
0.06126 |
90 |
71 |
13 |
6 |
856 |
This makes me cross. |
1.2778 |
0.06520 |
90 |
73 |
9 |
8 |
857 |
Confidentially, in private that’s how I walk. |
1.2778 |
0.06326 |
90 |
72 |
11 |
7 |
858 |
An unsettling ominous feeling characterizes his art, won't you say? |
1.2778 |
0.06326 |
90 |
72 |
11 |
7 |
859 |
It lacks impact. |
1.2778 |
0.06126 |
90 |
71 |
13 |
6 |
860 |
I see deer, cars and artist in rut. |
1.2778 |
0.06326 |
90 |
72 |
11 |
7 |
861 |
Listen, I appreciate it. But does it work? |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
862 |
I don't know if it's art, but I know what I like |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
863 |
And to think, we never received any usage royalties for any of these images! |
1.2778 |
0.05918 |
90 |
70 |
15 |
5 |
864 |
I wouldn't have let MY daughter pose for that. |
1.2778 |
0.06326 |
90 |
72 |
11 |
7 |
865 |
I much preferred the earlier works from the "Deer Xing" Period. |
1.2778 |
0.05703 |
90 |
69 |
17 |
4 |
866 |
The technique is fine, but I just find the whole concept a bit deerivative. |
1.2778 |
0.06126 |
90 |
71 |
13 |
6 |
867 |
So predictable. He's in a rut |
1.2778 |
0.06126 |
90 |
71 |
13 |
6 |
868 |
Few who have seen these in the wild lived to tell about it. |
1.2771 |
0.06255 |
83 |
65 |
13 |
5 |
869 |
Quadrupedalism? Man, that must've sucked. |
1.2759 |
0.05824 |
87 |
67 |
16 |
4 |
870 |
I can't believe how primitive we used to be. |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
871 |
I bet this one is worth a buck or two. |
1.2759 |
0.06679 |
87 |
71 |
8 |
8 |
872 |
"Oh deer, the four legged silhouette on yellow grows tiresome". |
1.2759 |
0.05824 |
87 |
67 |
16 |
4 |
873 |
I know her, and she is not what I call wildlife. |
1.2759 |
0.06266 |
87 |
69 |
12 |
6 |
874 |
So how long do you think Tillerson's gonna last? |
1.2759 |
0.06266 |
87 |
69 |
12 |
6 |
875 |
Not bad, but where are the headlights? |
1.2759 |
0.06679 |
87 |
71 |
8 |
8 |
876 |
The nudity seems gratuitous. |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
877 |
Kinda sexist to always show the MOM with the fawn |
1.2759 |
0.06266 |
87 |
69 |
12 |
6 |
878 |
They call this art? I've seen better road signs! |
1.2759 |
0.06266 |
87 |
69 |
12 |
6 |
879 |
I hate to sound like a philistine, but my fawn could've painted this. |
1.2759 |
0.06266 |
87 |
69 |
12 |
6 |
880 |
Pretentious, but somehow compelling |
1.2759 |
0.05824 |
87 |
67 |
16 |
4 |
881 |
Hence the phrase "life imitates art" |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
882 |
For you, it's art. For me, it's a warning. |
1.2759 |
0.05824 |
87 |
67 |
16 |
4 |
883 |
This just doesn't have the same impact. |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
884 |
This is from his early Bambi period. |
1.2759 |
0.06266 |
87 |
69 |
12 |
6 |
885 |
I've bought one to hang by the edge of the woods; it'll get the neighbor's attention. |
1.2759 |
0.06266 |
87 |
69 |
12 |
6 |
886 |
She started posing for nudes when I fell behind on child support. |
1.2759 |
0.06679 |
87 |
71 |
8 |
8 |
887 |
You know what it says to me? It says, 'Deer!' |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
888 |
Makes me wonder if I should have started a family instead of going stag. |
1.2759 |
0.05345 |
87 |
65 |
20 |
2 |
889 |
There are two things I stand for: art and gun control. |
1.2759 |
0.06266 |
87 |
69 |
12 |
6 |
890 |
It's from the Van Doe Collection. |
1.2759 |
0.06476 |
87 |
70 |
10 |
7 |
891 |
Maybe it's me, but I just don't see what this artist is driving at. |
1.2759 |
0.05824 |
87 |
67 |
16 |
4 |
892 |
The mother with child theme is so passé. |
1.2759 |
0.05824 |
87 |
67 |
16 |
4 |
893 |
It's a middle-of-the-road exhibit. |
1.2759 |
0.05345 |
87 |
65 |
20 |
2 |
894 |
It does seem to capture a certain je ne sais quoi. |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
895 |
Personally, I'm a fan of his earlier crossings. |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
896 |
This was the last image she posed for before the accident. |
1.2759 |
0.05824 |
87 |
67 |
16 |
4 |
897 |
Another sad example of cultural appropriation |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
898 |
I think this one's a warning about unprotected sex. |
1.2759 |
0.06476 |
87 |
70 |
10 |
7 |
899 |
I think painting Bambi and his mother is a bit tasteless, given what happened.... |
1.2759 |
0.06266 |
87 |
69 |
12 |
6 |
900 |
It's called "Madonna and Child." |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
901 |
Surprisingly, the works lack urgency. |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
902 |
The headlights on the ceiling is a crude joke. |
1.2759 |
0.06679 |
87 |
71 |
8 |
8 |
903 |
I was outbid by 2 bucks |
1.2759 |
0.05590 |
87 |
66 |
18 |
3 |
904 |
She finally got out of the rut. |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
905 |
Ugh, it's completely deerivative. |
1.2759 |
0.05590 |
87 |
66 |
18 |
3 |
906 |
The black against yellow contrast creates an interesting figure-ground reversal but I wouldn't stop for it. |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
907 |
One picture is worth a thousand bucks. |
1.2759 |
0.05590 |
87 |
66 |
18 |
3 |
908 |
Good roadside stuff, but not even close to Cave Art! |
1.2759 |
0.05590 |
87 |
66 |
18 |
3 |
909 |
Lichtenstein's early period. |
1.2759 |
0.06266 |
87 |
69 |
12 |
6 |
910 |
This one's only a buck. |
1.2759 |
0.06049 |
87 |
68 |
14 |
5 |
911 |
I like the way it evokes family values. |
1.2759 |
0.05824 |
87 |
67 |
16 |
4 |
912 |
Hooves are always so hard to paint. |
1.2747 |
0.06264 |
91 |
73 |
11 |
7 |
913 |
The images are compelling, but ultimately the composition fails; they both ended up in the grill of Ford F150. |
1.2738 |
0.06189 |
84 |
66 |
13 |
5 |
914 |
I certainly hope these are not originals. |
1.2727 |
0.06410 |
88 |
71 |
10 |
7 |
915 |
Ah, the Doe-na Lisa. |
1.2727 |
0.06203 |
88 |
70 |
12 |
6 |
916 |
Well, it certainly makes you pause and think. |
1.2716 |
0.06576 |
81 |
65 |
10 |
6 |
917 |
It says the artist died soon after this was taken." |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
918 |
Man, that reminds me..next week is rutting season! |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
919 |
I prefer his earlier work with Disney. |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
920 |
I hear DOT bought the whole series. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
921 |
She seems almost caught between worlds -- half looking back to the yellow warmth and safety of Mom, and half looking forward the great unknown beyond known boundaries. Genius. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
922 |
I imagine that with automated braking systems, these will become obsolete |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
923 |
They don't grab me like her headlight series. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
924 |
Well, frankly I'm not sure what the artist is trying to tell us here. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
925 |
So, none of these photographers are NRA members. right? |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
926 |
A bit pedestrian if you ask me. |
1.2706 |
0.05648 |
85 |
65 |
17 |
3 |
927 |
When the light hits it they seem so still. |
1.2706 |
0.05394 |
85 |
64 |
19 |
2 |
928 |
I don't know, it seems a little derivative to me. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
929 |
The flattened forms and monochromatic color structure help to bring out the artist's themes of foreboding. |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
930 |
I can't decide if it's appropriate or ironic that the exhibit is sponsored by Cabela's. |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
931 |
Yes, look at that detail, they appear to almost jump off the canvas... |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
932 |
It's sentimental, and yet somehow I still like it. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
933 |
It's quite typical of pre-2050 highway art |
1.2706 |
0.05648 |
85 |
65 |
17 |
3 |
934 |
Did I tell you I was a traffic sign model once? |
1.2706 |
0.06565 |
85 |
69 |
9 |
7 |
935 |
I miss them so much... |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
936 |
And here, his later semi-domesticated period. |
1.2706 |
0.05648 |
85 |
65 |
17 |
3 |
937 |
Our plan succeeded, they yielded & the rest is history... |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
938 |
Classic example of mid-century Protectionist self-perpetuating gender stereotyping. |
1.2706 |
0.05128 |
85 |
63 |
21 |
1 |
939 |
"Very one dimensional----disappointingly stereotypical". |
1.2706 |
0.06565 |
85 |
69 |
9 |
7 |
940 |
Very evocative of Disney's "Bambi: The Early Years". |
1.2706 |
0.06565 |
85 |
69 |
9 |
7 |
941 |
I mean, come on, where are the bullet holes? |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
942 |
So *that’s* what we used to look like in the headlights. |
1.2706 |
0.05648 |
85 |
65 |
17 |
3 |
943 |
I never understood asphalt expressionism. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
944 |
Why do critics fawn over this? My little kid could do better. |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
945 |
Shouldn't they be running? |
1.2706 |
0.05128 |
85 |
63 |
21 |
1 |
946 |
. . . sort of ironic that the artist's works are unfinished due to that hit-and-run. |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
947 |
I'll never understand why everyone fawns over modern art. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
948 |
A bit pedestrian. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
949 |
Indeed, a collision of cubism and post-modern simplicity. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
950 |
"The artists overhead head-light effect is mesmerizing"! |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
951 |
His work immortalizes the tragedies suffered by our ancestors. |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
952 |
Just love these cave paintings. |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
953 |
I always preferred the road less traveled. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
954 |
Let me guess, we used to stand on 4 legs AND shit in the woods. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
955 |
This is gonna bring in the big bucks. |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
956 |
Thematically, it breaks the glass ceiling. Soft lines. Nurturing composition. A generational leap in art. I hate it. |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
957 |
Just once, I would like to feel welcoming rather than warning. |
1.2706 |
0.05648 |
85 |
65 |
17 |
3 |
958 |
This really makes me pause. |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
959 |
Quintessential Elk Greco. |
1.2706 |
0.06565 |
85 |
69 |
9 |
7 |
960 |
I dunno Hubie, I'm not a big fan of street art. |
1.2706 |
0.05128 |
85 |
63 |
21 |
1 |
961 |
This one doesn't leap out at me. |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
962 |
His work is displayed throughout the country, but the artist remains surprisingly anonymous. |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
963 |
This guy is great. Soon this stuff will be on every street corner. |
1.2706 |
0.06565 |
85 |
69 |
9 |
7 |
964 |
I'm not sure I get what such primitive folk art is trying to say. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
965 |
Fawning. |
1.2706 |
0.05648 |
85 |
65 |
17 |
3 |
966 |
Really?! It's 2017. I take the kids to school, too, you know. |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
967 |
Like anyone pays attention to signs. |
1.2706 |
0.06565 |
85 |
69 |
9 |
7 |
968 |
Quit fawning, you know she's not real. |
1.2706 |
0.05648 |
85 |
65 |
17 |
3 |
969 |
It's abstract, you wouldn't get it |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
970 |
Grandpa loved this one. Too bad he couldn't look away. |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
971 |
Bold...yet cautionary... |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
972 |
How pedestrian! |
1.2706 |
0.06124 |
85 |
67 |
13 |
5 |
973 |
I remember them posing for it just before they were run over. |
1.2706 |
0.06348 |
85 |
68 |
11 |
6 |
974 |
I don't know, it's just so pedestrian. |
1.2706 |
0.05891 |
85 |
66 |
15 |
4 |
975 |
Yeah, it could be all that highbrow, poser fine arts degree crap you just made up, or it could just be two deer. |
1.2674 |
0.06282 |
86 |
69 |
11 |
6 |
976 |
The artist is a deer friend. |
1.2674 |
0.06060 |
86 |
68 |
13 |
5 |
977 |
Found art? More like stolen from mile marker 37 on the Taconic. |
1.2674 |
0.06496 |
86 |
70 |
9 |
7 |
978 |
The composition is good, but I can't say I care for his color choices. |
1.2674 |
0.05341 |
86 |
65 |
19 |
2 |
979 |
Didn't make a damn bit of difference, did it? |
1.2658 |
0.06165 |
79 |
62 |
13 |
4 |
980 |
This looks nothing like us. No wonder they keep hitting us with their cars. |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
981 |
Striking, but nothing to fawn over. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
982 |
I remember those wild stag days...but then we had Rudolph. |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
983 |
Impressive talent, the signs were there. |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
984 |
He's stuck in his yellow period. |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
985 |
Supposedly these were 'warning signs' for the now extinct 'human race'. Wouldn't be the first ones they ignored! |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
986 |
I've seen reproductions just down the road. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
987 |
This one set off a second-wave feminist critique of the male gaze. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
988 |
The good old days, when crossing the street was our only form of stress. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
989 |
My yearling could do that. |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
990 |
I'd say it was a haunting and iconic piece, but that's so clichè! |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
991 |
This says it's on loan from the Poughkeepsie road commission. |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
992 |
Just adore his "Bambi Period". |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
993 |
She looks a lot like my ex. |
1.2651 |
0.05444 |
83 |
63 |
18 |
2 |
994 |
The allusions to cinematic stereotypes make his work so dark. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
995 |
This is just what I need for my den. |
1.2651 |
0.05444 |
83 |
63 |
18 |
2 |
996 |
You say it's art imitating wildlife. I say it's wildlife imitating art. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
997 |
Really? I only see headlights. |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
998 |
He was much more creative before he started working for the Department of Highways, |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
999 |
I love the juxtaposition between doe and fawn. |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
1000 |
I find the piece to be a bit pedestrian. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
1001 |
Humans really love this art. They usually slow their cars when they see one. |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
1002 |
They won't cross with all the heteronormative nuclear family construction. |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
1003 |
I told her that's not my good side. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1004 |
What the hell is this supposed to be? |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
1005 |
It plays a little too much to the emotions. |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
1006 |
Seems derivative. |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
1007 |
What tasteful nudes. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
1008 |
how do we cross in the other direction? |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1009 |
I love Thomas Kincade's early work. |
1.2651 |
0.06658 |
83 |
68 |
8 |
7 |
1010 |
Here we have ancient human artifacts depicting a time they worshipped our quadruped ancestors. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1011 |
It has a definite "deer in the headlights" feel to it |
1.2651 |
0.06658 |
83 |
68 |
8 |
7 |
1012 |
I agree, it's pretty impenetrable work, but maybe it's a warning about being too complacent, that death is a real possibility, and ultimately we are all deer just caught in the headlights? |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
1013 |
This was right after his Blue Period. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1014 |
I thought he was gay. |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
1015 |
We should have paid extra for the audio tour. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1016 |
Sorry......I can’t read sign language. |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
1017 |
I think it's a hackneyed take-off of the 'Baby On Board' fad! |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1018 |
Maybe it's the lighting, but I just can't look away. |
1.2651 |
0.06658 |
83 |
68 |
8 |
7 |
1019 |
Yes, I remember this one from the contraception campaign. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
1020 |
But what does it all mean? |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
1021 |
I just don't understand how they get the colors so wrong. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
1022 |
Hmmmm. A silhouette of mother and child in a limited black and yellow palette. Art, or road sign? |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1023 |
Notice how her eye follows you wherever you stand. |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
1024 |
Despite the minimalistic style I find the sense of impending doom is prodigiously palpable. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1025 |
A fine example of the New Jersey school. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1026 |
What do you think the artist is trying to say? |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1027 |
"Well I don't care how famous the artist is. I don't like nude paintings. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1028 |
It's so pedestrian. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
1029 |
I still prefer her early work with ducks |
1.2651 |
0.05444 |
83 |
63 |
18 |
2 |
1030 |
If you have to read the caption then you don't get it. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1031 |
Post-modernism has killed the art of portraiture. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1032 |
Hey Ken, that's a great shot of Joanne and the kid! |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1033 |
I find his work too cautious. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
1034 |
The "Madonna and Fawn" has always been my favorite! |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
1035 |
Doh! It's a deer. A female deer. My bad. |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
1036 |
...think these warning signs might have worked a little too well? |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
1037 |
Look at these cave-deer, still on all-fours. We've come a long way. |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
1038 |
These are from his road crossing period. |
1.2651 |
0.06658 |
83 |
68 |
8 |
7 |
1039 |
"All deer are equal, but some are more--" hey wait a second, is that Janice!? |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
1040 |
I find it too pedestrian. |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
1041 |
At least they're not wearing bells and holly and pulling a sleigh. |
1.2651 |
0.06433 |
83 |
67 |
10 |
6 |
1042 |
I find his work to be rather pedestrian. |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
1043 |
Why not just put them on a milk carton? |
1.2651 |
0.06201 |
83 |
66 |
12 |
5 |
1044 |
I find it pedestrian. |
1.2651 |
0.05707 |
83 |
64 |
16 |
3 |
1045 |
I have to say, I just don't get it. |
1.2651 |
0.05959 |
83 |
65 |
14 |
4 |
1046 |
All the warning signs were there, but I got involved with her anyway. |
1.2644 |
0.05998 |
87 |
69 |
13 |
5 |
1047 |
All the critics are fawning over this young buck, but I'm pretty sure he's just in it for the doe. |
1.2625 |
0.06350 |
80 |
64 |
11 |
5 |
1048 |
I could never understand modern art. |
1.2619 |
0.05648 |
84 |
65 |
16 |
3 |
1049 |
Yes...but what does it MEAN???? |
1.2619 |
0.05896 |
84 |
66 |
14 |
4 |
1050 |
They were used on many roads before the self-driving car era. |
1.2619 |
0.06364 |
84 |
68 |
10 |
6 |
1051 |
George, does this drawing make my butt look big? |
1.2619 |
0.05648 |
84 |
65 |
16 |
3 |
1052 |
Her "Madonna and Child" series is a nod to neo-naturalism. |
1.2619 |
0.06364 |
84 |
68 |
10 |
6 |
1053 |
She never mentions being a model when we talk. |
1.2619 |
0.05388 |
84 |
64 |
18 |
2 |
1054 |
We need signs with pictures of cars on them. |
1.2619 |
0.06800 |
84 |
70 |
6 |
8 |
1055 |
Are these used for target practice by the gun lobby? |
1.2619 |
0.06364 |
84 |
68 |
10 |
6 |
1056 |
Am I just too stupid to get it? |
1.2619 |
0.06135 |
84 |
67 |
12 |
5 |
1057 |
It's like I'm transported there, you know? |
1.2619 |
0.05896 |
84 |
66 |
14 |
4 |
1058 |
It's good, but would I cross the road just to look at it? |
1.2615 |
0.06308 |
65 |
50 |
13 |
2 |
1059 |
Female artist, of course. |
1.2597 |
0.06243 |
77 |
61 |
12 |
4 |
1060 |
Dad was a selfish bastard who wanted to be on his own sign |
1.2593 |
0.06521 |
81 |
66 |
9 |
6 |
1061 |
Madonna and Child is my favorite |
1.2593 |
0.06521 |
81 |
66 |
9 |
6 |
1062 |
But what if I want to cross the street from left to right? |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1063 |
Doe .... a deer, a fe..male deer. Ray.... I had too much to drink. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1064 |
So where am I supposed to cross? |
1.2593 |
0.06521 |
81 |
66 |
9 |
6 |
1065 |
There's no WAY she lost her baby weight that fast! |
1.2593 |
0.06521 |
81 |
66 |
9 |
6 |
1066 |
And that's how I met your mother. |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1067 |
It's titled "Before The Buick". |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1068 |
His work is pedestrian. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1069 |
I find the disjunctive use of yellow space in this one reductive and vaguely appalling. |
1.2593 |
0.06754 |
81 |
67 |
7 |
7 |
1070 |
Seems to be entirely without context, I prefer the roadside installations. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1071 |
Yeah, I'd hit that. |
1.2593 |
0.07196 |
81 |
69 |
3 |
9 |
1072 |
Fat lot of good that did mom and sis. |
1.2593 |
0.06521 |
81 |
66 |
9 |
6 |
1073 |
I call this one, "Deer in the headlights" |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1074 |
Everything is derivative, Margaret. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1075 |
The picture does not make you look fat. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1076 |
Only humans push their children into the street first. |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1077 |
I'm just tired of the 'stag out leaping while doe watches fawn' cliché |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1078 |
Our fawn-sitter cancelled at the last minute and Bambi Jr. Kept wandering into the shot so the artist just went with it. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1079 |
I have this one on my mud flaps. |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1080 |
The artist's Yellow Period has its roots in his personal trauma after being caught in the headlights. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1081 |
Till now, I haven't seen any without bullet holes in it. |
1.2593 |
0.06754 |
81 |
67 |
7 |
7 |
1082 |
This only hints at the impact of his work. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1083 |
It's a shame that Bambi's mother couldn't be here to see his art. |
1.2593 |
0.06521 |
81 |
66 |
9 |
6 |
1084 |
Can you believe the artist is just some Jane Doe? |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1085 |
The art of the deer. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1086 |
Is it just me, or does this picture make you really horny? |
1.2593 |
0.06521 |
81 |
66 |
9 |
6 |
1087 |
I'll take door number 3. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1088 |
She got custody, but I didn't expect her to flaunt it on social media. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1089 |
Representational, yes. But what does it mean? |
1.2593 |
0.05493 |
81 |
62 |
17 |
2 |
1090 |
He found artistic inspiration during a roadblock in his life. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1091 |
The yellow and black palette, the off-kilter orientation, suggest such a sense of cautious watchfulness. You literally want to slow down and just look. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1092 |
I liked his jumping period. |
1.2593 |
0.06754 |
81 |
67 |
7 |
7 |
1093 |
"When they did worse than cavemen, that's when we knew it was over". |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1094 |
They crossed to get to the other side |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1095 |
How do we know they're not copies? |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1096 |
Now here's a feminine perspective. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1097 |
All I can remember were the headlights. |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1098 |
They always use our bad side. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1099 |
This is from her Pre-Feminist period. |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1100 |
It's a cautionary tale. |
1.2593 |
0.05493 |
81 |
62 |
17 |
2 |
1101 |
I don't get it. |
1.2593 |
0.06521 |
81 |
66 |
9 |
6 |
1102 |
I never knew that they came like this without bullet-holes in them. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1103 |
They're more likely to stop with this one. |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1104 |
Ever wonder who the models were and where they are now? |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1105 |
I can't keep my eyes off of it. It's brilliant, like car headlights. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1106 |
I think it captures her vulnerability perfectly, don't you? |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1107 |
I don't know, darling, the way he's used the light makes it hard to look away. |
1.2593 |
0.06978 |
81 |
68 |
5 |
8 |
1108 |
Turns out we're part of the deer diaspora. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1109 |
Don't you just get tired of seeing pictures of people's kids? |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1110 |
Tell me the truth, do I look fat? |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1111 |
And here we have the revered 'Mother and Child'. Acrylic on aluminium plate, pre-1983 style. Modern versions have a non-gender specific adult and child, so this is quite a treat, Fred. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1112 |
Ceci nes't pas un cerf. |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1113 |
Enough with the reminiscing. I still think bipedalism rules! |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1114 |
You ever wonder if maybe the NRA put these signs up? |
1.2593 |
0.06754 |
81 |
67 |
7 |
7 |
1115 |
Frankly, I think his color range is a bit limited. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1116 |
Deers Under Headlights. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1117 |
I preferred his Bambi Phase. |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1118 |
Listen, I get that we look more sophisticated now, but ever since we started standing like this my back has been killing me |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1119 |
Critics acclaim this piece to be Bambi's best work during his introspection period. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1120 |
For some reason I'm entranced by this Minimalist expression of life's fragility. |
1.2593 |
0.05493 |
81 |
62 |
17 |
2 |
1121 |
Snap out of it Venny. You've got that 'deer in the headlights' look again. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1122 |
It's not as captivating as his headlight paintings. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1123 |
It looks nothing like her. |
1.2593 |
0.06280 |
81 |
65 |
11 |
5 |
1124 |
Beautifully captures the pathos of single motherhood. Damn hunters. |
1.2593 |
0.06029 |
81 |
64 |
13 |
4 |
1125 |
I wish they'd put these back on the road. |
1.2593 |
0.06521 |
81 |
66 |
9 |
6 |
1126 |
Ah yes, and here we have the artist's renowned Yellow Period. |
1.2593 |
0.05768 |
81 |
63 |
15 |
3 |
1127 |
The natural environment always seemed to elude this artist. |
1.2588 |
0.05589 |
85 |
66 |
16 |
3 |
1128 |
So is this one of those "art imitates life" kinda things, or more a Warholian Campbell's Soup sorta deal? |
1.2588 |
0.05333 |
85 |
65 |
18 |
2 |
1129 |
...but joint custody just seemed so damned obvious.. |
1.2564 |
0.04976 |
78 |
58 |
20 |
0 |
1130 |
Why do they always make us cross the road at the busiest intersections? |
1.2561 |
0.05706 |
82 |
64 |
15 |
3 |
1131 |
Abstract, yes. And yet, so real. |
1.2561 |
0.06449 |
82 |
67 |
9 |
6 |
1132 |
You look fine.. They say street signs add 10 pounds.. |
1.2561 |
0.05706 |
82 |
64 |
15 |
3 |
1133 |
Rather pedestrian, don’t you think? |
1.2532 |
0.05544 |
79 |
61 |
16 |
2 |
1134 |
I just don’t think it says enough. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1135 |
While I agree with you that the mother/child relationship as artistic subject has become woefully trivialized, I find this particular rendering a moving example nonetheless. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1136 |
They call this series, "Deer in the Headlights." |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1137 |
I don't know...I think this one lacks energy. |
1.2532 |
0.06612 |
79 |
65 |
8 |
6 |
1138 |
Such rudimentary depictions, no wonder humans became extinct. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1139 |
Art imitating deer. |
1.2532 |
0.06612 |
79 |
65 |
8 |
6 |
1140 |
These are from my 'At a Crossroads' series. |
1.2532 |
0.05544 |
79 |
61 |
16 |
2 |
1141 |
I love the theatricality of retroreflecting. |
1.2532 |
0.05544 |
79 |
61 |
16 |
2 |
1142 |
I actually preferred his feminist period. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1143 |
The artist discovered that patrons finally spent sufficient time appreciating her work when she switched the overhead lighting to high beams. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1144 |
I love how the antlers seem to follow you around the room. |
1.2532 |
0.06612 |
79 |
65 |
8 |
6 |
1145 |
Is that really how I look from the side? |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1146 |
Personally, I find it exploitive. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1147 |
His work is always so traffic-stopping. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1148 |
Superb use of reflection. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1149 |
I get that it's just a sign of a sign of our time..I still want to know if they made it or not. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1150 |
I agree it's breathtaking but frankly I just don't get it. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1151 |
I really see myself in this one. Me too, it's like it's a sign or something. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1152 |
Although I appreciate the focus on motherhood here, I still believe his masterpiece caution-sign is The Buck Stops Here. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1153 |
This one looks like a Roadin. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1154 |
It seems more a cautionary tale than a masterpiece. |
1.2532 |
0.05544 |
79 |
61 |
16 |
2 |
1155 |
The element of caution in the work somehow comforts me. |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1156 |
She left me for the artist shortly after posing for this. |
1.2532 |
0.05243 |
79 |
60 |
18 |
1 |
1157 |
Man, I would be waiting at the other side of that crossing if I knew where it was. |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1158 |
"Criticize it all you want, but the Highway Department Collection does depict the existential crisis facing us all. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1159 |
I prefer his earlier 'Headlights' series. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1160 |
But what is the artist saying about gender roles? |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1161 |
It was a dark and stormy night. |
1.2532 |
0.05544 |
79 |
61 |
16 |
2 |
1162 |
We should have seen the warning signs earlier. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1163 |
This one hits a little too close to home... |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1164 |
This is from his "public service" series. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1165 |
I look fat. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1166 |
It might be OK for driverless cars. |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1167 |
Kinda brings new meaning to the phrase ‘the buck stops here’, eh? |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1168 |
Is this what women want? |
1.2532 |
0.05243 |
79 |
60 |
18 |
1 |
1169 |
I'm delighted that the curator brought back his Yellow Period. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1170 |
Mom regrets that shoot. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1171 |
Donald Trump is a jackass. |
1.2532 |
0.06853 |
79 |
66 |
6 |
7 |
1172 |
Banal, yes, but I see it as commentary on our visceral, nay primal, impulses. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1173 |
The buck is classic art, obviously, but feminists pressured this museum for a representation of a doe and fawn. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1174 |
If they had one signifying "dead deer dragged to the side of the road," I would find the whole exhibit to be culturally more authentic. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1175 |
Even from this angle, it looks like a trap. |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1176 |
This is not a deer. |
1.2532 |
0.06612 |
79 |
65 |
8 |
6 |
1177 |
Why do they always paint us black? |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1178 |
It is creative, but is it art? |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1179 |
Her new work feels very cautionary. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1180 |
I hear the artist cut off one of his antlers. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1181 |
But what if I don't identify as a buck OR doe? |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1182 |
I don't know. It seems to suggest walking across the highway when we really should be jumping. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1183 |
It's a van Doe |
1.2532 |
0.05544 |
79 |
61 |
16 |
2 |
1184 |
So lifelike. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1185 |
Pristine. Not a single bullet hole. |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1186 |
I miss Bambi. God bless her soul. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1187 |
The artist seems to be in a rut. |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1188 |
I like the simplicity of his yellow period. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1189 |
I prefer her blue period |
1.2532 |
0.06612 |
79 |
65 |
8 |
6 |
1190 |
All his best work is plein air. |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1191 |
Sorry I'm late. It was hard to find a safe place to cross the street. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1192 |
Lighting is so important. |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1193 |
Doe: A Deer. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1194 |
I think he caught the essence of our vulnerability, don't you? |
1.2532 |
0.06853 |
79 |
66 |
6 |
7 |
1195 |
The fact the artist is a deer doesn't make it inoffensive. |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1196 |
I mean, it's nice that they're honouring our kind, but did they have to call it the Road Kill Exhibit? |
1.2532 |
0.06101 |
79 |
63 |
12 |
4 |
1197 |
The artist is a master in the use of headlights. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1198 |
This yellow symbolizes bright, captivating lights. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1199 |
They say this is the last thing you see before you die. |
1.2532 |
0.05544 |
79 |
61 |
16 |
2 |
1200 |
It's found art. |
1.2532 |
0.06612 |
79 |
65 |
8 |
6 |
1201 |
The child support is killing me. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1202 |
Sentimentality. A serious flaw. Wyeth has it too. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1203 |
Well, he's no Van Doe. |
1.2532 |
0.06853 |
79 |
66 |
6 |
7 |
1204 |
My fawn could paint better than that. |
1.2532 |
0.06612 |
79 |
65 |
8 |
6 |
1205 |
It's incredible that this artist is anonymous. |
1.2532 |
0.05829 |
79 |
62 |
14 |
3 |
1206 |
It's all so deerivative. |
1.2532 |
0.06853 |
79 |
66 |
6 |
7 |
1207 |
I've always liked the Primitives. |
1.2532 |
0.06361 |
79 |
64 |
10 |
5 |
1208 |
I really like these primitives. And, yes, I found a good parking spot. |
1.2530 |
0.05899 |
83 |
66 |
13 |
4 |
1209 |
I heard the artist died in the making of this piece. |
1.2529 |
0.05944 |
87 |
70 |
12 |
5 |
1210 |
I used to be married to his model. |
1.2500 |
0.05764 |
80 |
63 |
14 |
3 |
1211 |
She should never have posed nude. |
1.2500 |
0.05483 |
80 |
62 |
16 |
2 |
1212 |
It's a sign! |
1.2500 |
0.06033 |
80 |
64 |
12 |
4 |
1213 |
None of them speak to me. |
1.2500 |
0.05960 |
76 |
60 |
13 |
3 |
1214 |
And then in November, in a vertiginous about face, they remember killing us is really a fun pastime. |
1.2500 |
0.06248 |
76 |
61 |
11 |
4 |
1215 |
Are we always reduced to stereotypes? |
1.2500 |
0.06289 |
80 |
65 |
10 |
5 |
1216 |
This artist's ability to capture us so vividly in abstract two-color form is reminiscent of Warhol. |
1.2500 |
0.06248 |
76 |
61 |
11 |
4 |
1217 |
How odd, it's so pedestrian, and yet it has a distinct aura of danger. |
1.2468 |
0.06445 |
77 |
63 |
9 |
5 |
1218 |
It is not street art, it is road art |
1.2468 |
0.06175 |
77 |
62 |
11 |
4 |
1219 |
THEY SHOULDN'T BRING FAMILY PHOTOS IN HERE... |
1.2468 |
0.05594 |
77 |
60 |
15 |
2 |
1220 |
Sorry.... I prefer artists who are a little more abstract. |
1.2468 |
0.05891 |
77 |
61 |
13 |
3 |
1221 |
They say it speaks to the harsh intersection of man and nature, but all I see is a bunch of black splotches. |
1.2468 |
0.05594 |
77 |
60 |
15 |
2 |
1222 |
So, they let them walk, and we have to leap? |
1.2468 |
0.06175 |
77 |
62 |
11 |
4 |
1223 |
Gender stereotypes know no bounds. |
1.2468 |
0.06445 |
77 |
63 |
9 |
5 |
1224 |
"So this is how they see us.....". |
1.2468 |
0.06705 |
77 |
64 |
7 |
6 |
1225 |
Sadly, if they don't learn to run and jump I see jerky and gloves in their future. |
1.2468 |
0.05280 |
77 |
59 |
17 |
1 |
1226 |
So what is the take-home message? |
1.2468 |
0.06705 |
77 |
64 |
7 |
6 |
1227 |
This one really put us on the map. |
1.2468 |
0.06175 |
77 |
62 |
11 |
4 |
1228 |
Next time, I'll take a selfie. |
1.2468 |
0.06445 |
77 |
63 |
9 |
5 |
1229 |
I didn't come here to get preached to. |
1.2468 |
0.06175 |
77 |
62 |
11 |
4 |
1230 |
I can safely say we've seen it all before |
1.2468 |
0.05594 |
77 |
60 |
15 |
2 |
1231 |
Hmph! Minimalism meets paleo-art. |
1.2468 |
0.06956 |
77 |
65 |
5 |
7 |
1232 |
These Ancestry exhibits are as boring as hell. |
1.2468 |
0.06175 |
77 |
62 |
11 |
4 |
1233 |
It's from his crossover period. |
1.2468 |
0.06705 |
77 |
64 |
7 |
6 |
1234 |
My two year-old fawn could have painted that. |
1.2468 |
0.05891 |
77 |
61 |
13 |
3 |
1235 |
When humans reigned, they saw us as obstacles. |
1.2468 |
0.06175 |
77 |
62 |
11 |
4 |
1236 |
...and then she ran off with the artist. |
1.2468 |
0.06445 |
77 |
63 |
9 |
5 |
1237 |
It's so educational, yet existential. |
1.2468 |
0.06445 |
77 |
63 |
9 |
5 |
1238 |
Heyyyy, I think I know that guy. |
1.2468 |
0.05280 |
77 |
59 |
17 |
1 |
1239 |
No, these came after his Moose Period. |
1.2468 |
0.06705 |
77 |
64 |
7 |
6 |
1240 |
They're not sure if this was an early form of currency, or perhaps light erotica. |
1.2468 |
0.06175 |
77 |
62 |
11 |
4 |
1241 |
I've always loved Vincent van Doe |
1.2468 |
0.06445 |
77 |
63 |
9 |
5 |
1242 |
Must be rutting season. This artist is in one. |
1.2468 |
0.06445 |
77 |
63 |
9 |
5 |
1243 |
All the signs showed that it was only a matter of time before we learned to walk upright. |
1.2468 |
0.06175 |
77 |
62 |
11 |
4 |
1244 |
So compelling...yet, so yielding. |
1.2468 |
0.06175 |
77 |
62 |
11 |
4 |
1245 |
This one really speaks to me. |
1.2468 |
0.05594 |
77 |
60 |
15 |
2 |
1246 |
It lacks the energy of the other signs, although it plays to the heartstrings! |
1.2468 |
0.06445 |
77 |
63 |
9 |
5 |
1247 |
What I see, is really just a cautionary tale. |
1.2468 |
0.05891 |
77 |
61 |
13 |
3 |
1248 |
Have you found the recurring theme? |
1.2468 |
0.06705 |
77 |
64 |
7 |
6 |
1249 |
I've seen these somewhere before. |
1.2436 |
0.06103 |
78 |
63 |
11 |
4 |
1250 |
It's part of his 'Buck Lives Matter' series. |
1.2436 |
0.06370 |
78 |
64 |
9 |
5 |
1251 |
Before internet porn...this was all we had. |
1.2436 |
0.06103 |
78 |
63 |
11 |
4 |
1252 |
The doe-and-fawn theme combined with the graphically intended aesthetic screams Cassatt. |
1.2436 |
0.06370 |
78 |
64 |
9 |
5 |
1253 |
I hate these signs telling us where we can cross a road. |
1.2436 |
0.06103 |
78 |
63 |
11 |
4 |
1254 |
The painting is only good because the artist cut his own antler off. |
1.2436 |
0.06103 |
78 |
63 |
11 |
4 |
1255 |
I find the artist's use of stop signs to be more effective. |
1.2436 |
0.05824 |
78 |
62 |
13 |
3 |
1256 |
It has the feel of a "Far Side" cartoon |
1.2436 |
0.05824 |
78 |
62 |
13 |
3 |
1257 |
Frankly, John, none of them speak to me. |
1.2436 |
0.05824 |
78 |
62 |
13 |
3 |
1258 |
These are from his "Headlight Period". |
1.2436 |
0.06103 |
78 |
63 |
11 |
4 |
1259 |
Personally, I prefer non-representational art |
1.2436 |
0.05824 |
78 |
62 |
13 |
3 |
1260 |
This one is from his roadkill period. |
1.2436 |
0.06370 |
78 |
64 |
9 |
5 |
1261 |
This is from his "In a Rut" period. |
1.2436 |
0.06626 |
78 |
65 |
7 |
6 |
1262 |
Pornography or Art? |
1.2436 |
0.05824 |
78 |
62 |
13 |
3 |
1263 |
The Lascaux series really captured us better. |
1.2436 |
0.06103 |
78 |
63 |
11 |
4 |
1264 |
Do you really think he looks like me? |
1.2432 |
0.05711 |
74 |
58 |
14 |
2 |
1265 |
I'd give my right antler for her! |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1266 |
For this painting, I've used the high beam headlights. |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1267 |
Yes, that is my wife Jane Doe and my new fawn Bambi. |
1.2432 |
0.06027 |
74 |
59 |
12 |
3 |
1268 |
Let me guess: Bambi and her mom? |
1.2432 |
0.06027 |
74 |
59 |
12 |
3 |
1269 |
Ironically, he died by Chevy Malibu. |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1270 |
It's so pastoral and yet devil may care. |
1.2432 |
0.05711 |
74 |
58 |
14 |
2 |
1271 |
I remember when they took that picture ...They used a flash and we were like us in the headlights. |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1272 |
Such an amazing use of color. |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1273 |
They’re all fakes. Real signs have bullet holes. |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1274 |
This reminds me that I'm a month behind in calf support. |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1275 |
These are quaint. I remember when deer walked on all fours and humans thought they ruled the earth. |
1.2432 |
0.06027 |
74 |
59 |
12 |
3 |
1276 |
I'm not sure if the artist is trying to put forth the angst of his youth or if he is just caught in the headlights of the inner turmoil that comes with preparing to make that leap across the highway of life |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1277 |
He’s right—no matter what we put up, they still won’t slow down. |
1.2432 |
0.06027 |
74 |
59 |
12 |
3 |
1278 |
Really makes you think...where is the exit sign? |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1279 |
And I paid a buck for this. |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1280 |
I miss the days before selfies. |
1.2432 |
0.06027 |
74 |
59 |
12 |
3 |
1281 |
It lacks movement, as if headlights have frozen them in place. |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1282 |
The antlers command the big bucks. We could buy this one and save some real dough. |
1.2432 |
0.05711 |
74 |
58 |
14 |
2 |
1283 |
This was his Bambi period. |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1284 |
I told you we should have rented the audio guide. |
1.2432 |
0.06027 |
74 |
59 |
12 |
3 |
1285 |
Notice how the eyes follow you... |
1.2432 |
0.05378 |
74 |
57 |
16 |
1 |
1286 |
He was quite innovative; usually the Madonna is holding the Child. |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1287 |
But why in the world would anyone be afraid of us? That's just crazy! |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1288 |
Frankly, I resent the gender stereotyping. |
1.2432 |
0.05711 |
74 |
58 |
14 |
2 |
1289 |
It's too industrial chic for my taste. |
1.2432 |
0.05711 |
74 |
58 |
14 |
2 |
1290 |
Too abstract -- I'm not seeing it. |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1291 |
I'm afraid you and I are going to butt heads over this one. |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1292 |
Again with the nudes. |
1.2432 |
0.05711 |
74 |
58 |
14 |
2 |
1293 |
His art is so... pedestrian. |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1294 |
Mother and child...probably the most touching image in the entire DOT series. |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1295 |
Still amazed they haven't figured out that we're attracted by these signs. |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1296 |
His work is good, except he perpetuates gender-role stereotypes. |
1.2432 |
0.06027 |
74 |
59 |
12 |
3 |
1297 |
I don't know much about art, but I know what I like. |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1298 |
The artist's use of headlight is exquisite. |
1.2432 |
0.06027 |
74 |
59 |
12 |
3 |
1299 |
The form says "threat." The content is one-dimensional and repetitious. The Bambi reference is tacky. |
1.2432 |
0.06027 |
74 |
59 |
12 |
3 |
1300 |
School Crossing |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1301 |
VERY NICE, NOW WE NEED TO WORK ON GUN CONTROL |
1.2432 |
0.06027 |
74 |
59 |
12 |
3 |
1302 |
This would look nice in the den but it costs too much doe. |
1.2432 |
0.06327 |
74 |
60 |
10 |
4 |
1303 |
I don't know. It needs context. |
1.2432 |
0.06613 |
74 |
61 |
8 |
5 |
1304 |
I named this one "Omage to Mom". |
1.2424 |
0.06499 |
66 |
53 |
10 |
3 |
1305 |
Finally after being dead for 40,000 years Grog's Cave Art is appreciated. |
1.2419 |
0.06375 |
62 |
49 |
11 |
2 |
1306 |
Sentimental, perhaps, yet revealing a universal truth of the eternal bond. |
1.2419 |
0.06777 |
62 |
50 |
9 |
3 |
1307 |
The ceiling headlamps are a nice touch. |
1.2405 |
0.06297 |
79 |
65 |
9 |
5 |
1308 |
I don't understand the yellow. |
1.2405 |
0.06033 |
79 |
64 |
11 |
4 |
1309 |
It's very "Antler Warhol". |
1.2400 |
0.05315 |
75 |
58 |
16 |
1 |
1310 |
I think parenthood suits her. . .the last time I saw her she was dancing on a pole and the bucks were all over her! |
1.2400 |
0.06532 |
75 |
62 |
8 |
5 |
1311 |
This lighting in this exhibit is so good, I can't look away |
1.2400 |
0.06250 |
75 |
61 |
10 |
4 |
1312 |
She's been unbearable ever since she posed for this. |
1.2400 |
0.05955 |
75 |
60 |
12 |
3 |
1313 |
This is so pedestrian. |
1.2400 |
0.06250 |
75 |
61 |
10 |
4 |
1314 |
I've always thought he was derivative. |
1.2394 |
0.05836 |
71 |
56 |
13 |
2 |
1315 |
Fat? Well, uh, you did just have a baby. |
1.2394 |
0.06489 |
71 |
58 |
9 |
4 |
1316 |
It seems a bit derivative to me. |
1.2388 |
0.06755 |
67 |
55 |
8 |
4 |
1317 |
Grotesque…Token Gesture…Antlerless…Crass reparation for Bambi Syndrome…I think I like it. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1318 |
Few touch traumatic subjects as elegantly. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1319 |
They call this art? |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1320 |
Well, if human beings had art, they would probably represent themselves, too. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1321 |
My tastes run more to the Impressionists |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1322 |
Frivolous, boorish, fawning. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1323 |
I was young and they offered a few bucks. |
1.2361 |
0.06706 |
72 |
60 |
7 |
5 |
1324 |
You can almost visualize the head lights. |
1.2361 |
0.06706 |
72 |
60 |
7 |
5 |
1325 |
Exquisite draftsmanship. I don't suppose we'll ever be able to understand how they were intended to be used. |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1326 |
Patriarchy or third-wave feminism? |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1327 |
This one is a crowd pleaser at the National Parks. |
1.2361 |
0.05764 |
72 |
57 |
13 |
2 |
1328 |
Boy, that's a real DILF! |
1.2361 |
0.06706 |
72 |
60 |
7 |
5 |
1329 |
I said I'd never let my wife pose for a nude, and here we are. |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1330 |
Son of a buck, I don't get it. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1331 |
Simple and seemingly unambiguous, yes. But I also sense something premonitory, even potentially transgressive. |
1.2361 |
0.07266 |
72 |
62 |
3 |
7 |
1332 |
This one really captures the essence of slowing down. |
1.2361 |
0.06706 |
72 |
60 |
7 |
5 |
1333 |
These really make you stop and look... |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1334 |
Looking at these, I need one for the road. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1335 |
Nice likeness of junior. You, not so much. |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1336 |
I agree. The cave paintings in Lascaux are more 'hauntingly beautiful.' |
1.2361 |
0.05764 |
72 |
57 |
13 |
2 |
1337 |
Overtly feminist if you ask me! |
1.2361 |
0.05414 |
72 |
56 |
15 |
1 |
1338 |
Why don't they ever show us crossing on two legs? |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1339 |
This strikes me as feminism, doe. |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1340 |
The fossil record must be right. We did walk on four legs at one point. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1341 |
I've always liked his Yellow Period best. |
1.2361 |
0.05414 |
72 |
56 |
15 |
1 |
1342 |
Can self-driving cars...oh never mind. |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1343 |
I assume that these pictures have a purpose. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1344 |
Ah, it's a bit deerivative really, don't you think? |
1.2361 |
0.06991 |
72 |
61 |
5 |
6 |
1345 |
Nice museum, but why must they place the restrooms in the woods? |
1.2361 |
0.06706 |
72 |
60 |
7 |
5 |
1346 |
Crude, yet quite expressive! |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1347 |
And yet another unrealistic standard... |
1.2361 |
0.06706 |
72 |
60 |
7 |
5 |
1348 |
I'd say he was either colorblind or in his "yellow/black phase". |
1.2361 |
0.06706 |
72 |
60 |
7 |
5 |
1349 |
To be perfectly honest, I liked his blue period better. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1350 |
kinder...gentler...signage... |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1351 |
Oh dear. Isn't that your sister |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1352 |
Why don't they acknowledge our childcare efforts ? You think all we do is leap about ? |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1353 |
The catalog said: 'unknown artist from the automobile era'. |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1354 |
Although I am not a painter, I think that the mechanical mark-making of the biomorphic forms verges on codifying the substructure of critical thinking. |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1355 |
I prefer 'The Buck Stop's Here.' |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1356 |
I understand the artist died early due to a '98 Camaro. |
1.2361 |
0.06706 |
72 |
60 |
7 |
5 |
1357 |
If she were walking a human baby we could get people to slow down and also say 'what the hell?' |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1358 |
I have antlers. Where are the antlers? |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1359 |
Fine.......I concede that the artist is both cautious and unimaginative! |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1360 |
It looks like something my fawn could do. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1361 |
Why do they always stereotype us! |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1362 |
I saw this composition on my cross country road trip |
1.2361 |
0.06706 |
72 |
60 |
7 |
5 |
1363 |
Charlie, the buck stops here. |
1.2361 |
0.06407 |
72 |
59 |
9 |
4 |
1364 |
That's what I call Street Art! |
1.2361 |
0.05414 |
72 |
56 |
15 |
1 |
1365 |
I just don't get it-is this telling me to run across the highway, or just keep grazing? |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1366 |
His work is not well known in the city. |
1.2361 |
0.05764 |
72 |
57 |
13 |
2 |
1367 |
Its a bit derivative if you ask me. |
1.2361 |
0.06094 |
72 |
58 |
11 |
3 |
1368 |
Art eventually always cycles back to what really matters. |
1.2344 |
0.06585 |
64 |
52 |
9 |
3 |
1369 |
It's called pre-impressionism |
1.2344 |
0.06585 |
64 |
52 |
9 |
3 |
1370 |
Damn! I forgot to mail the alimony check. |
1.2329 |
0.06621 |
73 |
61 |
7 |
5 |
1371 |
It's a little two dimensional. |
1.2329 |
0.06327 |
73 |
60 |
9 |
4 |
1372 |
His Madonna and Child is among his finest work. |
1.2329 |
0.06019 |
73 |
59 |
11 |
3 |
1373 |
This gallery is in a rut. |
1.2329 |
0.06327 |
73 |
60 |
9 |
4 |
1374 |
I never bring my kids here, due to the nudity. |
1.2329 |
0.06019 |
73 |
59 |
11 |
3 |
1375 |
This was a rare find, not one bullet hole. |
1.2329 |
0.06621 |
73 |
61 |
7 |
5 |
1376 |
I liked his Blue Period better. |
1.2329 |
0.06019 |
73 |
59 |
11 |
3 |
1377 |
So, I guess there's no worries about hitting males with their cars cuz they can always just shoot us. |
1.2297 |
0.06249 |
74 |
61 |
9 |
4 |
1378 |
It certainly captures the pathos of the homeless mother and child living on the fringes of society. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1379 |
Well nobody ever complained to Van Gogh that he used too much yellow. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1380 |
Does this one make you feel horny? |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1381 |
I've seen it... |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1382 |
Of course I love the subject matter but the work is so derivative. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1383 |
Ah . . . when our greatest worries were a few cars . . . those were the days! |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1384 |
It's part of our gender outreach project. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1385 |
I preferred his Blue period. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1386 |
I know it's been done before, but Madonna and Child is timeless. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1387 |
Humans may be murderous hunters, but you gotta admire their stencil work. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1388 |
I NEVER COULD FIGURE OUT HIS BACKGROUND COLOR AND CANVAS SHAPE . |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1389 |
Well Horace- I think it’s a sign we should approach this work with caution |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1390 |
"Deer in headlights" -- now, with self-driving cars, the only place these signs belong is in a museum. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1391 |
It must be hard being a single mother with the whole world watching your every move |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1392 |
I don't know...this one just doesn't leap out at me. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1393 |
No, I think she's just standing closer to the artist. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1394 |
It is truly remarkable how he captured the en plein air scene in situ. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1395 |
This truly encapsulates our deepest nightmares. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1396 |
Madoena with child |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1397 |
It may be a sign of the times, but I’m not going to fawn over it. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1398 |
I never know what to make of these. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1399 |
What a difference viewing these in OVERhead lights. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1400 |
It speaks with a certain sense of dread, true ... but is it art? |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1401 |
To me, they lack the urgency and emotional heft of her moose and tractor pieces. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1402 |
Van Doe’s early work was so derivative. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1403 |
The exhibit is called "The Buck Stops Here" but I think it is just deer in headlights. |
1.2286 |
0.06801 |
70 |
59 |
6 |
5 |
1404 |
this campaign was very successful until drivers figured out we don't really follow these signs |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1405 |
His career is at a crossing point. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1406 |
Endearing, aren't they? |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1407 |
Subscribers to Deerwinism believe we used to walk on all four. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1408 |
Did you know humans were color-blind? |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1409 |
I've seen Lascaux's work and believe me, this is no Lascaux! |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1410 |
Nice mix of Warhol and Lascaux. |
1.2286 |
0.07099 |
70 |
60 |
4 |
6 |
1411 |
He's caught the essence but it so lacks nuance or depth. |
1.2286 |
0.05449 |
70 |
55 |
14 |
1 |
1412 |
They never seem to get the screams right. |
1.2286 |
0.07099 |
70 |
60 |
4 |
6 |
1413 |
You know Fred, if we had THIS sign on Stone Road, Bettie would still be with us. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1414 |
He's finally ready to take the show on the road. |
1.2286 |
0.06801 |
70 |
59 |
6 |
5 |
1415 |
I can't help fawning over this one. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1416 |
I think your premium goes down if you have one of these in your neighborhood. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1417 |
She looks very much like my ex-wife. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1418 |
Perhaps this is alarmist, but I still like the use of color. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1419 |
The artist really captured that 'deer in the headlights' expression. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1420 |
For some reason, I’m filled with the urge to stand completely still. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1421 |
I like this more recent work. She's really crossed over. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1422 |
I think I've decided: life imitates art. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1423 |
I don't know...to me, Yield is Yield, but the kid has a good walk. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1424 |
Sorry, I just could not resist the temptation to say "it's endearing" |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1425 |
These are all on loan from the NRA |
1.2286 |
0.06801 |
70 |
59 |
6 |
5 |
1426 |
Blatantly sexist, if you ask me. |
1.2286 |
0.05055 |
70 |
54 |
16 |
0 |
1427 |
All's I'm saying is that, yes, it's good. But it's not stop-you-in-your-tracks good. |
1.2286 |
0.06801 |
70 |
59 |
6 |
5 |
1428 |
It looks EXACTLY like the one outside my thicket |
1.2286 |
0.05449 |
70 |
55 |
14 |
1 |
1429 |
How come they never show us standing up? |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1430 |
What's the point? |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1431 |
Doe,a deer,a female deer. |
1.2286 |
0.06801 |
70 |
59 |
6 |
5 |
1432 |
As much as my work vilifies him, in some ways Henry Ford is my muse. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1433 |
Amazing how he catches the essence of family... |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1434 |
I've heard the café here does a great carrot cake... |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1435 |
Mother with child. |
1.2286 |
0.05449 |
70 |
55 |
14 |
1 |
1436 |
Maybe we need better "headlight crossing" signs. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1437 |
That ones worth a lot of doe! |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1438 |
Extraordinary use of the female form. It invokes the Circle of Life theme in a pre-roadkill context. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1439 |
His use of color is cautionary. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1440 |
I can't take my eyes of off this. It's like I'm stuck in these flood lamps. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1441 |
I'm no art critic, but give me a Leaping Stag any day |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1442 |
I prefer his earlier, white period--more reflective. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1443 |
And this was your great-great grandmother with your great uncle, who both, unfortunately, did not survive the Great Deer Crossing of ‘32. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1444 |
The work has a certain urgency to it. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1445 |
It's really hard to imagine such an uncivilized time period. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1446 |
is this how savage we were that they had to have signs to warn the animals about us? |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1447 |
The artist's overdependence on silhouettes makes me want to cross a busy highway. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1448 |
I think it's reductive. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1449 |
Just another stereotype! |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1450 |
Did I tell you I was his muse? |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1451 |
They're rather one-dimensional. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1452 |
The artist died in a car crash |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1453 |
hey that is my brother |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1454 |
His art is a bit too safe for my taste. |
1.2286 |
0.05449 |
70 |
55 |
14 |
1 |
1455 |
The gratuitous nudity is a bit much. |
1.2286 |
0.06801 |
70 |
59 |
6 |
5 |
1456 |
Too sentimental. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1457 |
This piece makes me feel cross. |
1.2286 |
0.06801 |
70 |
59 |
6 |
5 |
1458 |
This is a bad sign! |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1459 |
Bambi: A Retrospective. |
1.2286 |
0.07099 |
70 |
60 |
4 |
6 |
1460 |
When life was simple... |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1461 |
How did my Christmas card get here? |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1462 |
Eyes must be hard to draw |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1463 |
"Very safe... I prefer 'edgy' |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1464 |
Before she was a model I used to go out with her. |
1.2286 |
0.05055 |
70 |
54 |
16 |
0 |
1465 |
I still think it makes me look fat. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1466 |
How long have you been figure modeling? |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1467 |
Doe,a deer,a female deer. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1468 |
As Grammy would've said, if they're not flyin', they're dyin'. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1469 |
Too busy. |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1470 |
"I prefer these "early crossings" to the "late crossings" period. |
1.2286 |
0.05449 |
70 |
55 |
14 |
1 |
1471 |
He really captures something essential about the highway-crossing experience. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1472 |
swipe left |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1473 |
It’s a very good likeness. |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1474 |
It symbolizes that objects in mirror are closer than they appear |
1.2286 |
0.06163 |
70 |
57 |
10 |
3 |
1475 |
I resent being objectified. |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1476 |
I just don't get feminist art. |
1.2286 |
0.05449 |
70 |
55 |
14 |
1 |
1477 |
Sometimes I wish we’d had kids |
1.2286 |
0.06490 |
70 |
58 |
8 |
4 |
1478 |
This deer in the limelight gallery is a little derivative |
1.2286 |
0.05817 |
70 |
56 |
12 |
2 |
1479 |
How could anyone title this cute pair "Danger"? |
1.2286 |
0.05449 |
70 |
55 |
14 |
1 |
1480 |
I love the use of foreshadowing. |
1.2264 |
0.07447 |
53 |
44 |
6 |
3 |
1481 |
This tells me something about myself. |
1.2254 |
0.05743 |
71 |
57 |
12 |
2 |
1482 |
They're serving chardonnay and a salt lick at the reception. |
1.2254 |
0.06084 |
71 |
58 |
10 |
3 |
1483 |
It's titled "The Buck Stops Here." |
1.2254 |
0.06084 |
71 |
58 |
10 |
3 |
1484 |
We didn't just cross the road |
1.2254 |
0.05743 |
71 |
57 |
12 |
2 |
1485 |
This was the pinnacle of his DoT period. |
1.2254 |
0.04994 |
71 |
55 |
16 |
0 |
1486 |
I don't know anything about road signs, but I know what I like. |
1.2254 |
0.05382 |
71 |
56 |
14 |
1 |
1487 |
I preferred the previous exhibit "STOP" and its related works. |
1.2254 |
0.06084 |
71 |
58 |
10 |
3 |
1488 |
I understand the artist has a preference for rural roadside displays. |
1.2254 |
0.06713 |
71 |
60 |
6 |
5 |
1489 |
Frankly, I've always found his yellow period overly cautious. |
1.2254 |
0.07006 |
71 |
61 |
4 |
6 |
1490 |
It sure doesn't look like me. |
1.2241 |
0.06527 |
58 |
47 |
9 |
2 |
1491 |
Miss Route 66 is so hot! |
1.2239 |
0.06996 |
67 |
57 |
5 |
5 |
1492 |
No, actually, the artist isn't anonymous -- "Jane Doe" is the title. |
1.2239 |
0.05947 |
67 |
54 |
11 |
2 |
1493 |
My mother pushed me into modelling at an early age. |
1.2222 |
0.06324 |
72 |
60 |
8 |
4 |
1494 |
If you ask me, he's only interested in making a fast buck. |
1.2222 |
0.06324 |
72 |
60 |
8 |
4 |
1495 |
His work really took off after he was nailed by that semi. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1496 |
Why is it always you and Junior? |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1497 |
I think these headlights over head are in bad taste. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1498 |
Illuminating them with headlights was crafty. |
1.2206 |
0.05066 |
68 |
53 |
15 |
0 |
1499 |
Ah yes, another liberal artist working their agenda. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1500 |
But don't you think it makes my butt look big? |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1501 |
That look? Well, I used car headlights. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1502 |
ADMISSION: Three Bucks. |
1.2206 |
0.06900 |
68 |
58 |
5 |
5 |
1503 |
It's nice, but where are the trees? |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1504 |
Rather Rubenesque, don’t you think? |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1505 |
Perhaps you've seen my work on the side of the road. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1506 |
I looked so young and fit then. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1507 |
The "deer in the overhead lights" motif displays a subtle irony that I find appealing. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1508 |
This one is called "Madonna With Blitzer." |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1509 |
I don't know about you Fred, but this one makes me want to pull over. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1510 |
I think the nudity highlights their vulnerability. |
1.2206 |
0.06900 |
68 |
58 |
5 |
5 |
1511 |
It reminds me of my first wife, |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1512 |
This is the portrait of my wife and kid that was previously exhibited at mile marker 24. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1513 |
The car headlights illuminating the art were a nice touch. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1514 |
His early road-signs just didn't capture the essence of the pending collision. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1515 |
So deerivative. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1516 |
My yearling could do that. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1517 |
Of course the father is left out of this one. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1518 |
She'll be impossible after this. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1519 |
So is it deers or deer? |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1520 |
It's nice to see that his gig at Department of Transportation wasn't a dead end. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1521 |
This "kids go first" crap goes against the grain. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1522 |
'I know this family and they should stay off the road' |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1523 |
Another single mother... |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1524 |
I believe that the lack of a strong father figure in this particular sub genre of portraits leads ineluctably to the high observed mortality rates in asphalted grazing areas. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1525 |
Deer crossing signs give us a false sense of security. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1526 |
It's nice, but I prefer the more exuberant quality of the others. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1527 |
Tragically he ignored the message of his art. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1528 |
Yes, humans seem to love this sort of deer art; just look along their roads!. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1529 |
I'm sure it will bring a few bucks. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1530 |
The artist's use of light is mesmerizing. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1531 |
I can definitely see the antecedents in the Paleolithic cave paintings. But is it really art? |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1532 |
I’m not sure what I’m looking at, but I like it. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1533 |
The artist was at crossroads. |
1.2206 |
0.06900 |
68 |
58 |
5 |
5 |
1534 |
That's right Buck, your grandma was a famous model , she studied fashion and "de sign"! |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1535 |
Do they use Photoshop? |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1536 |
I like this one. It makes us seem more vulnerable. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1537 |
Well son, I believe this is a good time for our conversation about the birds and the bees. |
1.2206 |
0.06900 |
68 |
58 |
5 |
5 |
1538 |
The "art" happens when a car hits a deer. Seriously though– is it privileged to say I regret my MFA? |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1539 |
Yes, this new piece is less derivative, but why do they always go to the left? |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1540 |
I hate the lighting in this place. The whole "headlights" thing. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1541 |
I do like the yellow though. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1542 |
Try not to fawn over this one. |
1.2206 |
0.06900 |
68 |
58 |
5 |
5 |
1543 |
These early pieces are based on human depictions of us near highways. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1544 |
He paints from life |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1545 |
Always the side view. Uninspiring! |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1546 |
Banal and one-dimensional. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1547 |
So, how ‘bout after this, we go stare at some headlights? |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1548 |
I agree, the new installation isn't as exciting, but surely there is something to be gained by moving it indoors. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1549 |
This is driving me crazy, deer. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1550 |
I could have painted that. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1551 |
There is a strong feminist influence. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1552 |
Fred, if we were about to cross the road and you saw this sign, what would you do? |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1553 |
It's feminine archetype signology rather than her usual patriarchy-oriented,herd-mentality,survival-of-the-fittest abstraction. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1554 |
I get it. So us guys are on our own. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1555 |
This is the weirdest memorial I've ever been to. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1556 |
I completely agree, Louie: she is a DILF. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1557 |
Several on my mother's side posed for Remington. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1558 |
No antlers. That's minimalism gone too far. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1559 |
expert opinion is that this one is a forgery. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1560 |
Frankly, I find it almost pedestrian in nature. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1561 |
Too soon. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1562 |
The proceeds go to a memorial fund for the artist's mother. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1563 |
I love it. I can almost hear the highway traffic. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1564 |
I thought his "Steep Grade" work was more inspired. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1565 |
Pedestrian, yes. But at least it’s not another ‘Keep your feet on the ground, but keep reaching for the stars. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1566 |
I prefer to see them mounted on a wall like this, don't you? |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1567 |
I don't know art but this seems rather two-dimensional and anthropocentric to me. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1568 |
This one hung in my room at Dartmouth. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1569 |
I've always told you the signs add ten pounds |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1570 |
That whole thing about us and headlights is fake news. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1571 |
It's so nice to see our ancestors preserved in amber. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1572 |
Bit late for a warning I'd say. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1573 |
Seems a bit.... derivative, doesn't it? |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1574 |
It's sexist, but I like it |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1575 |
This painting makes me cross. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1576 |
I tried to capture the simplicity of telling my son, who sadly is no longer with us, to look both ways before sprinting across the highway. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1577 |
I was told there was going to be Champagne. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1578 |
It's a feminist piece. |
1.2206 |
0.05066 |
68 |
53 |
15 |
0 |
1579 |
He really captures that "caught in the headlights" expression. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1580 |
But now how will we know where to cross the road? |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1581 |
I don't recall signing a release form. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1582 |
Brilliant! They're simple, yet they elicit a visceral sense of danger! |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1583 |
My cousin saw this piece during its outdoor gallery tour through Maine. May he rest in peace... |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1584 |
I'm not sure but, I think the buck behind me is gay, not that there's anything wrong with that. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1585 |
As a stay-at-home stag I find it sexist. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1586 |
So that's the way our ancestors looked when they used all fours. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1587 |
I see headlights. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1588 |
This one isn't hitting me like the other two. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1589 |
It's about doom. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1590 |
Men are always just a target. Why can't we be shown with our children? |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1591 |
Beautiful example of Late Informational . |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1592 |
I think it marginalizes the role of the doe in society. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1593 |
I would bet two bucks to one this one brings the doe. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1594 |
We saw this last summer at the Venison Biennale. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1595 |
And the ceiling lamps symbolize headlights... |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1596 |
Good efforts, but what's really needed is real headlight legislation. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1597 |
I would have liked a trigger warning. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1598 |
I still say this Bambsi guy is a fraud. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1599 |
Airport art is so mundane. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1600 |
I'm starting to sense a theme |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1601 |
overall, an unsatisfactory interpretation of our culture. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1602 |
I usually can't stand such overt appeals to the sentimental but...wow. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1603 |
But still, why we are crossing? |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1604 |
Im frozen to this spot....it may be the over headlights |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1605 |
I met the model. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1606 |
"I know what I like, but whenever I see these on the road I run like hell"! |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1607 |
The artist is telling us to ask ourselves, why did we cross the road? |
1.2206 |
0.06900 |
68 |
58 |
5 |
5 |
1608 |
Of course nudes represent the highest form of art. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1609 |
Does this one make you feel a little horny? |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1610 |
I call this "Doe and Fawn in the Headlights" |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1611 |
Before self-driving cars, these were very important. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1612 |
They lack depth! |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1613 |
This is an example of the Yellowstone Pluralistic Period. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1614 |
Oh deer god. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1615 |
the signs are everywhere |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1616 |
They died so that we may cross the road. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1617 |
We can see this stuff at home. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1618 |
It's too derivative. I prefer the Rothkos. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1619 |
Pedestrian |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1620 |
Are the bullet holes authentic, or ironic? |
1.2206 |
0.06900 |
68 |
58 |
5 |
5 |
1621 |
I love stag pictures. |
1.2206 |
0.06900 |
68 |
58 |
5 |
5 |
1622 |
To me this screams gender limiting in the role of child rearing...she is fine though. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1623 |
Here's the one! My cousin's wife and fawn were the models for this one - she died shortly after this. Sad story but they made it into a movie so the kid got rich. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1624 |
I think the artist is in a rut. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1625 |
My friend Fred was looking at that masterpiece on the side of the road, but now I haven't seen him since |
1.2206 |
0.07211 |
68 |
59 |
3 |
6 |
1626 |
it says here, that he got his inspiration while driving |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1627 |
Im tired of the "single doe & fawn" depiction and we're always the ones leaping away. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1628 |
It's Surrealism, alright. Why cross the street when you can get it delivered next day for free? |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1629 |
While I admire the sentiment, I find it derivative |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1630 |
Ah, a masterwork of the Xing dynasty. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1631 |
This DOT guy was really good. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1632 |
The lighting is what make this mesmerizing. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1633 |
See? I told you what can happen! |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1634 |
SENIOR BUCK: "YES..AN EXCELLENT EXAMPLE OF AN EDGAR DEERGAS!" YOUNG BUCK: "ARE YOU KIDDING? THAT'S OBVIOUSLY A VINCENT VAN DOE!" |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1635 |
Our ancient cave paintings of them were better. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1636 |
I find this very pedestrian. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1637 |
Haven't we seen this before? |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1638 |
The paintings here are a buck a dozen, but I bet this one is a lot of doe! |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1639 |
I prefer his earlier work to this transitional, cross-over period. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1640 |
Ah, yes... the primitive symbols of our ancestor's presence. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1641 |
It's always Madonna and child! What about us stags? |
1.2206 |
0.06900 |
68 |
58 |
5 |
5 |
1642 |
Of course this before the Lyme disease pandemic. |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1643 |
How much do you think they were paid to pose like that? |
1.2206 |
0.05482 |
68 |
54 |
13 |
1 |
1644 |
I don't really care for the juxtaposition of diagonal and horizontal. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1645 |
These are boring, let’s check out the horses. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1646 |
This one resulted in the end of her visionary Deer in the Headlights period. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1647 |
He's really played it safe since the incident. |
1.2206 |
0.06900 |
68 |
58 |
5 |
5 |
1648 |
Humans were bad artists. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1649 |
This collection must predate our bipedal evolution. I wonder if they were talking yet. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1650 |
Back then, it was impossible to find 4 shoes that fit. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1651 |
Prices for these skyrocketed after his death |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1652 |
Amazing! We've come a long way; it must be hard to roam on 4 legs. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1653 |
Clearly, art imitating life . . . |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1654 |
...but eventually we decided it was either us or the cars |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1655 |
Symbols of male identity are eroding in this country. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1656 |
It's clearly a commentary on gender stereotypes. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1657 |
Too sentimental. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1658 |
Hey, what's your sign? |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1659 |
So simple. Doesn't even need a caption. |
1.2206 |
0.06231 |
68 |
56 |
9 |
3 |
1660 |
They could've at least gotten me from my good side. |
1.2206 |
0.05869 |
68 |
55 |
11 |
2 |
1661 |
I like this one with the mother and child with their gaze frozen in the headlights. |
1.2206 |
0.06574 |
68 |
57 |
7 |
4 |
1662 |
A Retrospective: 20th Century Deer in Headlights |
1.2174 |
0.05792 |
69 |
56 |
11 |
2 |
1663 |
These prehistoric artists were able to depict our ancestors leaping and walking, but had not yet mastered the technique of three-dimensional representation. |
1.2174 |
0.06149 |
69 |
57 |
9 |
3 |
1664 |
" Mother and child," you would've thought he could've been more original than that. |
1.2174 |
0.05411 |
69 |
55 |
13 |
1 |
1665 |
It’s ironic that he got hit by the same pickup that his mother was strapped onto. |
1.2174 |
0.06149 |
69 |
57 |
9 |
3 |
1666 |
I just love it when our government helps support the arts. |
1.2174 |
0.05792 |
69 |
56 |
11 |
2 |
1667 |
I think it's derivative. |
1.2174 |
0.05792 |
69 |
56 |
11 |
2 |
1668 |
Ah, yes...a rare work by Jane Doe... |
1.2174 |
0.06486 |
69 |
58 |
7 |
4 |
1669 |
Totally unrealistic body image but I like it.. |
1.2174 |
0.06149 |
69 |
57 |
9 |
3 |
1670 |
Don't you see? It can be both reductive of our essence and yet somehow uplifting at the same time? |
1.2174 |
0.05411 |
69 |
55 |
13 |
1 |
1671 |
Such an intense artist. He never saw or heard the car coming. |
1.2174 |
0.06807 |
69 |
59 |
5 |
5 |
1672 |
Hey, let's get out of here, you said this place would be crawling with Does. |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1673 |
His roadside period really speaks to me. |
1.2154 |
0.05139 |
65 |
51 |
14 |
0 |
1674 |
We're talking big bucks for this piece. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1675 |
Daring. I heard the artist got shot. |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1676 |
I think this one really captures what it means to be a deer. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1677 |
Yes, Dear, but is it art ? |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1678 |
Early U.S. 15. I really prefer his later work, especially his State Route 27 period. It's usually regarded as only a brief interlude before his Interstate works, but I feel he reached he reached his peak in composition and color use in S.R. 27. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1679 |
Finally, a relief from male images of dominance. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1680 |
Agreed. But 500,000 acorns seems a little steep. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1681 |
What is the artist saying here? |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1682 |
Andy Warhol he is not! |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1683 |
Let’s go, the dude on my left just farted. |
1.2154 |
0.07102 |
65 |
56 |
4 |
5 |
1684 |
Yes, it is representational, but he lacks depth. And, all his work has an eerie sameness to it. |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1685 |
Deep. |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1686 |
This one is entitled 'Look the @#$ Out!' |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1687 |
He really captured their vulnerability |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1688 |
But why did the deer cross the road? |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1689 |
Call me a Philistine, but I swear it's been done before |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1690 |
Pretty gender normative, if you ask me. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1691 |
Doesn’t need a caption...funny just as it is!!! |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1692 |
Those were dark days when humans drove cars. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1693 |
These must be from the her 'yellow' period. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1694 |
It's priceless. It's an original Bambi." |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1695 |
She was hot but I wasn't a family kinda guy. |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1696 |
I don't know art but I know what I like. Yowzah. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1697 |
It lacks a human element. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1698 |
My mama posed for that sign and lived to tell the story |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1699 |
I've never understood what people see in these. |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1700 |
Trust me--they are in a better place. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1701 |
Quadrupedestrian. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1702 |
Lovely madonna and child. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1703 |
I was looking for something a little more non-representational. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1704 |
life's a rut. And then you die. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1705 |
There's a certain animalistic quality to this piece. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1706 |
I warned you this exhibit would make you horny. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1707 |
A bit pedestrian for my tastes. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1708 |
Ah, our evolution from two legs to four to upright two and opposable hooves. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1709 |
They are certainly minimalist. |
1.2154 |
0.05139 |
65 |
51 |
14 |
0 |
1710 |
It captures the tension , but not the depth. |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1711 |
And here we have the Madonna doe and child in yellow, portending his later martyrdom on the crossing. |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1712 |
See -- even artistic geniuses can get into a rut. |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1713 |
She's gained a lot of weight since this was done. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1714 |
I feel the artist is in a rut. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1715 |
I don't know anything about art but I know what makes me horny. |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1716 |
I find his work two dimensional and repetitive. It just doesn't speak to me. |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1717 |
I wouldn't buy it even if it did match our couch. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1718 |
Neat, concise design but just not feeling it as a political statement. Where's the terror, violence, caught in the headlights, emotional loss? |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1719 |
Seriously, we need more of these in the forest. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1720 |
She looks so confident, doesn't she? |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1721 |
He says that one day it just struck him. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1722 |
I think she’s really captured that deer-in-the-headlights look. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1723 |
I preferred his earlier Lascaux stuff. |
1.2154 |
0.07102 |
65 |
56 |
4 |
5 |
1724 |
Stop fawning. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1725 |
This is all so surreal. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1726 |
primitive yes, but moving. |
1.2154 |
0.05139 |
65 |
51 |
14 |
0 |
1727 |
I love the way it just leaps out at you. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1728 |
Simply too abstract. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1729 |
"Stag Party" -- is the title ironic? |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1730 |
I’m glad they put the headlights in the ceiling. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1731 |
Van Doe's black on yellow period was very two dimensional. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1732 |
He is a very talented artist but such a nihilist. |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1733 |
Deer in the Limelight |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1734 |
Not a buck in sight. Typical. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1735 |
I like them all, but I keep returning to the classic "Doe and Fawn". |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1736 |
I can't help but fawn over this one. |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1737 |
OMG! She never told me I had a child! |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1738 |
The mother got run over but the kid made it to a trophy room in Bozeman. |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1739 |
Street art is always so much more authentic. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1740 |
Does that silhouette make me look fat? |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1741 |
Her 'Bambi Years' are a bit too daunting for my taste |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1742 |
I've seen the signs, dude. |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1743 |
This Roadkill Memorial really brings back the memories. Sure glad they have a gift shop. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1744 |
I prefer modernist abstract warning signs over these figurative pieces. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1745 |
This work says so much about the herd's condition and yet nothing at all. I love it! |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1746 |
Call me crazy, but I preferred the taxidermy exhibit. |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1747 |
Bias assumed, this is a big step up from her fallen rock period. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1748 |
This one was inspired by my ex right before she left with the kid. I call it, "Dear Double Crossing." |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1749 |
If only these signs were this well lit in real life... |
1.2154 |
0.06755 |
65 |
55 |
6 |
4 |
1750 |
I think that's my ex-wife! |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1751 |
So placid, so unhurried, so carefree. They're roadkill for sure. |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1752 |
Frankly, I find his school crossing work to be more appealing |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1753 |
I just don't get outsider art. |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1754 |
Much of Rudolph's earlier work depicted teen angst... the title of this piece here is "Don't Cross Me." |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1755 |
Have you ever heard of the artist NYSDOT? |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1756 |
This one is by Vincent Van Doe. |
1.2154 |
0.06002 |
65 |
53 |
10 |
2 |
1757 |
I take your points - but the does the ironic subtext really justify the exacerbating potential of Deer Lives Matter? |
1.2154 |
0.05587 |
65 |
52 |
12 |
1 |
1758 |
An obvious lack of depth perception - no wonder they're a hazard. |
1.2154 |
0.06390 |
65 |
54 |
8 |
3 |
1759 |
I know that true artwork makes you feel uncomfortable but how about unsafe? |
1.2143 |
0.06716 |
70 |
60 |
5 |
5 |
1760 |
I had found some really good hostas, so missed the photo shoot. |
1.2143 |
0.06400 |
70 |
59 |
7 |
4 |
1761 |
Oscar Wild may coined "Life Imitating Art" but I'll bet he never dodged a 40 Ton Semi. |
1.2143 |
0.06400 |
70 |
59 |
7 |
4 |
1762 |
I think it sucks. |
1.2143 |
0.06400 |
70 |
59 |
7 |
4 |
1763 |
I don’t care what they say, road-kill prevention signs are not art. |
1.2131 |
0.06659 |
61 |
51 |
7 |
3 |
1764 |
and then they asked your mother to pose as the model for the sign.. her whole life changed and she never came back home again. |
1.2121 |
0.05511 |
66 |
53 |
12 |
1 |
1765 |
It so captures the essence of "man with the headlights." |
1.2121 |
0.06660 |
66 |
56 |
6 |
4 |
1766 |
Not enough deertail in my opinion. |
1.2121 |
0.05919 |
66 |
54 |
10 |
2 |
1767 |
Naturally, I prefer pointillism. |
1.2121 |
0.07002 |
66 |
57 |
4 |
5 |
1768 |
At least we TRY to get out of the way. |
1.2121 |
0.05511 |
66 |
53 |
12 |
1 |
1769 |
I really like how the artist broke with convention. |
1.2121 |
0.06660 |
66 |
56 |
6 |
4 |
1770 |
Rather primitive |
1.2121 |
0.06301 |
66 |
55 |
8 |
3 |
1771 |
It's just too abstract for my taste. |
1.2121 |
0.05919 |
66 |
54 |
10 |
2 |
1772 |
That Darwin fellow said its for this that we do all the leaping and fighting. |
1.2121 |
0.06301 |
66 |
55 |
8 |
3 |
1773 |
Sentimental drivel. |
1.2121 |
0.05919 |
66 |
54 |
10 |
2 |
1774 |
Powerful symbolism -- it just leaps out at you, doesn't it? |
1.2121 |
0.05511 |
66 |
53 |
12 |
1 |
1775 |
This one is titled "Mother and Child Xing" |
1.2113 |
0.06317 |
71 |
60 |
7 |
4 |
1776 |
I know the deer that posed for these and believe me he's no stag. |
1.2097 |
0.06951 |
62 |
53 |
5 |
4 |
1777 |
It's a cautionary tale. |
1.2097 |
0.06143 |
62 |
51 |
9 |
2 |
1778 |
Finally, works for us to fawn over. |
1.2097 |
0.06143 |
62 |
51 |
9 |
2 |
1779 |
Human art is so primitive. |
1.2097 |
0.06143 |
62 |
51 |
9 |
2 |
1780 |
I don't know... I've never really got these. |
1.2090 |
0.05839 |
67 |
55 |
10 |
2 |
1781 |
The exhibit represents a crossover point in the artist's career. |
1.2063 |
0.05139 |
63 |
50 |
13 |
0 |
1782 |
It's a good thing she looked before she leaped |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1783 |
Kind of makes you wish we weren't color blind, doesn't it? |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1784 |
It feels a bit...derivative. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1785 |
You know Doris, I just don't understand modern art. What is the artist trying to say? |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1786 |
The card says, “Deer Meandering.” What’s THAT all about? |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1787 |
More stereotypes of the 'disengaged buck'. |
1.2063 |
0.05139 |
63 |
50 |
13 |
0 |
1788 |
It must suck to become famous for your work when you're dead. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1789 |
Unless it's on their phone, do you really think they'll see it? |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1790 |
Primitive, but promising |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1791 |
The amber background evokes the imminent danger Bambi's mother faces, and thus the artist reminds us of life's tenuous and fleeting nature. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1792 |
Do they actually target us? |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1793 |
There is a family resemblance |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1794 |
I am transfixed every time I see one of these |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1795 |
You can tell that the artist was at a crossroads. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1796 |
There is a nuance of line in this piece I don't find in the other works. |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1797 |
After these sell I think we should move into soup cans. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1798 |
I think this is a sign we should have a kid. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1799 |
Yes, that's my wife, but that's not my kid. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1800 |
It's better than a "Bullseye" |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1801 |
I prefer the DOT's non-reflective "Madonna and Child" myself. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1802 |
Are we set on yellow? |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1803 |
As much as I like simplicity I'd rather see the artist add some wild berries and nuts. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1804 |
Less is more, but it's nothing to fawn over. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1805 |
I would say our "keep the roads free for deers" campaign is a success. Where is our lobbyist with that ban on the headlights? |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1806 |
Her recent red octogon series just wasn't moving. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1807 |
Decoration is asked to be dearly pleasing, dearly embellishing, and the functional logic of Modernism leaves no room, apparently, for such dearness. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1808 |
Can you belive it!: an art show at the highway administration! |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1809 |
Blitzen, old sport, maybe we should've fought a little harder for paternity leave. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1810 |
How did we ever survive the internal combustion engine era? |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1811 |
It is misleading them. Deer lives matter. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1812 |
Another Madonna and Child? How unoriginal. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1813 |
This one really struck me |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1814 |
Middle Deer: Hmm, when did we use our arms to walk? |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1815 |
This one has sexual harassment written all over it. |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1816 |
A tad doe-eyed for me to be honest. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1817 |
It's about time we took a stand. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1818 |
They are meant to give us a false sense of security. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1819 |
The Natural History Museum has gone leaps and bounds with this exhibit. |
1.2063 |
0.05139 |
63 |
50 |
13 |
0 |
1820 |
Ugh, they never get it right. Those are elk, we are deer. When will they learn? |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1821 |
Look Dasher, isn't that your wife and kid? It looks like they're the stars of this exhibition. |
1.2063 |
0.07212 |
63 |
55 |
3 |
5 |
1822 |
These works examine the very essence of our existence and our relationships with human transportation |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1823 |
It’s called “The bucks stop here.” |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1824 |
So this is the famous Jane Doe... |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1825 |
OK, I'll have the brakes checked this week! |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1826 |
I mean, I could do that. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1827 |
Would ya look at the antlers on that one. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1828 |
For having thumbs, humans aren't great at drawing. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1829 |
I told you there was money in nude modeling. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1830 |
Hmmm...yes....it's his yellow phase. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1831 |
I can't stop looking at it. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1832 |
I really love the artist's use of color in this one. |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1833 |
These have started the Cautionary movement. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1834 |
It manages to be poignant without being cloying. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1835 |
Ah. From his Madoenna Period. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1836 |
I was the first buck she ever made. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1837 |
Ah, those were the days, huh? |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1838 |
Without context, I'm lost. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1839 |
Can you imagine, The Times critic calls it, "pedestrian"? |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1840 |
It’s hard to believe we evolved from that! |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1841 |
Life becomes somehow more profound in the abstract. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1842 |
I dunno, looks overly simplistic, flat and only 2 colors. We're so much more! |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1843 |
Remember when Briney and Diedra sat for that one .. they had to hold the pose for hours, with Pachelbel canon in d playing over and over and over . |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1844 |
Dada? |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1845 |
I see they moved the deer crossing to where there's less traffic. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1846 |
They're awfully naked |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1847 |
Ah, here it is, the famous 'Virgin and Child'. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1848 |
Poor little Bambi doesn't know what coming next. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1849 |
The yellow background adds 10 pounds. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1850 |
I think the subtext is more intriguing than the obvious message. |
1.2063 |
0.05139 |
63 |
50 |
13 |
0 |
1851 |
They should put out warnings signs with this smut. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1852 |
I can see its merit, but I prefer his No Hunting series. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1853 |
They're calling it "Abstract Elkspressionisn" |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1854 |
I resent how objectifying this is. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1855 |
I can't define pornography, but I know it when I see it. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1856 |
Nice postmodern exhibiting an ironical yet playful treatment of the fragmented subjects. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1857 |
Yellow has always washed me out. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1858 |
I just don't get modern art. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1859 |
This work screams caution. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1860 |
When you think about it, the apes really were instrumental in distracting the humans during our takeover. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1861 |
I just don't think it captures our grace. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1862 |
I don't know if it's art, but I know what I like |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1863 |
It means we're no longer needed, she'll take it from here. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1864 |
This artist always paints our dark side! |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1865 |
Got to tell ya, Ralph, the buck stops here. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1866 |
This is a little too Bambi for my taste. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1867 |
I don’t know ... I find him so condescending. |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1868 |
I'm getting a sense of danger from this piece. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1869 |
Notice how it downplays that caught-in-the-headlights look. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1870 |
I understand that the work is based on a Paul Simon song. |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1871 |
The art market is very stagnant right now. |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1872 |
"I heard the artist demands big bucks for his work". |
1.2063 |
0.05616 |
63 |
51 |
11 |
1 |
1873 |
His work is very expensive given his untimely and ironic death. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1874 |
They really should provide a trigger warning on these. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1875 |
Jane is *not* going to like what they've done here. |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1876 |
It feels pedestrian to me. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1877 |
I grant that it conveys the subjects' emotional attachment with a certain accessibility and freshness, even immediacy. But without a stronger sense of montage, I find that it merely signifies in a hopelessly derivative way. |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1878 |
I find this to be totally deerivative. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1879 |
Ah, to be crossing the road again as a young stag! |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1880 |
It's about crossing boundaries. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1881 |
Well, these "family values" images aren't on the interstates as yet... |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1882 |
And yet, history teaches us nothing. |
1.2063 |
0.06054 |
63 |
52 |
9 |
2 |
1883 |
This one was inspired by our fifth poet laureate: Alfred, Lord Venison. |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1884 |
And this is my "Dear Crossing". |
1.2063 |
0.06463 |
63 |
53 |
7 |
3 |
1885 |
His early work is very good, but his later stuff is utter roadkill |
1.2063 |
0.06848 |
63 |
54 |
5 |
4 |
1886 |
Ah, this one's titled, 'Missing The Buck'. |
1.2041 |
0.07131 |
49 |
41 |
6 |
2 |
1887 |
This one's dedicated to my wife. I call it 'Dear Double Crossing,....' |
1.2031 |
0.06370 |
64 |
54 |
7 |
3 |
1888 |
No, no, no...I'm not looking at her, I'm looking at the kid. |
1.2031 |
0.06370 |
64 |
54 |
7 |
3 |
1889 |
Why'd you come if you are only going to criticize? |
1.2031 |
0.05968 |
64 |
53 |
9 |
2 |
1890 |
Got to be your relatives--no depth. |
1.2031 |
0.05537 |
64 |
52 |
11 |
1 |
1891 |
Delightfully unexpected, yet lacking a certain ... je ne sais crois. |
1.2031 |
0.05968 |
64 |
53 |
9 |
2 |
1892 |
I think that's Betty and her son Ronnie |
1.2031 |
0.06370 |
64 |
54 |
7 |
3 |
1893 |
It´s a cross between a Remington and a Landseer. |
1.2031 |
0.05968 |
64 |
53 |
9 |
2 |
1894 |
These were found on overgrown, ancient highways. |
1.2031 |
0.05537 |
64 |
52 |
11 |
1 |
1895 |
I think it is a sign of some sort |
1.2031 |
0.05968 |
64 |
53 |
9 |
2 |
1896 |
¨Why are they crawling on the ground like animals?¨ |
1.2031 |
0.05968 |
64 |
53 |
9 |
2 |
1897 |
It lies midway between sign and image. It is just as far from the literal prose of the utilitarian as from the diffuse poetry of the traditional image. |
1.2031 |
0.06748 |
64 |
55 |
5 |
4 |
1898 |
I don't know why everyone is fawning over this one. |
1.2000 |
0.05883 |
65 |
54 |
9 |
2 |
1899 |
Bambi, of course. But what IS the name of his mother? |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1900 |
Highly deerivative, if you ask me. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1901 |
This one has real stopping power. |
1.1967 |
0.05132 |
61 |
49 |
12 |
0 |
1902 |
I still don't understand why this is considered so controversial. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1903 |
This one's really deep. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1904 |
MOMA: Deer In Headlights |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1905 |
It’s a sign of fertility. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1906 |
Oh, look! This was taken prior to the Enlightenment Period...they are still on all fours.... |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1907 |
This one's a little too serene for me. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1908 |
Looks better with headlights |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1909 |
I'm sick and tired of the single-mother trope. |
1.1967 |
0.06942 |
61 |
53 |
4 |
4 |
1910 |
Crazy times when we used to live amongst animals |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1911 |
Maybe it's me, but I have trouble relating to this feminist art--it seems so pedestrian! |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1912 |
They say the sheet metal adds ten pounds. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1913 |
Don't look up. Bob was frozen for hours last weekend by those lights. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1914 |
It's well executed, but is it relevant today? |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1915 |
What does it for me is the warmth of domesticity, overlaid with that _soupçon_ of danger. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1916 |
It's just all so pedestrian. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1917 |
Long ago, during the war, humans used these to warn each other of our approach. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1918 |
The artist is famous. I know I've seen his art somewhere before. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1919 |
She's got your legs! |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1920 |
Ah yes, primitive |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1921 |
wow, her legs go all the way up the her shoulders! A true super model. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1922 |
Here you can see the influence of Walt Disney's 1942 film Bambi. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1923 |
Ma-DOE-nah and child. Rather trite, don't you think? |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1924 |
I did not have sex with that doe! |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1925 |
Let's over overcome the stereotype and say something. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1926 |
It really creates a sense of foreboding |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1927 |
With you it's always my way or the highway! |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1928 |
Why do you always drag me to these things? |
1.1967 |
0.05132 |
61 |
49 |
12 |
0 |
1929 |
Back then, we seldom heard a discouraging word. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1930 |
A whole series on our black brothers! How quaint!? Desert habitants? |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1931 |
I don't think they capture our essence. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1932 |
Personally, I like to be photographed by headlight. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1933 |
Look at the tail on that one! |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1934 |
We'll I'll be. Do you know who that is? |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1935 |
Even the title of the series, “Found Art,” is reductive. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1936 |
I love this museum. No matter where you turn, you have the right of way. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1937 |
You can tell, she's just in it for the bucks. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1938 |
I think it's a tasteful nude. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1939 |
Nice to get out of the woods every now and then, soak up a little culture. |
1.1967 |
0.05132 |
61 |
49 |
12 |
0 |
1940 |
Oh deer. Oh deer. Oh deer. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1941 |
I suspect it would make more sense with the audio guide, but the damn things keep getting tangled in my antlers. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1942 |
This one makes me want to yell, 'Get out of the road!' |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1943 |
She was cute but always played hard to hit. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1944 |
Dasher has become such a sell-out. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1945 |
This one makes me horny. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1946 |
The narrative is a cautionary one. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1947 |
Wait 'til you see the Jackson Pollocks. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1948 |
These would be better with headlights instead of recessed lights |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1949 |
I don't know--maybe it's a metaphysical study of what it means to be an edge species. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1950 |
Yet they still drive right into us. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1951 |
Here he is with his mother before he became a DOT posterchild. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1952 |
Will that caution sign change your behavior? |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1953 |
Looks like an early John Doe |
1.1967 |
0.07325 |
61 |
54 |
2 |
5 |
1954 |
I don't get it. What are we looking at? |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1955 |
It's really missing it's Xing. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1956 |
there's just something about this one that speaks to me |
1.1967 |
0.06942 |
61 |
53 |
4 |
4 |
1957 |
Like a deer in overhead lights |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1958 |
And these are when we walked on all fours and were hypnotized by headlights. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1959 |
Vincent Van Doe is a genius. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1960 |
A sign of the times. More van Nogh than Gogh. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1961 |
We used to be out there creating chaos. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1962 |
Yeah, we met in the 60s and had a great time together. But the kid, she could have been from any one of us. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1963 |
I always preferred his blue period. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1964 |
You know I’m automatically attracted to beautiful — I just start kissing them. It’s like a magnet. Just kiss. I don’t even wait. And when you’re a star, they let you do it. You can do anything. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1965 |
Hmm - Madonna & child theme suffused by an inchoate sense of foreboding... |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1966 |
I see the juxtaposition of the outlines of the subject matter and the overbearing yellow holds some kind of warning. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1967 |
The geometric minimalism works in such unexpected ways. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1968 |
Ok, I'll buck up: "derivative and misoginist" |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1969 |
I think it means headlights are nearing" |
1.1967 |
0.05132 |
61 |
49 |
12 |
0 |
1970 |
Finally, something original |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1971 |
So placid, so unhurried, so carefree. They're roadkill already. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1972 |
I find this very insensitive to single fathers. |
1.1967 |
0.05132 |
61 |
49 |
12 |
0 |
1973 |
I see that he is out of his rut. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1974 |
All from a DOT warehouse, I think - no bullet holes. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1975 |
Life was so simple in the sign age. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1976 |
Say, doesn't that look like Jane Doe and her kid before that terrible accident they had? |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1977 |
Buck, look at this one! They call it art. |
1.1967 |
0.07325 |
61 |
54 |
2 |
5 |
1978 |
The headlights in the ceiling make it hard to stop staring. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1979 |
Last month, it was a display of headlights. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1980 |
I've never been much of a fan of nouveau-roadkill. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1981 |
What is it saying to you? |
1.1967 |
0.06942 |
61 |
53 |
4 |
4 |
1982 |
"This stuff is tame. I was expecting something edgy like roadkill! |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1983 |
I disagree Carl. I find it hauntingly ironic. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1984 |
Nudes in modern art is so cliche'. |
1.1967 |
0.06942 |
61 |
53 |
4 |
4 |
1985 |
Bambi Warhol is a hack. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1986 |
He's captured the frightened, deer-in-the-headlights emotions of the subject matter that's absent from his earlier works. |
1.1967 |
0.06942 |
61 |
53 |
4 |
4 |
1987 |
Why yellow? |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1988 |
This will really tie my den together. |
1.1967 |
0.06942 |
61 |
53 |
4 |
4 |
1989 |
He was one of the most prolific artists of the last century. |
1.1967 |
0.06942 |
61 |
53 |
4 |
4 |
1990 |
That's you and your mother before you learned to jump. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1991 |
These crossing signs are boring. When do we visit the Mating Season Rituals exhibit? |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1992 |
Have you ever seen so much photoshopping in your life?!? |
1.1967 |
0.06942 |
61 |
53 |
4 |
4 |
1993 |
I may not know art, but I know what I like. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1994 |
Humans, apparently, speed up for majesty and slow down for motherhood. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1995 |
I'm told this gallery usually gets a lot of traffic. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
1996 |
It says the artist was born in Venice, son |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1997 |
The composition, the configuration and, of course, the narrative... |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
1998 |
I like how he hides the details in shadows. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
1999 |
Yeah, yeah. But it's all so deerivative. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2000 |
My kid could have painted these. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
2001 |
But is It Art? Art looks a lot fatter. |
1.1967 |
0.06942 |
61 |
53 |
4 |
4 |
2002 |
Pop Art in the Wild. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
2003 |
I was only three months old when that painting was done |
1.1967 |
0.05132 |
61 |
49 |
12 |
0 |
2004 |
What do ya think? Yours or mine? |
1.1967 |
0.06942 |
61 |
53 |
4 |
4 |
2005 |
Anyone know which is for undecided? |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2006 |
Her earlier work was so pedestrian |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2007 |
I guess I'll never understand this modern art. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2008 |
He only paints by headlight. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
2009 |
I love what it says about the mother-child paradigm. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2010 |
Oh well then you definitely won't like his later work. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
2011 |
This one should sell for a lot of doe. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
2012 |
I like this one for school crosssings! |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2013 |
Same title as the other two- "Deer Crossing." |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
2014 |
I guess this feministic work is just a sign-of-the-times. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
2015 |
Good, but not as compelling as headlights. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2016 |
Too abstract for my taste. |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
2017 |
I understand the 'after' renderings are housed in a separate gallery. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2018 |
I have always favored the nudes. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
2019 |
Headlights Retrospective |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
2020 |
This one I painted from memory. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2021 |
"New" Work? How about 2 stags and a baby? |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
2022 |
After a while, if you’ve seen one “Madonna and Child” you’ve seen them all. |
1.1967 |
0.06537 |
61 |
52 |
6 |
3 |
2023 |
I like the family-oriented theme. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2024 |
Thats the wife and kid. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2025 |
And here we have the artist's muse |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2026 |
So poignant, yet I find the nudity rather gratuitous. |
1.1967 |
0.06105 |
61 |
51 |
8 |
2 |
2027 |
Oh look at that, you were such a sweet little boy… |
1.1967 |
0.05639 |
61 |
50 |
10 |
1 |
2028 |
I wonder which part of this sign says hit us with a car |
1.1964 |
0.06456 |
56 |
47 |
7 |
2 |
2029 |
You caught in ceiling lights, too? |
1.1935 |
0.05058 |
62 |
50 |
12 |
0 |
2030 |
The last time I saw this, I was struck by NSPR8TN. Unfortunately, it drove away. |
1.1935 |
0.06837 |
62 |
54 |
4 |
4 |
2031 |
Their eyes seem to follow me wherever I move around the room. |
1.1935 |
0.06014 |
62 |
52 |
8 |
2 |
2032 |
Now this piece, Paternal Fawning by the late John Doe, is exemplary of the American transgender-crossover movement. |
1.1935 |
0.06014 |
62 |
52 |
8 |
2 |
2033 |
I find the work deerivative |
1.1935 |
0.06438 |
62 |
53 |
6 |
3 |
2034 |
Just imagine: perfectly preserved, early deer cave paintings.... |
1.1935 |
0.06438 |
62 |
53 |
6 |
3 |
2035 |
Quadrupedalism as art. I love it. |
1.1935 |
0.06014 |
62 |
52 |
8 |
2 |
2036 |
‘Another rutting season weeks away and I am out of shape again… Jim relax, they’re photoshopped - I have never seen a doe that skinny in the wild’ |
1.1930 |
0.06352 |
57 |
48 |
7 |
2 |
2037 |
Well, it's said that all the great artists started out doing family portraits. |
1.1930 |
0.06352 |
57 |
48 |
7 |
2 |
2038 |
I hear the stag had his own set of headlights. |
1.1905 |
0.05925 |
63 |
53 |
8 |
2 |
2039 |
I hear he derives his material from personal experience. |
1.1905 |
0.06343 |
63 |
54 |
6 |
3 |
2040 |
Why can't Peggy just use Facebook like everyone else? |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2041 |
This one is only two bucks?! |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2042 |
I see a little silhouette of a lamb. Didn't know that Freddie Mercury could paint. |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2043 |
Eh. My fawn could do that. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2044 |
I remember her. That kid could be mine. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2045 |
How does it make me feel? Like a deer in the headlights. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2046 |
At least it's not the 'deer in the headlights' look. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2047 |
I have a sense of Caution when I view her paintings. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2048 |
I liked his earlier headlight work better. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2049 |
I've seen better art tattooed on my ass. |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2050 |
aren't we color blind? |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2051 |
Can't put my finger on it but this does look familiar... |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2052 |
Everything in here is big bucks. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2053 |
My wife and little boy had to pose three days for this one. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2054 |
...it has the vibrance of a Lichtenstein with the urgency of a NYDOT. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2055 |
It says 'Deer X-ing' but was clearly also target practice. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2056 |
So this is what they mean when they say "caught in the headlights"! |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2057 |
Retouching makes such a difference. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2058 |
And that's the problem these days; the does are always letting the fawns take the lead. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2059 |
Rich in atavistic symbology, yet calming and prosaic! |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2060 |
Post post modern art. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2061 |
I think I've come across this before. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2062 |
Keith Haring did it better. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2063 |
It’s widely believed that before they went extinct, humans revered us. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2064 |
Stylistically, he’s in a rut. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2065 |
I truly believe good art can change hearts and minds... |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2066 |
I really like this Madonna and Child. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2067 |
It feels obvious. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2068 |
Color field, transitional stick figures...saved a lot of us! |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2069 |
This piece marked a significant crossover point in the burgeoning doeist movement. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2070 |
It speaks to me with a quiet intensity. |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2071 |
It's nice, but it doesn't seem right some how. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2072 |
Fawn has grown up so much, hasn't she ? |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2073 |
I don't know. A greeting card maybe. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2074 |
It makes you ask the big questions like ‘Why do talking deer exist and why is this what we display in our art galleries?’ |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2075 |
I find this one moving. He did the others just to make a buck. |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2076 |
It wasn't so long ago that these were everywhere. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2077 |
Well, you have to ask yourself how it will look in a forest. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2078 |
His retrospective last year at the DMV was sensational. |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2079 |
Simple and sentimental, yet it speaks to me on primitive level. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2080 |
She was a good model , but she got run over anyway. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2081 |
The headlights really do add ten pounds... |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2082 |
It's good, but I still prefer the earlier Andeer Warhol, don't you? |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2083 |
Have you noticed that they always depict our women without a tail? |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2084 |
Who's the model for the new crossing artwork? She's hot! |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2085 |
These post modern works just don't do it for me like the old signs. And where is the 'deer xing' I ask you? |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2086 |
Sometimes he missed the mark during his yellow period |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2087 |
They were a species we now refer to as Two Legged Petroleum Burners |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2088 |
This one really speaks to me. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2089 |
'Madonna of the Crossroad' by that early modern master. We're pretty sure humans gathered around these to pray to us. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2090 |
Maybe self-driving cars will save our ass. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2091 |
The lighting in this place reminds me of headlights. It's totally tasteless." |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2092 |
I see what the artist is striving for, but my mother would never let me lead when crossing the street. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2093 |
I'm told this is from his fallow period. |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2094 |
I still can't believe it was only a buck to get in |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2095 |
I love the way he does children. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2096 |
Quit staring like a deer caught in spotlights! |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2097 |
Ma-doe-na and child. |
1.1897 |
0.07153 |
58 |
51 |
3 |
4 |
2098 |
We were young and rent was cheap... |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2099 |
This piece is not worth a hundred bucks |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2100 |
I've never been a big fan of conceptual art. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2101 |
He was the arguably the best wildlife artist ever known in the road department. |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2102 |
Have you ever noticed how it's always the doe home watching the fawn? |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2103 |
Crossing for wimps, I guess. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2104 |
His work is very self-reflective. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2105 |
His greatest masterpiece: "Birth of Venison." |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2106 |
I heard she just got divorced |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2107 |
"Jeez. I think I already saw this on the highway. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2108 |
I can’t help but think it’s a warning. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2109 |
It's called "save the women and children" |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2110 |
Bambi looks so much happier now that she has found a new home. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2111 |
A good rendition of Beatrice and little Buck, don't you think? |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2112 |
I only modeled for the other ones. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2113 |
It might go well with the sectional. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2114 |
It gets old, don't you think? |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2115 |
The symbolism is clear, it's the repetitive black-on-grey that loses me. |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2116 |
This color palette makes me feel safe and less vulnerable. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2117 |
Gender stereotypes are still pervasive apparently. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2118 |
His work was so much better before he went commercial. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2119 |
I could fawn over this piece all season. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2120 |
The prints really don't do justice to the originals. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2121 |
A great artist, but a greater deeritarian, she saved millions of lives. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2122 |
These lights are very distracting. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2123 |
Her lines reveal the best of reindeer breeding. Makes you slow down and look. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2124 |
What's the gender specific pronoun for John Doe? |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2125 |
Dear, this exhibit is so good I think they will probably be taking it on the road! |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2126 |
Curious,why are they all on a yellow background? |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2127 |
That's our latest grandchild! |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2128 |
Funny, I see an old woman in a scarf. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2129 |
if he really wants to develop as an artist, he has to look beyond himself |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2130 |
Yes, an excellent example of post-minimalist Madonna and Child. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2131 |
It's very sexist. Totally dismisses the srag"s critical role. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2132 |
Ironic how the artist died |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2133 |
You know his prices have doubled since he got hit by that car. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2134 |
As I read it, the artist has attempted to render several gender-focused cultural trends via a study in group portraiture: Equal opportunity, family values, and the buck stops here. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2135 |
I think I liked his Ewe period better. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2136 |
What do you think about this one, dear? |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2137 |
I like how they point out where to cross |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2138 |
I believe there's some doe in representational art once again. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2139 |
I find his work derivative. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2140 |
He's in season, all right - I hear he's venison. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2141 |
It just hits too close to home. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2142 |
This is a creative alternate reality from the human crossing signs we normally contend with. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2143 |
It doesn't speak to me. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2144 |
I think it's too derivative. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2145 |
This artist really captures us. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2146 |
It's a rather mediocre Mother and Child in Headlights rendition. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2147 |
I am really struggling to understand this one. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2148 |
Maybe I'm old fashioned, but I prefer staring into the headlights. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2149 |
I'm not sure what the artist is saying either. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2150 |
Such beautiful work and with this lighting I can't seem to look away |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2151 |
Seriously? My three-year old could paint that. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2152 |
Human roads were some fucked up shit. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2153 |
This overhead lighting reminds me of car headlights. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2154 |
Ancient human heiroglyphs |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2155 |
I'll deny I said this ... but once you've seen one of us, you've seen us all. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2156 |
Quit your fawning, it's just street art. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2157 |
His work captures his sense of impending doom so palpably! Imagine what more he could have accomplished. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2158 |
If you cross your eyes just right it looks like a sailboat. |
1.1897 |
0.07153 |
58 |
51 |
3 |
4 |
2159 |
It speaks to me.... |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2160 |
That's an early profile of him, done before his career as an Xing sign model really took off. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2161 |
We still to this date wonder why the ancient human used these for their "roads" |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2162 |
I don't understand this modern stuff. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2163 |
I'm liking this a lot more than last month's roadkill exhibit. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2164 |
Bold forms. But the artist clearly intended for it to be naturally lit. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2165 |
I still don't like the way he appropriates our culture. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2166 |
For me it's a stark and cautionary expression of the mother-child dynamic. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2167 |
I’ve always found they’re yellow period alarming. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2168 |
What do you think it means? |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2169 |
Ever since abstract impressionism went out of style I do notice that we're hit by cars a heck of a lot less. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2170 |
Caveman art is so much better, but at least we're not being hunted here. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2171 |
I always crossed wherever I wanted |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2172 |
They say art inspires primal instincts? Maybe that's why I want to charge the wall... |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2173 |
Since only stereotypes are being shown here, I think we ought to kneel. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2174 |
I hear that the Smokey the Bear exhibit is breathtaking. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2175 |
What is this, a horse? Where are the damn antlers? |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2176 |
It's overpowering. I'm gruntless. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2177 |
My faun could do that. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2178 |
The buck stopped there obviously ! |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2179 |
We are NOT walking home... |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2180 |
"Matisse? No. National Geographics? Not sure. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2181 |
I don't know about you, but I'm sick and tired of the Bambi narrative. |
1.1897 |
0.07153 |
58 |
51 |
3 |
4 |
2182 |
I don't know. I still find it a bit derivative. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2183 |
Personally, I prefer his blue period. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2184 |
My thought is since we mainly get hit at night we should be orange and the sign should be black |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2185 |
What a waste of time--especially for three bucks! |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2186 |
These ancient artifacts are so illuminating. Hard to believe deer used to live like this. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2187 |
And here we have Mondeeron, abstract expressionist, "Madoena" |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2188 |
Ah, Vincent van Doe. Much more refreshing than that Buckson Pollock exhibit. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2189 |
I don't know what I'm looking at here. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2190 |
It all seems so mundane. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2191 |
Too pastoral for my taste. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2192 |
I always wanted to model. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2193 |
You're right- it does resemble Ronnie. Before the accident of course. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2194 |
I don't understand modern art. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2195 |
I swear I met those two outside of Jackson Hole last fall. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2196 |
I just don't like it, I'm a minimalist. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2197 |
What do you think the artist is trying to tell us? |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2198 |
Mondrian-Lichenstein influences are profound, but a nod to ‘Dogs Playing Poker. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2199 |
She was warned about her frisky behavior. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2200 |
Those were the good old days when we walked on all fours. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2201 |
Caution dear, you don't want to buy the first one you've run across. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2202 |
I thought that this was "stag night" at the museum. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2203 |
Many of us died because of your Uncle Buck. He was sick and twisted. He stole these pieces for "art". If it weren't for the motorcycle accident that ended his life and brought attention to his work, we'd still be living in the forest. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2204 |
Realism is so passe. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2205 |
Modernistic, yet tempered by early 19th century sensibilities |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2206 |
I just don't see why it always has to be so political. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2207 |
He is best known for his yellow period. |
1.1897 |
0.05193 |
58 |
47 |
11 |
0 |
2208 |
I'm convinced she'd still be with us if the sign had only had a buck on it. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2209 |
His earlier work was more pedestrian. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2210 |
Yeah, but where are they crossing TO? |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2211 |
I know it’s very literal, but we didn’t fair too well during surrealism. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2212 |
We had no idea he'd be famous. It just seemed like an easy way to make 50 bucks. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2213 |
"For verisimilitude, I'm told, headlights were chosen. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2214 |
A fine example from his domestic period. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2215 |
She looks fat in this one. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2216 |
This NRA Art Gallery, Harry . . . are you sure it's not a set-up? |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2217 |
These are the signs that humans used to warn of our presence, before we took over. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2218 |
If I'd only known! |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2219 |
They will never understand us. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2220 |
That's what the artist wants you to think, but no, their the same size . . . one's just further away! |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2221 |
It's a sign that art is crossing a new threshold. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2222 |
Bambi’s early work relies too much on foreshadowing for my taste. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2223 |
I dunno...any 5-year old could do this. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2224 |
The kid looks alot like you Ralph... |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2225 |
This one really makes you want to stop and think. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2226 |
Must be a shortage of red nose stickers! |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2227 |
If humans crossed at signs like these we wouldn't have run over that grandma on Christmas Eve. |
1.1897 |
0.06250 |
58 |
49 |
7 |
2 |
2228 |
I hear that if you stare for too long, you die. |
1.1897 |
0.05746 |
58 |
48 |
9 |
1 |
2229 |
It must be outsider art. |
1.1897 |
0.06716 |
58 |
50 |
5 |
3 |
2230 |
I detest Impressionism. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2231 |
His images of family life are so evocative. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2232 |
I still didn't get paid for that sitting. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2233 |
That's Bambi, I'm sure of it. I'd recognize her anywhere. |
1.1864 |
0.06151 |
59 |
50 |
7 |
2 |
2234 |
Life was a lot simpler back then. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2235 |
Since the two-legged ones finally departed for Mars in their fiery chariots we have celebrated our freedoms every year on that date, Musk Day. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2236 |
Very predictable. Two deer crossings and BINGO! |
1.1864 |
0.05114 |
59 |
48 |
11 |
0 |
2237 |
Sadly, this is the only known drawing of me and mom. |
1.1864 |
0.06151 |
59 |
50 |
7 |
2 |
2238 |
This leads me to believe that at one time there were African American deer. |
1.1864 |
0.06151 |
59 |
50 |
7 |
2 |
2239 |
Oh, dear. Just what we need, another conservative artist. |
1.1864 |
0.06609 |
59 |
51 |
5 |
3 |
2240 |
The still life paintings are in another wing. These are deer life paintings. |
1.1864 |
0.05114 |
59 |
48 |
11 |
0 |
2241 |
They're calling it Life Imitates Art! |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2242 |
I find his work so reductive. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2243 |
It's obvious that they're crossing, but what is the aesthetic trying to tell us? |
1.1864 |
0.06151 |
59 |
50 |
7 |
2 |
2244 |
It just doesn't make me feel safer |
1.1864 |
0.05114 |
59 |
48 |
11 |
0 |
2245 |
Why can’t you look like that? |
1.1864 |
0.06609 |
59 |
51 |
5 |
3 |
2246 |
I know it's a bit reductive, but I'm captivated by its vulnerability. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2247 |
The normalization of pornography is both scintillating and alarming. |
1.1864 |
0.06609 |
59 |
51 |
5 |
3 |
2248 |
Hard to know, but I saw something similar in the Lascaux caves. |
1.1864 |
0.06151 |
59 |
50 |
7 |
2 |
2249 |
Although primitive and somewhat utilitarian, they do have a certain je ne sais quoi. |
1.1864 |
0.05114 |
59 |
48 |
11 |
0 |
2250 |
The Disney influence. |
1.1864 |
0.06151 |
59 |
50 |
7 |
2 |
2251 |
I misunderstood - I thought you said it was a Stag Party. |
1.1864 |
0.05114 |
59 |
48 |
11 |
0 |
2252 |
Don't worry, son, they are only reproductions. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2253 |
Why should humans even care, they get a new car! |
1.1864 |
0.06151 |
59 |
50 |
7 |
2 |
2254 |
... me a name I call myself ... and that will bring us back to doe doe doe doe ... |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2255 |
Deerly Departed |
1.1864 |
0.06151 |
59 |
50 |
7 |
2 |
2256 |
These were painted before the artist went mad and cut his antlers off. |
1.1864 |
0.06151 |
59 |
50 |
7 |
2 |
2257 |
I'm confused. Are these dressing rooms or warnings? |
1.1864 |
0.06609 |
59 |
51 |
5 |
3 |
2258 |
But does the world really need another Madonna and Child? |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2259 |
This one strikes at one's loins. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2260 |
Hey look at that. Wait is that's me!!!!!!! |
1.1864 |
0.07038 |
59 |
52 |
3 |
4 |
2261 |
I find traffic art, amusing. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2262 |
It's a sign for the family restroom. |
1.1864 |
0.06609 |
59 |
51 |
5 |
3 |
2263 |
Indeed. There are all dear to me. |
1.1864 |
0.06609 |
59 |
51 |
5 |
3 |
2264 |
Ahh, those dangerous days before Self-Driving cars. |
1.1864 |
0.05114 |
59 |
48 |
11 |
0 |
2265 |
I bet this one is worth a few bucks. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2266 |
Eh...middle of the road, at best. |
1.1864 |
0.05114 |
59 |
48 |
11 |
0 |
2267 |
It's called 'deer in spotlight.' |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2268 |
Isn't that nice-they added Junior. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2269 |
Say, I've got an idea for a racy magazine. |
1.1864 |
0.06609 |
59 |
51 |
5 |
3 |
2270 |
This is from his Bambi period. |
1.1864 |
0.06609 |
59 |
51 |
5 |
3 |
2271 |
But what is the sign really saying? |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2272 |
There may be some lingering resentment. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2273 |
They're reproductions, of course. It was would have been unethical to move the originals. |
1.1864 |
0.05657 |
59 |
49 |
9 |
1 |
2274 |
I must say I'm partial to the prancing bucks, but this one suggests a deeper meaning behind the seasonal rut. |
1.1864 |
0.06151 |
59 |
50 |
7 |
2 |
2275 |
It's certainly modern, but I miss the Impressionists. |
1.1837 |
0.06304 |
49 |
41 |
7 |
1 |
2276 |
Why depict them crawling I wonder? |
1.1833 |
0.06506 |
60 |
52 |
5 |
3 |
2277 |
I guess the buck doesn't always stop there. |
1.1833 |
0.06506 |
60 |
52 |
5 |
3 |
2278 |
Spoiler alert: Things don't end well for the mother. |
1.1833 |
0.06506 |
60 |
52 |
5 |
3 |
2279 |
This one speaks to me. Possibly because the doe looks a lot like my mother did. |
1.1833 |
0.06056 |
60 |
51 |
7 |
2 |
2280 |
It's just so quadrupedal. |
1.1833 |
0.05038 |
60 |
49 |
11 |
0 |
2281 |
This piece really moves me. |
1.1833 |
0.06056 |
60 |
51 |
7 |
2 |
2282 |
This really captures the family dynamic. |
1.1833 |
0.06506 |
60 |
52 |
5 |
3 |
2283 |
What captivates me most is my objectivity. |
1.1833 |
0.05038 |
60 |
49 |
11 |
0 |
2284 |
. This was, of course, before his "Road Kill" period. |
1.1833 |
0.06926 |
60 |
53 |
3 |
4 |
2285 |
I think it should be hung a little lower |
1.1818 |
0.06404 |
55 |
47 |
6 |
2 |
2286 |
It says that humans used to view these pictures while driving at high speeds along paved roadways...how odd? |
1.1818 |
0.05855 |
55 |
46 |
8 |
1 |
2287 |
His primary models were Cecil and Doreen but they got hit by a car. |
1.1803 |
0.06405 |
61 |
53 |
5 |
3 |
2288 |
Eh...he's repeating himself. |
1.1800 |
0.06815 |
50 |
43 |
5 |
2 |
2289 |
Actually, I prefer action portraits over still life. |
1.1800 |
0.05488 |
50 |
41 |
9 |
0 |
2290 |
Quite endeering, wouldn't you say? |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2291 |
Not a big fan of his still lives. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2292 |
His work is too derivative. |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2293 |
Where's the trigger warning? |
1.1786 |
0.07256 |
56 |
50 |
2 |
4 |
2294 |
They might as well just put up a big sign that says, "here we are - go ahead and shoot!" |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2295 |
But you could see it as the doe nudging the fawn into traffic, in which case the piece takes on a whole new meaning. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2296 |
On the whole, I like Remington better. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2297 |
That's me and mother - she died on route 80 |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2298 |
We had so much fun, when we were young, didn't we? |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2299 |
The 'Does Matter' movement is having an effect |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2300 |
She's had work done. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2301 |
His earlier work was soooo sentimental! |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2302 |
This one makes me look fat. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2303 |
That's Dave. Before he lost his visitation rights. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2304 |
The subaqueous qualities of the spatiality tend to...CAR!!!! |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2305 |
You don't see the real detail without headlights. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2306 |
I just feel like my fawn could have made this |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2307 |
Bambi’s Mom. Breaks your heart. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2308 |
Strangely, the domesticity of this scene both attracts and repulses me. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2309 |
No, it wasn't Oliver Stone or Francis Ford Coppola. It was Michael Cimino. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2310 |
Makes me want to dart across the street just to show them I'm not so one dimensional! |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2311 |
He didn't get the nose quite right |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2312 |
It doesn't seem ironic to me. Now Warhol's soup cans. That's irony. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2313 |
I just love the contrast. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2314 |
I miss them so much... |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2315 |
Looks just like her mother. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2316 |
They're not as smart as we think ! |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2317 |
I find road art rather pedestrian. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2318 |
I think I knew her. |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2319 |
I find them derivative and simplistic. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2320 |
How come everyone always looks like they're having more fun than me? |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2321 |
Transitive art. Always a favorite. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2322 |
I think it's an expression on helicopter parenting. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2323 |
It doesn' t convey the angst of his other work. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2324 |
Just another bit of art that hammers absentee fathers. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2325 |
This one is from his early black on yellow period. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2326 |
The relative reality of the likeness to our species, is in and of itself, reactionary. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2327 |
For, a Deer, a female deer........ |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2328 |
I preferred the artist's last show, out on Old Route 7. This venue feels much too safe. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2329 |
cold be yours, could be mine |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2330 |
Indeed, the artist's fertile period. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2331 |
I'm rather fawned of this one |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2332 |
Be honest. Does this picture make me look fat? |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2333 |
The original is so much smaller than I expected |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2334 |
Honestly, this piece feels a bit deerivative. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2335 |
I call this series "Deer In Recessed Lighting" |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2336 |
This one doesn't really leap off the canvas |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2337 |
I think Mother-Child art is an over used cliche. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2338 |
Obviously airbrushed. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2339 |
Why are they always minimalist silhouettes? |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2340 |
I believe I slept with both of the models. |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2341 |
I like these so much better than his ‘Construction Zone’ show last year. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2342 |
I think they needed a Dad in that one too - creates even more sympathy. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2343 |
I think they call it 'road art'. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2344 |
We can always count on the DMV to put on the best art exhibitions. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2345 |
We should never have sold the rights to the photographer. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2346 |
That looks like my wife and daughter. |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2347 |
I, for one, am encouraged by the inclusion of the female graze. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2348 |
It was his "In the Headlights" period. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2349 |
Bambi's mother? I fucked her. |
1.1786 |
0.07256 |
56 |
50 |
2 |
4 |
2350 |
That's a nice likeness of Mom and Bambi. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2351 |
Does life imitate art or does art imitate life? |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2352 |
It lacks depth. |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2353 |
I find the overhead lighting startling |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2354 |
See these everywhere. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2355 |
Did Schjeldahl say the art world is a safe space for the dominated or denominated? |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2356 |
Those were the days |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2357 |
I hear they call it found art. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2358 |
So prosaic... I much prefer works from his "post-collision" period. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2359 |
I just can't accept that we descended from those creatures. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2360 |
How can it symbolize "Deer Crossing" if it doesn't have antlers? |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2361 |
Another VanDogh? My hooves are killing me! |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2362 |
By passing the buck, we'll save some doe. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2363 |
It's a remarkable use of reflective sheeting... much brighter than I expected. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2364 |
Curb Your Fawning |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2365 |
I passed the buck. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2366 |
Without the post, it's not modern. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2367 |
This was recovered more recently - also of unknown origin, but demonstrating a primitive appreciation of form. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2368 |
WE NEED A SIGN TO PROTECT US FROM THE HUNTERS. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2369 |
More than a bit kitschy, wouldn’t you say? … I much prefer his blue period! |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2370 |
I told her she could take him but not to stop to take pictures. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2371 |
This is it? These are our ancestors? |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2372 |
When I heard this was a Dada exhibition, I didn't expect to see my father. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2373 |
Hmmpf. Appealing to our animal instincts. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2374 |
More pastoral, less alarmist certainly. Unlike his earlier phases , I agree. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2375 |
I don't mind the people; it's the darn cars that concern me. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2376 |
Cognitive doessonance |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2377 |
Black on dark gray, the artists color palette is inspiring. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2378 |
The art is interesting...but the security guard with the hunting rifle at the entrance is a tad unsettling... |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2379 |
Yes, but as a buck, don't you think we're equally victimized by gender role stereotyping? |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2380 |
And this was during my Warning Period |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2381 |
Classic, yes, but I can’t help finding the Bambi School a bit cloying. |
1.1786 |
0.07256 |
56 |
50 |
2 |
4 |
2382 |
I miss mom. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2383 |
It is surreal, because they are walking on four legs! |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2384 |
What do you mean 'it doesn't speak to you?' |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2385 |
It's the biggest exhibit of its kind, there are deer crossing signs for the next 3 miles. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2386 |
Nice rump, huh. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2387 |
I did that before it was cool. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2388 |
The original is hanging in the Houvre. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2389 |
oh deer! we are on display |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2390 |
They're okay, I guess, but they really can't compete with the ones that the Lascaux people did. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2391 |
It seems like the artist might be in a rut |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2392 |
They keep getting the antlers in the wrong spot. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2393 |
What is this? |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2394 |
But is it art? |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2395 |
It certainly provokes discussion. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2396 |
None of this art is hung well. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2397 |
I wonder what xing means |
1.1786 |
0.07256 |
56 |
50 |
2 |
4 |
2398 |
And that's why you need to use protection son. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2399 |
This modern art with all its nudity, well I don't like it son. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2400 |
They're beautiful, but come from an unsigned edition. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2401 |
Silhouettes on school bus yellow seem derivative yet convey a certain sense of ennui. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2402 |
Derivative. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2403 |
The artist seems to be playing with the concept of flatness. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2404 |
I hate realism. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2405 |
Did I ever tell you that my ex-wife was a model? |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2406 |
The lighting is all wrong. The headlights should be shining straight at the subjects, not down from above. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2407 |
Watch how the eyes look like they are in the headlights when you move. |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2408 |
Technically they are warning signs but I find them far more soothing than his last series with those bullseyes. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2409 |
We were so young and beautiful when we posed for this series. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2410 |
They really captured her Silhouette |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2411 |
It really doesn't capture me. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2412 |
It means 'Beware of silhouettes.' |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2413 |
It's post-Paleolithic |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2414 |
I am transfixed by her enigmatic smile. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2415 |
Reminds me of an old flame I ran into. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2416 |
I feel like this is a much larger statement about our proliferation as a species. |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2417 |
Try telling kids today what it was like growing up back then. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2418 |
Further propagation of the stereotype that none of us are nurturers. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2419 |
Call me biased, but I much prefer the Fawnist movement to the Fauvist one. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2420 |
Back in the day, we used to be signs. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2421 |
I can't seem to appreciate the artist's message under these lighting conditions. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2422 |
There's a neo-crypto-feminist slant that betrays a patently fawning need to please. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2423 |
Our yearling could do better than this. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2424 |
Today's our last day, tomorrow they bring in the Moose's. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2425 |
since the artist died in a hit and run, my investment in these has doubled |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2426 |
It moves me. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2427 |
The works are staggered unevenly in this show. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2428 |
His yellow period was his most creative. |
1.1786 |
0.05759 |
56 |
47 |
8 |
1 |
2429 |
Venison Van Gogh Museum. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2430 |
Are they really doing anyone any good cooped up in a museum? |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2431 |
If you stare at it long enough and unfocus your eyes, you can see three-dimensional headlights coming right at you. |
1.1786 |
0.07256 |
56 |
50 |
2 |
4 |
2432 |
I love the way these antelopes play. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2433 |
I like how the use of yellow symbolizes headlights |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2434 |
Let's go and see the picture of your Dad leaping, before that nasty tour bus turned up |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2435 |
I posed for this as a fawn. |
1.1786 |
0.06793 |
56 |
49 |
4 |
3 |
2436 |
I know it's art, but do they have to be naked? |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2437 |
These artifacts predate the uprising, back when we pretended to walk on all fours. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2438 |
She would have been a great mother. |
1.1786 |
0.06297 |
56 |
48 |
6 |
2 |
2439 |
Sexism is getting out of hand. |
1.1786 |
0.05164 |
56 |
46 |
10 |
0 |
2440 |
I'd get caught in headlights to paint like that. |
1.1754 |
0.05083 |
57 |
47 |
10 |
0 |
2441 |
I really yield to this artist's work. |
1.1754 |
0.05665 |
57 |
48 |
8 |
1 |
2442 |
I just don't get abstract art. |
1.1754 |
0.05665 |
57 |
48 |
8 |
1 |
2443 |
It’s a classic, dear. |
1.1754 |
0.05665 |
57 |
48 |
8 |
1 |
2444 |
The panel on the right is feet crossing in. The panel on the right is feet crossing out. The panel on the center is the well known The Buck Stops Here. |
1.1754 |
0.06194 |
57 |
49 |
6 |
2 |
2445 |
our relationship didn't last the season |
1.1754 |
0.05665 |
57 |
48 |
8 |
1 |
2446 |
I must admit, parenthood can certainly cramp one's style. |
1.1754 |
0.06194 |
57 |
49 |
6 |
2 |
2447 |
You know, my cousin Donny saw one of these in the wild. An Elksy, if I'm not mistaken. |
1.1754 |
0.06681 |
57 |
50 |
4 |
3 |
2448 |
These are much too commercial to be considered fine art. |
1.1724 |
0.05575 |
58 |
49 |
8 |
1 |
2449 |
This one is very rare indeed. I've never seen one in all my crossings. |
1.1724 |
0.06094 |
58 |
50 |
6 |
2 |
2450 |
Just a bit self-reflexive, n'est-ce pas? |
1.1724 |
0.06094 |
58 |
50 |
6 |
2 |
2451 |
Dear, a doe? |
1.1707 |
0.06899 |
41 |
35 |
5 |
1 |
2452 |
I don't know much about deer crossing signs, but I know what I like.....and she's hot. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2453 |
It's remarkable what this Bambsi is doing for street art these days. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2454 |
He does not show us reality the we want to see it but like it is. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2455 |
I dunno Jim, something about that fawn just doesn't sit right |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2456 |
And this represents our public façade, you can say…on all fours. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2457 |
He had an unyielding vision. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2458 |
I'm disappointed. He's giving us the same old same old. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2459 |
They're just so ... derivative. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2460 |
Look at the fine details in this iconic image of the Madonna and Child! |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2461 |
Another single mother struggling to support her child. This is what happens when young bucks get crazy and try to outrun bullets, son. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2462 |
Not another Madonna and Child ... |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2463 |
I'll check to see if Vermont pays residuals |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2464 |
I didn't say "Venetian" painting, I said "Venison." |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2465 |
I was never much for modern realism... |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2466 |
That was my wife and daughter before a texting driver took them away. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2467 |
I like this one -- it doesn't jump out at you. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2468 |
Reminds me of walks with our kids... |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2469 |
That's it? Silhouettes? |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2470 |
I always have trouble with abstract art. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2471 |
Stagus erectus: ruminating on ascendency to bipedalism. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2472 |
Why do they even need a sign for that? |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2473 |
So what's your thoughts on family planning? |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2474 |
Evolution? I don't buy it frankly. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2475 |
I love the expression of vulnerability... |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2476 |
I love the Elkhart museum. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2477 |
I know, right? It's like, dude, if Darwin was never born, evolution wouldn't have even existed. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2478 |
Reminds me of my first doe. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2479 |
His later work gets a lot darker. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2480 |
When someone from your hometown makes it big. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2481 |
I liked his early work, but now he's just repeating himself. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2482 |
Where I come from, that's not art. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2483 |
My fawn could do better than this. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2484 |
It was like that before we moved to New Jersey. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2485 |
It's Pop but is it Art? |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2486 |
Well, I don't think they had alimony issues at that time. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2487 |
It's from his ma-doe-na and child series. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2488 |
Hmm. It looks like Uncle Charlie. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2489 |
I’ll admit, they have a certain je ne sais quoi. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2490 |
Brilliant...From his Stag Night period, I believe. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2491 |
Had they known what was coming, they certainly would never have made these signs. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2492 |
Here, I'll explain it to you. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2493 |
Portraiture bores me. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2494 |
This one's a little dear. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2495 |
I don't know if it's art, but I like it. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2496 |
There she is with Bambi and there he is carousing around looking for distractions on the highway. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2497 |
It speaks to me of the nagging angst of four lanes. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2498 |
Four legs good, two legs better! |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2499 |
Exhibition at MODA |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2500 |
Oh my goodness, Bella, you were such a cute little fawn before you were caught in those headlights. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2501 |
His style has evolved since his drawings for Bambi. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2502 |
"Mother and child"....sooooo overdone. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2503 |
Before the North Korean war, ancient humanoids worshipped our ancestors. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2504 |
Ah, yes, the Madonna and Child. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2505 |
"Ce n'est pas un cerf" - I don't get it. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2506 |
I thought it was a one night stand |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2507 |
Okay okay it's mine, but that was seven years ago. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2508 |
She sent me a “Deer John” when she found out she was pregnant! |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2509 |
I'm guessing the artist is working through some daddy issues. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2510 |
Now I gotta pay fawn support. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2511 |
Now this speaks to me in a way the shiny "balloon deer" never will. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2512 |
No, that's definitely Martha. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2513 |
The memories are too painful, I must leave. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2514 |
I just wish he'd use my good side. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2515 |
He produced this following his rut period. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2516 |
I don't know, Rudy. DOE CROSSING just sounds so girly to me. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2517 |
More like Deer Crossing Legs. Haha. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2518 |
His earlier work was better, but this one's a forgery! |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2519 |
Ahhh, life before car phones. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2520 |
You think it targets drivers with children?" "Don't say targets |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2521 |
They're not prancing 'cause it's Still Life. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2522 |
I favour landscapes over portraiture. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2523 |
She reminds me of my mother. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2524 |
You choose. These make me feel like a human in the headlights. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2525 |
Do you think she has implants |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2526 |
Why didn't you use birth control? |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2527 |
Ah. The definitive Madonna and Child! |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2528 |
I'm just not into animal realism. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2529 |
i THINK SHE'S CAPTURED THAT 'PERSON IN THE HEADLIGHTS' LOOK. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2530 |
I can't find any meaning in this work. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2531 |
I prefer the action ones. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2532 |
The violent treatment of his subject matter is tempered by his unusual chiaroscuro technique. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2533 |
I'm still partial to his 'No Hunting' series. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2534 |
Typical artist: he played the field; they split up and now he's on the rebound. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2535 |
What's your take on this family bathroom stuff?" |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2536 |
The artist is a deer friend of mine. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2537 |
Is it still cultural appropriation when it's this beautiful? |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2538 |
Fawnvism? |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2539 |
The funny thing is, that guys name is Art. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2540 |
I see why the critics are fawning over this one. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2541 |
I did say maybe we'd buy something. But it's just too dear. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2542 |
A facile appeal to sentiment, don't you think? |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2543 |
Can you believe that they used to walk on four legs. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2544 |
I remember when they took that picture, you were just a baby. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2545 |
May as well be sitting ducks. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2546 |
A bit pedestrian. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2547 |
Your wife has great legs. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2548 |
Oh dear. That's really something. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2549 |
I’m having a Proust moment seeing my mother and me quadrupedal and all. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2550 |
It says that this was Bambi's first appearance. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2551 |
It's s a bit derivative |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2552 |
I much prefer this to his school children period. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2553 |
This is the last thing my mother saw before she was run over. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2554 |
I've never set foot in Maine! |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2555 |
I readily yield to your interpretation, though I maintain that there are elements of Dada that cannot be ignored. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2556 |
'Madonna and Fawn' by The Master of Interstate 80. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2557 |
This one clearly is Sexist |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2558 |
Trust me, young man, stay away from these if you can. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2559 |
I find this work quite pedestrian. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2560 |
It's derivative. Stop fawning over it. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2561 |
Why did they amble to their deaths? For a moment of glory on a road sign? |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2562 |
I love the Realists. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2563 |
Perhaps ... but I tend to read his work allegorically. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2564 |
This one really struck me - like I was in the headlights. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2565 |
Finally, someone bucking the trend! |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2566 |
I've always found their work to be a bit pedestrian |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2567 |
Jean Doe's 'Les Biches' from his Jaundice Period. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2568 |
Do you see that guy behind me? He's staring at my crotch. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2569 |
I miss her too Bambi |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2570 |
Boys, it’s time you learned about the birds and the bees. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2571 |
Such dark times. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2572 |
Remember this picture when Sherman was content to be by our side. Now look at him, longing to join the rest of the herd. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2573 |
Needs a pop of red! |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2574 |
The artist was Chinese. Each family could only have one. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2575 |
No, leave it there. I'll call it 'Deer in the Headlights.' |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2576 |
We're currently in litigation over graphic misrepresentation. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2577 |
Big Bucks for Art! |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2578 |
I think the guard is beginning to suspect we're not human. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2579 |
I can't understand what they thought was so controversial. |
1.1698 |
0.07493 |
53 |
48 |
1 |
4 |
2580 |
I really respond to this new Alarmist work. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2581 |
I hear the artist has been delayed by traffic. Let's go grab a bite. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2582 |
Art imitating life!!!! |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2583 |
This one is on my buck-et list. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2584 |
And they just stood there when they saw headlights coming? |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2585 |
too representational |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2586 |
Finally, an accurate depiction. It’s “game crossing,” not “game leaping.” |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2587 |
This one speaks to me. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2588 |
This is what happens when we give the doe's the vote and let them be artists. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2589 |
I guess the buck stops here. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2590 |
I priced this piece one buck less..... |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2591 |
I really like it, but it's a lot of doe. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2592 |
This collection is called 'Death'. The artist attempted to capture the last image we see before we go. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2593 |
come to the deer museum... it only costs three bucks... |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2594 |
The cave paintings are much better and you get to go to France. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2595 |
The brushwork is a little crude but I think I understand what he is trying to say. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2596 |
She's a DILF |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2597 |
No, that outfit doesn't make you look fat. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2598 |
They see potential tragedy. So do we. That shared point of view is what interests us both. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2599 |
Still life with fawn. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2600 |
Black lives matter |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2601 |
You looked so young then. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2602 |
Modern art is so pedestrian. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2603 |
This. This takes me back. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2604 |
The turning point was when we actually started reading these. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2605 |
Not long after that she was shot. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2606 |
How come you don't look like that anymore? |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2607 |
I don't feel like the artist is speaking to me. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2608 |
This one bucks the trend. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2609 |
The artist was drastically underappreciated during his career. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2610 |
They were illustrations showing drivers what to hit. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2611 |
What's your sign? |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2612 |
This lighting always gives me tunnel vision. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2613 |
I, for one, am tired of the Bambi references. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2614 |
This place sucks. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2615 |
Poor bastards. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2616 |
I told you having to walk the dog every day would suck |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2617 |
I think his Red Period pieces are actually better. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2618 |
I pass by a poor imitation of this in my neck of the woods, it can never convey the beauty of the original. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2619 |
I really see myself in these. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2620 |
I call this "Taking My Sweet Damn Time". |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2621 |
It loses something without the headlights. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2622 |
Really? That's where we come from? |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2623 |
It's nice to see representationalism making a comeback. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2624 |
These pieces only reinforce hackneyed stereotypes |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2625 |
These liberal artists always glorify single motherhood. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2626 |
Impressionism is dead. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2627 |
I have never been too fond of the classics... |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2628 |
And to think that humans once drove their own cars. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2629 |
look at these doodes ... |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2630 |
Personally, I feel that artwork like this only serves to advance the notion of the "four hoofs on the ground" stereotype. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2631 |
Now that's what I call Realism |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2632 |
Trust me - you don't want to mix with the crowd viewing the "Rats in the Subway" exhibit down the hall! |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2633 |
Oh deer. I am not fawned of this. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2634 |
No, I don't like it that much. I'm just frozen under these headlights. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2635 |
How far have we come |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2636 |
I'm okay with this stuff, as long as they show the headlights ! |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2637 |
These "Studies in Yellow" are fine but I prefer his Blue Period. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2638 |
It lacks a human element. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2639 |
These are from the 20th and 21st century - the dark ages. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2640 |
But do you see it as the driver, or as the car? |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2641 |
Serene ... but overall, perhaps a bit too formulaic. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2642 |
Such an endearing gallery |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2643 |
It's a good silhouette, but not a great silhouette. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2644 |
I see a little silhouetto of a deer |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2645 |
Notice the unique perspective. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2646 |
Narcissistic and self-indulgent, if you ask me. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2647 |
I'm not sure why, but this one gives me a boner. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2648 |
I knew him before he turned commercial. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2649 |
A five years old deer could have painted this |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2650 |
I preferred his performance art |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2651 |
I see the artist striving to express himself outside of the strict public works tradition. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2652 |
So this is what they call "deer in the headlights?" |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2653 |
milf. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2654 |
This ones called Road Kill. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2655 |
I saw this van gogh by the road yesterday |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2656 |
Yes Bambi, They are your baby pictures |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2657 |
As design, I like it. But is it art? |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2658 |
Oh dear. My four year old could do that. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2659 |
These were during his yellow period |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2660 |
The commentary on relationship between mother and child is superb. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2661 |
Junior sure enjoys those Playdoe Magazine Posters. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2662 |
You're right--it is rather derivative. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2663 |
Don't you just love self-portraits of famous artists? |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2664 |
Primitive yet fascinating. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2665 |
I wonder, do we cross for the pursuit of art or does art exist because we cross? |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2666 |
That's a lot of doe |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2667 |
DEAR GALLERY PRESENTS: the crossroads of abstract symbolism |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2668 |
I don't get this one at all. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2669 |
I don't know why this art's called "Deer In The Headlights". But I am quite mesmerized. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2670 |
I think that’s my ex Xing. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2671 |
I really don't get modern art. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2672 |
Wow, The Yorker can now afford color |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2673 |
I love the texture, the posture, the lady-stepping. Finally, a doe who refuses to prance. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2674 |
We would have been majestic and elegant but for evolution. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2675 |
The Madonna and child. Very powerful. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2676 |
During the rut she said, "Nice rack. Big, strong.," so I thought... and then Buck came along. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2677 |
Apparently this Xing fellow is very prolific. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2678 |
I’d buy it, but it’s too much doe. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2679 |
I think it’s a sign of reflection. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2680 |
They all look like 'deer in the headlights' to me. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2681 |
They should make this into a movie. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2682 |
The museum has been accused of pandering to its audience, but I just don't see it. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2683 |
Not my better side |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2684 |
His art is half gay and half incest pedophilia. I guess Freud was right. |
1.1698 |
0.06992 |
53 |
47 |
3 |
3 |
2685 |
I have a print of this at home. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2686 |
I also posed for this one. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2687 |
And in this scene, Bambi's mother first realizes it's a forest fire, not a sunset. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2688 |
Well – the invite said stags only. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2689 |
I disagree, these painting are not from his Yellow Period, they represent his expression of the Triangularist movement. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2690 |
It would've been a nude, but her fawn showed up. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2691 |
Expensive but worth the investment for my road. |
1.1698 |
0.05207 |
53 |
44 |
9 |
0 |
2692 |
This is way too abstract for my tastes. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2693 |
Yeah, he's a one-trick pony; but I DO like this one |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2694 |
I prefer landscapes. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2695 |
The breakout stars in the movement were renowned for their heroic antics and obsession with classicism. The implied misogyny was later exploited. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2696 |
That was me as a youngster. She taught me everything about where to cross. |
1.1698 |
0.05862 |
53 |
45 |
7 |
1 |
2697 |
How endeering. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2698 |
My first, but she's gone now; a victim of the 'bump stock.' It's legal, you know. |
1.1698 |
0.06452 |
53 |
46 |
5 |
2 |
2699 |
So many layers. Such complexity. Only a genius could have done this. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2700 |
I-495 Memorial |
1.1667 |
0.05119 |
54 |
45 |
9 |
0 |
2701 |
Remarkable. I understand the painter was in prison. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2702 |
These things were ubiquitous before humans evolved Musk. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2703 |
I'm not sure we need another "Madonna and Child" in this day and age. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2704 |
Ah, the 70's. The beginning of the end for the nuclear family. |
1.1667 |
0.05119 |
54 |
45 |
9 |
0 |
2705 |
All it says to me is that we're missing rutting season again. |
1.1667 |
0.06868 |
54 |
48 |
3 |
3 |
2706 |
He swears it's him. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2707 |
It doesn't capture the motivating force behind the action. |
1.1667 |
0.05119 |
54 |
45 |
9 |
0 |
2708 |
I just don't understand his Bambi phase. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2709 |
Its both a warning and a moment in time for me. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2710 |
If life imitates art then we need to stop going these things |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2711 |
I told my ex and that daughter of ours that I would make them famous one day. |
1.1667 |
0.06868 |
54 |
48 |
3 |
3 |
2712 |
Audacious artistry. And yet stunningly personal. It is as if I finally see myself. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2713 |
How can Timmy be taking so many selfies without any opposable thumbs? |
1.1667 |
0.05119 |
54 |
45 |
9 |
0 |
2714 |
This is from his realism phase. You won't believe what came next. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2715 |
The modern portrayal of doe and fawn actualizes very nicely here. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2716 |
We don't live in a vacuum. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2717 |
I think it's meant to be ironically feminist. |
1.1667 |
0.06876 |
48 |
42 |
4 |
2 |
2718 |
Well, I like it, but I'm not gonna lock horns over it.... |
1.1667 |
0.05119 |
54 |
45 |
9 |
0 |
2719 |
And this one is called "Madonna and child" from his early period. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2720 |
Mother & child... once again, no father in the picture. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2721 |
O'Deer Look At That |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2722 |
This exhibit includes pictures of my first two jumps and my final suckle." |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2723 |
Finally, an exhibit with substance. |
1.1667 |
0.06868 |
54 |
48 |
3 |
3 |
2724 |
That's a gimmick sign, designed by the NRA to lure young members. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2725 |
I only come to these things for the free food... |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2726 |
A rather unimaginative color palette |
1.1667 |
0.05119 |
54 |
45 |
9 |
0 |
2727 |
I think the artist has caught the essence of life, rebirth. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2728 |
She looks familiar. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2729 |
I titled this one:: Ma Donner and Child. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2730 |
Mom looks so young in that pocture |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2731 |
Who knew representaions like this could be so endearing? |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2732 |
I hate this one; it makes my butt look big. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2733 |
The result of the other sign. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2734 |
I love how the artist captured none of them. |
1.1667 |
0.07359 |
54 |
49 |
1 |
4 |
2735 |
I can't believe it...I dated her in high school! |
1.1667 |
0.05119 |
54 |
45 |
9 |
0 |
2736 |
Some say his Blue period was his best, I on the other hand have always thought his Yellow period was his most important. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2737 |
The artist is crossing the line with this new exposition |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2738 |
It's derivative. |
1.1667 |
0.05119 |
54 |
45 |
9 |
0 |
2739 |
How long are you gonna fawn over this? |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2740 |
Jane was horrified when she learned humans are using this for street art. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2741 |
I'm afraid I prefer those cave paintings. |
1.1667 |
0.06339 |
54 |
47 |
5 |
2 |
2742 |
He's known for very still lifes. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2743 |
Derivative stuff. Let's move on. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2744 |
Never a stag party. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2745 |
He does a consistent job of signing his work. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2746 |
Hey they forgot to capture us! |
1.1667 |
0.06868 |
54 |
48 |
3 |
3 |
2747 |
And this one represents the protectiveness of motherhood. |
1.1667 |
0.05761 |
54 |
46 |
7 |
1 |
2748 |
She's got her mother's legs. |
1.1667 |
0.05119 |
54 |
45 |
9 |
0 |
2749 |
This one just doesn’t leap out to me! |
1.1667 |
0.05761 |
54 |
46 |